Nicole King – författare

Rage is having a moment. It is everywhere, among men, women and children, but particularly among feminists like us. This Element is a concentrated meditation on women's rage in Bruised Hibiscus (2000) and Negra (2013), two novels by and about Caribbean women. We explore how expressions of rage braided with feminist solidarity figure in these novels and how this mixture produces affective and political responses to racism and gender-based violence. Our focus on the contours of Caribbean women's rage advances feminist thought on rage as a political tool of power. In selected readings of our two novels, we identify feminist solidarity as an essential and shared factor in the discursive expression of Caribbean women's rage: We argue that the female protagonists in Bruised Hibiscus and Negra articulate their rage differently but use it similarly to claim the power to resist if not to eradicate racism, gender-based violence, and sex shaming.

Rage is having a moment. It is everywhere, among men, women and children, but particularly among feminists like us. This Element is a concentrated meditation on women's rage in Bruised Hibiscus (2000) and Negra (2013), two novels by and about Caribbean women. We explore how expressions of rage braided with feminist solidarity figure in these novels and how this mixture produces affective and political responses to racism and gender-based violence. Our focus on the contours of Caribbean women's rage advances feminist thought on rage as a political tool of power. In selected readings of our two novels, we identify feminist solidarity as an essential and shared factor in the discursive expression of Caribbean women's rage: We argue that the female protagonists in Bruised Hibiscus and Negra articulate their rage differently but use it similarly to claim the power to resist if not to eradicate racism, gender-based violence, and sex shaming.

C. L. R. James (1901-1989), one of the most important intellectuals of the twentieth century, expressed his postcolonial and socialist philosophies in fiction, speeches, essays, and book-length scholarly discourses. However, the majority of academic attention given to James keeps the diverse mediums of James's writing separate, focuses on his work as a political theorist, and subordinates his role as a fiction writer. This book, however, seeks to change such an approach to studying James. Defining creolization as a process by which European, African, Amerindian, Asian, and American cultures are amalgamated to form new hybrid identities and cultures, Nicole King uses this process as a means to understanding James's work and life. She argues that, throughout his career, whether writing a short story or a political history, James articulated his attempt to produce revolutionary, radical discourses with a consistent methodology. James, a Trinidad-born scholar who migrated to England and then to the United States and who described himself both as a black radical and a Victorian intellectual, serves as a definitive model of creolization. King argues that James's writings also fit the model of creolization, for each is influenced by diverse types of discourses. James rarely wrote from within the confines of a single discipline, instead choosing to make the layers of history, literature, philosophy, and political theory coalesce in order to make his point. As his West Indian and Western European influences converge in his work and life, he creates texts that are difficult to confine to a specific category or discipline. No matter which writerly medium he uses, James was preoccupied with how to represent the individual personality and at the same time represent the community. The C. L. R. James that emerges from King's study is a man made more compelling and more human because of his complicated, multilayered, and sometimes contradictory allegiances. Nicole King is an associate professor of literature at the University of California (San Diego). She has been published in Soundings and the forthcoming book Minds, Bodies, Blackness.

This volume explores the emergent process of developing translanguaging repertoires among teacher educators, pre- and in-service teachers in different U.S. teacher education contexts. Its empirically based chapters adopt various qualitative methods to unpack the opportunities and challenges and provide implications for critical teacher education. It will be of interest to researchers and teachers in bilingual education, TESOL and social justice.

This volume explores the emergent process of developing translanguaging repertoires among teacher educators, pre- and in-service teachers in different U.S. teacher education contexts. Its empirically based chapters adopt various qualitative methods to unpack the opportunities and challenges and provide implications for critical teacher education. It will be of interest to researchers and teachers in bilingual education, TESOL and social justice.