Nigel Saul – författare

Lordship and Faith takes as its subject the many hundreds of parish churches built in England in the Middle Ages by the gentry, the knights and esquires, and the lords of country manors. Nigel Saul uses lordly engagement with the parish church as a way of opening up the piety and sociability of the gentry, focusing on the gentry as founders and builders of churches, worshippers in them, holders of church advowsons, and patrons and sponsors of parishcommunities. Saul also looks at how the gentry''s interest in the parish church sat alongside their patronage of the monks and friars, and their use of private chapels in their manor houses. Lordship and Faith seeks to weave together themes in social, religious, and architectural history, examining in all itsrichness a subject that has hitherto been considered only in journal articles. Written in an accessible way, this volume makes a significant contribution not only to the history of the English gentry but also to the history of the rural parish church, an institution now in the forefront of medieval historical studies.

In this innovative and compelling book Nigel Saul approaches the world of the medieval gentry through the monuments they left behind them. The Cobham family left the largest and most spectacular collection of brasses in Britain in their church at Cobham, and other magnificent brasses in Lingfield, and elsewhere. Medieval brasses have hitherto been studied chiefly from an antiquarian or technical perspective; Nigel Saul for the first time shows how they served as a link between the living and the dead. Commemoration was inseparable from the wider dynamics of society. Through the brasses and through family history he takes us to the heart of gentry aspirations and fears, successes and disappointments. This extensively illustrated study offers a new paradigm for the study of medieval church monuments and makes a major contribution to our understanding of gentry culture.

This richly illustrated book provides a comprehensive introduction to medieval England. Written by expert scholars and drawing on the latest research, it offers an authoritative survey of the years from the departure of the Roman legions to the Battle of Bosworth. The middle ages were a time of profound diversity and change. The main political themes are explored in three narrative chapters, covering the Anglo-Saxon period, the Normans and Angevins, and the late middle ages. Chapters on the social, cultural, and religious life of the period add context to the political and institutional developments traced and cover topics as varied as the nature of national identity, urban life, art and architecture, religious practice, and the development of vernacular literature. 180 illustrations, maps, family trees, a chronology, guide to further reading, and a full index make this an indispensable guide to England in the middle ages.

In this innovative and compelling book Nigel Saul approaches the world of the medieval gentry through the monuments they left behind them. The Cobham family left the largest and most spectacular collection of brasses in Britain in their church at Cobham, and other magnificent brasses in Lingfield, and elsewhere. Medieval brasses have hitherto been studied chiefly from an antiquarian or technical perspective; Nigel Saul for the first time shows how they served as a link between the living and the dead. Commemoration was inseparable from the wider dynamics of society. Through the brasses and through family history he takes us to the heart of gentry aspirations and fears, successes and disappointments. This extensively illustrated study offers a new paradigm for the study of medieval church monuments and makes a major contribution to our understanding of gentry culture.

Looking in detail at 14th-century Gloucestershire, the author examines the role of the gentry in their communities, government, military service, and the economy.

Lordship and Faith takes as its subject the many hundreds of parish churches built in England in the Middle Ages by the gentry, the knights and esquires, and the lords of country manors. Nigel Saul uses lordly engagement with the parish church as a way of opening up the piety and sociability of the gentry, focusing on the gentry as founders and builders of churches, worshippers in them, holders of church advowsons, and patrons and sponsors of parish communities. Saul also looks at how the gentry's interest in the parish church sat alongside their patronage of the monks and friars, and their use of private chapels in their manor houses. Lordship and Faith seeks to weave together themes in social, religious, and architectural history, examining in all its richness a subject that has hitherto been considered only in journal articles. Written in an accessible way, this volume makes a significant contribution not only to the history of the English gentry but also to the history of the rural parish church, an institution now in the forefront of medieval historical studies.

English Church Monuments in the Middle Ages offers a comprehensive survey of English church monuments from the pre-Conquest period to the early sixteenth century. Ground-breaking in its treatment of the subject in an historical context, it explores medieval monuments both in terms of their social meaning and the role that they played in the religious strategies of the commemorated. Attention is given to the production of monuments, the pattern of their geographical distribution, the evolution of monument types, and the role of design in communicating the monument's message. A major theme is the self-representation of the commemorated as reflected in the main classes of effigy-those of the clergy, the knights and esquires, and the lesser landowner or burgess class, while the effigial monuments of women are examined from the perspective of the construction of gender. While seeking to use monuments as windows onto the experiences and lives of the commemorated, it also exploits documentary sources to show what they can tell us about the influences that helped shape the monuments. An innovative chapter looks at the construction of identity in inscriptions, showing how the liturgical role of the monument limited the opportunities for expressions of self. Nigel Saul seeks to place monuments at the very centre of medieval studies, highlighting their importance not only for the history of sculpture and design, but also for social and religious history more generally.

Richard II is one of the most enigmatic of English kings. Shakespeare depicted him as a tragic figure, an irresponsible, cruel monarch who nevertheless rose in stature as the substance of power slipped from him. By later writers he has been variously portrayed as a half-crazed autocrat or a conventional ruler whose principal errors were the mismanagement of his nobility and disregard for the political conventions of his age. This book—the first full-length biography of Richard in more than fifty years—offers a radical reinterpretation of the king.Nigel Saul paints a picture of Richard as a highly assertive and determined ruler, one whose key aim was to exalt and dignify the crown. In Richard's view, the crown was threatened by the factiousness of the nobility and the assertiveness of the common people. The king met these challenges by exacting obedience, encouraging lofty new forms of address, and constructing an elaborate system of rule by bonds and oaths. Saul traces the sources of Richard's political ideas and finds that he was influenced by a deeply felt orthodox piety and by the ideas of the civil lawyers. He shows that, although Richard's kingship resembled that of other rulers of the period, unlike theirs, his reign ended in failure because of tactical errors and contradictions in his policies. For all that he promoted the image of a distant, all-powerful monarch, Richard II's rule was in practice characterized by faction and feud. The king was obsessed by the search for personal security: in his subjects, however, he bred only insecurity and fear.A revealing portrait of a complex and fascinating figure, the book is essential reading for anyone with an interest in the politics and culture of the English middle ages.

Biennial volumes of new research on an eventful century coloured by the Plantagenet dynasty.The fourteenth century is one of the most turbulent and compelling periods of English history, reflected in the vitality of the current scholarship devoted to it. This new series provides a forum for the most recent research intothe political, social, and ecclesiastical history of the century, and complements earlier series from Boydell & Brewer, Anglo-Norman Studies and Thirteenth Century England, which taken together offer a complete overview of debate on the middle ages.The substantial and significant studies in this volume have a particular focus on political history, including examinations of Edward II's charter witness lists and the consolidation of HenryIV's power in his early years; other topics include the Black Death and law-making, castle-building and memorials, war and chivalry in the Scalacronica, and architecture in the courts of Edward III and Charles V of France.Contributors: JEFFREY HAMILTON, ANDY KING, ROY M. HAINES, ANTHONY MUSSON, GLORIA J. BETCHER, CYNTHIA J. NEVILLE, CHRISTOPHER PHILPOTTS, CHARLES COULSON, MARY WHITELEY, NICHOLAS ROGERS, LYNDA DENNISON, DOUGLAS BIGGS NIGEL SAUL is Professor of Medieval History, Royal Holloway and Bedford New College, University of London.

Newly edited documents and commentaries published in honour of one of our foremost historians of English medieval political society Different from most festschriften, this wide-ranging volume brings together a rich collection of newly edited documents accompanied by commentaries which both set them in context and highlight their importance for historians of medieval England. Among the many topics covered are the Magna Carta rebellion, the Baronial Wars of the 1260s, the feeding of the royal household, the estates of the thirteenth-century nobility, gentry material culture as revealed by inventories, the workings of the law in the thirteenth and fourteenth centuries, and local political life in Richard II's reign. The volume will be published jointly with the Pipe Roll Society, and the distinguished team of contributors will include both friends and former pupils of the honorand.

The world of medieval chivalry is at once glamorous and violent, alluring yet alien. Our popular views of the period are largely inherited from the nineteenth-century romantics, for whom chivalry evoked images of knights in shining armour, competing for the attention of fair ladies - with pennons and streamers fluttering from castle battlements.But what is the reality? Were the rituals and romance of chivalry designed to provide an escape from the brutal facts of almost continuous warfare? Or did they instead help regulate the conduct of war and moderate its violent excesses?Nigel Saul charts the introduction of chivalry by the Normans, the rise of the knightly class as a social elite, the fusion of chivalry with kingship in the fourteenth century and the influence of chivalry on literature, religion and architecture. He shows us a world of kings and barons, castles and cathedrals - a world shaped by Richard the Lionheart and the Crusades, by Magna Carta and the rule of law, by battles like Bannockburn and Crecy, by the Black Death and by tournaments, round tables and the cult of Arthurianism.