Niels Gutschow - Böcker

The volume investigates the visualization of both ritual and decorative aspects of auspiciousness and protection in the form of celestial characters in art and architecture. In doing so, it covers more than two and a half millennia and a broad geographical area, documenting a practice found in nearly every corner of the world. Its transcultural approach aims at gaining insights into cultural dynamics and consistent networks and defining new historical mindmaps; it examines reciprocal effects and aspects of interwovenness in art and architecture with a view to reconceptualizing their established realms. The collection opens a window on a phenomenon in the history of art and architecture that has never before been considered from this perspective. The book focuses on a transcultural iconography of aerial spirits, goddesses and gods in art history, pursuing a methodologically innovative approach in order to redefine and develop the practice of identification and classification of motifs as a means to understanding meaning, and attempting to challenge the categories defined by academic disciplines.

The book contributes to a recontextualization of authenticity by investigating how this value is created, reenacted, and assigned. Over the course of the last century, authenticity figured as the major parameter for the evaluation of cultural heritage. It was adopted in local and international charters and guidelines on architectural conservation in Europe, South and East Asia. Throughout this period, the concept of authenticity was constantly redefined and transformed to suit new cultural contexts and local concerns. This volume presents colonial and postcolonial discourses, opinions, and experiences in the field of architectural heritage conservation and the use of site-specific practices based on representative case studies presented by art historians, architects, anthropologists, and conservationists from Germany, Nepal, India, China, and Japan. With more than 180 illustrations and a collection of terminologies in German, English, Sanskrit, Hindi, Nevari and Nepali, classical Chinese and standard Mandarin, and Japanese, these cross-cultural investigations document the processual re-configuration of the notion of authenticity. They also show that approaches to authenticity can be specified with key analytical categories from transcultural studies: appropriation, transformation, and, in some cases, refusal.

Text in English, German and Japanese. The architecture of Japan, both historic and contemporary, has attracted architects from all over the world since the early 60s. In search of the 'Japaneseness' of place (ma), space and architecture several dissertations have been written, especially about the Japanese house and rituals, Conservation, however, was largely neglected. Only recently, with the listing of Japanese sites as Unesco World Heritage in 1994 and the Nara conference on authenticity in 1995, has the Japanese approach to conservation emerged as an intriguing issue. The practice of dismantling and reconstructing complex timber structures represents an essentially Japanese approach. Moreover, the refined documentation and structural research prior to any intervention are much admired by the international conservation community. The articles for this publication were prepared in the context of a Japanese-German co-operative programme in architectural and urban conservation in 1996-98. For the first time ever a Western publication attempts to portray the Japanese practice of repair -- hozon -- of historic structures. Detailed photographic documentations demonstrate the beauty of timber structures that are otherwise concealed by roofs and walls. It also becomes evident that an architectural object is not an entity that is defined once and for all, but an object that allows for change. Documentations of ongoing projects, with emphasis on the Fudo-do on the sacred mountain of Koyasan, explain and justify various kinds of interventions that are aimed at structural reinforcement and disaster prevention.