Nigel Smith – författare

At last something laugh-out-loud funny for girls in this hilarious new series from TV and radio comedy writing talent Nigel Smith.The Most Embarrassing Dad in the World was embarrassing Nathalia even before she was born. He went and married Mum, didn’t he? Mum’s last name was De Montfort. Thanks to Dad she wasn’t Nathalia De Montfort. She was Nathalia Bumole.“It’s pronounced Bew-mow–lay,” Dad would tell her patiently, time and again. “If anyone says differently, the joke’s on them.”But as Nathalia knows only too well, the joke will not be on them. It will be on her. Massively.If Nathalia can just keep The Most Embarrassing Dad In The World away from her new school, then maybe he won’t ruin everything this time. Maybe.

Laugh-out-loud funny for girls in this hilarious new series from TV and radio comedy writing talent Nigel Smith.The Most Embarrassing Dad in the world is back and embarrassing Nat even more than ever! This time they’re on holiday in France but everything is far from `bonne’!

The most embarrassing dad in the world is back in this hilarious series for girls from TV and radio-comedy writing talent, Nigel Smith.When Dad posts an embarrassing video of Nat online as a joke, she’s furious. Things are set to get much worse, however, when the video goes viral and she finds herself centre of the nation’s attention for all the wrong reasons – even the prime minister is imitating her!But when a local care home for abandoned pets is threatened with closure, Dad convinces Nat to use her new-found celebrity to raise money for it – with him acting as her agent, of course! Cue: a disastrous appearance hair-modelling job, a not-so-glamorous campaign for a local optician and a call to turn on the town’s rubbish autumn illuminations (the one with the miserable face off The X-Factor cancelled at the last minute). And as if Nat didn’t have enough to deal with, school isn’t exactly easy when you’re a minor celebrity…

At last something laugh-out-loud funny for girls in this hilarious new series from TV and radio comedy writing talent Nigel Smith.The Most Embarrassing Dad in the World was embarrassing Nathalia even before she was born.He went and married Mum, didn’t he?Mum’s last name was De Montfort.Thanks to Dad she wasn’t Nathalia De Montfort.She was Nathalia Bumole.“It’s pronounced Bew-mow–lay,” Dad would tell her patiently, time and again. “If anyone says differently, the joke’s on them.”But as Nathalia knows only too well, the joke will not be on them. It will be on her. Massively.If Nathalia can just keep The Most Embarrassing Dad In The World away from her new school, then maybe he won’t ruin everything this time. Maybe.

Laugh-out-loud funny for girls in this hilarious new series from TV and radio comedy writing talent Nigel Smith.The Most Embarrassing Dad in the world is back and embarrassing Nat even more than ever! This time they’re on holiday in France but everything is far from ‘bonne’!

The most embarrassing dad in the world is back in this hilarious series for girls from TV and radio-comedy writing talent, Nigel Smith.When Dad posts an embarrassing video of Nat online as a joke, she’s furious. Things are set to get much worse, however, when the video goes viral and she finds herself centre of the nation’s attention for all the wrong reasons – even the prime minister is imitating her!But when a local care home for abandoned pets is threatened with closure, Dad convinces Nat to use her new-found celebrity to raise money for it – with him acting as her agent, of course! Cue: a disastrous appearance hair-modelling job, a not-so-glamorous campaign for a local optician and a call to turn on the town’s rubbish autumn illuminations (the one with the miserable face off The X-Factor cancelled at the last minute). And as if Nat didn’t have enough to deal with, school isn’t exactly easy when you’re a minor celebrity…

The laugh-out-loud funny girl-series returns – and Nat is more embarrassed than ever! From TV and radio comedy writing talent Nigel Smith.For some girls the chance to be a bridesmaid is a dream come true.But for Nathalia it’s a total nightmare. From the hideous fairy princess bridesmaid dresses, to the disastrous bridal shower, everything about the wedding of her cousin Tiffannee leaves Nat feeling COMPLETELY ridiculous!So when Nat’s best friend Darious Bagley comes up with a plan to get her out of it, Nat jumps at the chance, even if it means being a bridesmaid at another wedding… on the same day! As if that wasn’t enough, guess who’s the head wedding planner? That’s right…Nat’s dad, THE MOST EMBARRASSING DAD IN THE WORLD! Hold on to your fairy wings! There’s only one way this is heading…

The laugh-out-loud funny girl-series returns – and Nat is more embarrassed than ever! From TV and radio comedy writing talent Nigel Smith.For some girls the chance to be a bridesmaid is a dream come true.But for Nathalia it’s a total nightmare. From the hideous fairy princess bridesmaid dresses, to the disastrous bridal shower, everything about the wedding of her cousin Tiffannee leaves Nat feeling COMPLETELY ridiculous!So when Nat’s best friend Darious Bagley comes up with a plan to get her out of it, Nat jumps at the chance, even if it means being a bridesmaid at another wedding… on the same day! As if that wasn’t enough, guess who’s the head wedding planner? That’s right…Nat’s dad, THE MOST EMBARRASSING DAD IN THE WORLD! Hold on to your fairy wings! There’s only one way this is heading…

The laugh-out-loud funny girl-series returns – and Nat is more embarrassed than ever! From TV and radio comedy writing talent Nigel Smith.Nat’s class is going on a week-long field trip to hunt for fossils. Cue mouldy log cabins, potholing, map reading and other totally boring geography-related stuff – all the things that Nat hates… and Dad loves! Of course he volunteers to come along with the class as a parent helper.Normally Nat would strictly forbid Dad’s attendance BUT he’s finally applied for a ‘proper’ job – teaching survival skills to juvenile delinquents – which she really wants him to get, as it will keep him busy and stop him interfering in her life! If all goes well on this trip, he’ll definitely get the job. Nat just needs to keep Dad away from the canoes… and anything involving a zip wire, oh and perhaps they shouldn’t venture up the rather treacherous-looking mountain Bleak Peak during the rainiest storm of all time…

The laugh-out-loud funny girl-series returns – and Nat is more embarrassed than ever! From TV and radio comedy writing talent Nigel Smith.Nat’s class is going on a week-long field trip to hunt for fossils. Cue mouldy log cabins, potholing, map reading and other totally boring geography-related stuff – all the things that Nat hates… and Dad loves! Of course he volunteers to come along with the class as a parent helper.Normally Nat would strictly forbid Dad’s attendance BUT he’s finally applied for a ‘proper’ job – teaching survival skills to juvenile delinquents – which she really wants him to get, as it will keep him busy and stop him interfering in her life! If all goes well on this trip, he’ll definitely get the job. Nat just needs to keep Dad away from the canoes… and anything involving a zip wire, oh and perhaps they shouldn’t venture up the rather treacherous-looking mountain Bleak Peak during the rainiest storm of all time…

Four hundred years after his birth, John Milton remains one of the greatest and most controversial figures in English literature. The Oxford Handbook of Milton is a comprehensive guide to the state of Milton studies in the early twenty-first century, bringing together an international team of thirty-five leading scholars in one volume. The rise of critical interest in Milton''s political and religious ideas is the most striking aspect of Milton studies in recent times, a consequence in great part of the increasingly fluid relations between literary and historical study. The Oxford Handbook both embodies the interest in Milton''s political and religious contexts in the last generation and seeks to inaugurate a new phase in Milton studies through closer integration of the poetry and prose. There are eight essays on various aspects of Paradise Lost, ranging from its classical background and poetic form to its heretical theology and representation of God. There are sections devoted both to the shorter poems, including ''Lycidas'' and Comus, and the final poems, Paradise Regained and Samson Agonistes. There are also three sections on Milton''s prose: the early controversial works on church government, divorce, and toleration, including Areopagitica; the regicide and republican prose of 1649-1660, the period during which he served as the chief propagandist for the English Commonwealth and Cromwell''s Protectorate, and the various writings on education, history, and theology. The opening essays explore what we know about Milton''s biography and what it might tell us; the final essays offer interpretations of aspects of Milton''s massive influence on later writers, including the Romantic poets.

Four hundred years after his birth, John Milton remains one of the greatest and most controversial figures in English literature. The Oxford Handbook of Milton is a comprehensive guide to the state of Milton studies in the early twenty-first century, bringing together an international team of thirty-five leading scholars in one volume. The rise of critical interest in Milton''s political and religious ideas is the most striking aspect of Milton studies in recent times, a consequence in great part of the increasingly fluid relations between literary and historical study. The Oxford Handbook both embodies the interest in Milton''s political and religious contexts in the last generation and seeks to inaugurate a new phase in Milton studies through closer integration of the poetry and prose. There are eight essays on various aspects of Paradise Lost, ranging from its classical background and poetic form to its heretical theology and representation of God. There are sections devoted both to the shorter poems, including ''Lycidas'' and Comus, and the final poems, Paradise Regained and Samson Agonistes. There are also three sections on Milton''s prose: the early controversial works on church government, divorce, and toleration, including Areopagitica; the regicide and republican prose of 1649-1660, the period during which he served as the chief propagandist for the English Commonwealth and Cromwell''s Protectorate, and the various writings on education, history, and theology. The opening essays explore what we know about Milton''s biography and what it might tell us; the final essays offer interpretations of aspects of Milton''s massive influence on later writers, including the Romantic poets.

Four hundred years after his birth, John Milton remains one of the greatest and most controversial figures in English literature. The Oxford Handbook of Milton is a comprehensive guide to the state of Milton studies in the early twenty-first century, bringing together an international team of thirty-five leading scholars in one volume. The rise of critical interest in Milton's political and religious ideas is the most striking aspect of Milton studies in recent times, a consequence in great part of the increasingly fluid relations between literary and historical study. The Oxford Handbook both embodies the interest in Milton's political and religious contexts in the last generation and seeks to inaugurate a new phase in Milton studies through closer integration of the poetry and prose. There are eight essays on various aspects of Paradise Lost, ranging from its classical background and poetic form to its heretical theology and representation of God. There are sections devoted both to the shorter poems, including 'Lycidas' and Comus, and the final poems, Paradise Regained and Samson Agonistes. There are also three sections on Milton's prose: the early controversial works on church government, divorce, and toleration, including Areopagitica; the regicide and republican prose of 1649-1660, the period during which he served as the chief propagandist for the English Commonwealth and Cromwell's Protectorate, and the various writings on education, history, and theology. The opening essays explore what we know about Milton's biography and what it might tell us; the final essays offer interpretations of aspects of Milton's massive influence on later writers, including the Romantic poets.

Four hundred years after his birth, John Milton remains one of the greatest and most controversial figures in English literature. The Oxford Handbook of Milton is a comprehensive guide to the state of Milton studies in the early twenty-first century, bringing together an international team of thirty-five leading scholars in one volume. The rise of critical interest in Milton's political and religious ideas is the most striking aspect of Milton studies in recent times, a consequence in great part of the increasingly fluid relations between literary and historical study. The Handbook both embodies the interest in Milton's political and religious contexts in the last generation and seeks to inaugurate a new phase in Milton studies through closer integration of the poetry and prose. There are eight essays on various aspects of Paradise Lost, ranging from its classical background and poetic form to its heretical theology and representation of God. There are sections devoted both to the shorter poems, including 'Lycidas' and Comus, and the final poems, Paradise Regained and Samson Agonistes. There are also three sections on Milton's prose: the early controversial works on church government, divorce, and toleration, including Areopagitica; the regicide and republican prose of 1649-1660, the period during which he served as the chief propagandist for the English Commonwealth and Cromwell's Protectorate, and the various writings on education, history, and theology. The opening essays explore what we know about Milton's biography and what it might tell us; the final essays offer interpretations of aspects of Milton's massive influence on later writers, including the Romantic poets.

Exploring in depth such specific areas as local food taboos, methods of preparation of food dishes, statistics of protein intake, and the productivity of fisheries, Man, Fishes, and the Amazon will prove to be an important source of research, as well as an invaluable case study, for anthropologists, ichthyologists, and geographers.

The apparent disappearance of mysticism in the Protestant world after the Reformation used to be taken as an example of the arrival of modernity. However, as recent studies in history and literary history reveal, the "Reformation" was not experienced in such a drastically transformative manner, not least because the later Middle Ages itself was marked by a series of reform movements within the Catholic Church in which mysticism played a central role.In Mysticism and Reform, 1400-1750, contributors show that it is more accurate to characterize the history of early modern mysticism as one in which relationships of continuity within transformations occurred. Rather than focus on the departures of the sixteenth-century Reformation from medieval traditions, the essays in this volume explore one of the most remarkable yet still under-studied chapters in its history: the survival and transformation of mysticism between the late Middle Ages and the early modern period.With a focus on central and northern Europe, the essays engage such subjects as the relationship of Luther to mystical writing, the visual representation of mystical experience in fifteenth- and sixteenth-century art, mystical sermons by religious women of the Low Countries, Valentin Weigel's recasting of Eckhartian gelassenheit for a Lutheran audience, and the mysticism of English figures such as Gertrude More, Jane Lead, Elizabeth Hooten, and John Austin, the German Catharina Regina von Greiffenberg, and the German American Marie Christine Sauer.

The apparent disappearance of mysticism in the Protestant world after the Reformation used to be taken as an example of the arrival of modernity. However, as recent studies in history and literary history reveal, the "Reformation" was not experienced in such a drastically transformative manner, not least because the later Middle Ages itself was marked by a series of reform movements within the Catholic Church in which mysticism played a central role.In Mysticism and Reform, 1400-1750, contributors show that it is more accurate to characterize the history of early modern mysticism as one in which relationships of continuity within transformations occurred. Rather than focus on the departures of the sixteenth-century Reformation from medieval traditions, the essays in this volume explore one of the most remarkable yet still under-studied chapters in its history: the survival and transformation of mysticism between the late Middle Ages and the early modern period.With a focus on central and northern Europe, the essays engage such subjects as the relationship of Luther to mystical writing, the visual representation of mystical experience in fifteenth- and sixteenth-century art, mystical sermons by religious women of the Low Countries, Valentin Weigel's recasting of Eckhartian gelassenheit for a Lutheran audience, and the mysticism of English figures such as Gertrude More, Jane Lead, Elizabeth Hooten, and John Austin, the German Catharina Regina von Greiffenberg, and the German American Marie Christine Sauer.

The years of the British Civil War and Interregnum constituted a turning point not only in the political, social, and religious history of seventeenth-century England but also in the use and meaning of English language and literature. At a time of crisis and constitutional turmoil, literature itself acquired new functions and played a dynamic part in the fragmentation of religious and political authority.Nigel Smith argues that the upheaval in divine and secular authority provided both motive and opportunity for transformations in the nature and meaning of literary expression. The increase in pamphleteering and journalism brought a new awareness of print; with it, existing ideas of authorship and authority collapsed. Through literature, people revised their understanding of themselves and attempted to transform their predicaments.Smith examines literary output ranging from the masterworks of the age—Milton's Paradise Lost, Hobbes's Leviathan, Marvell's poetry—to a host of less well-known writings. He examines the contents of manuscripts and newspapers sold on the streets, published drama, epics and romances, love poetry, praise poetry, psalms and hymns, satire in prose and verse, fishing manuals, and histories. He also analyzes religious polemic and the language of political controversy, demonstrating how, as literary genres changed, they often acquired new vitality.Ranging wider than any other work on this period, this highly original book explores the effect of politics on the practice of writing and the impact of literature on patterns of historical change.

The seventeenth-century poet Andrew Marvell (1621–1678) is one of the most intriguing figures in English literature. A noted civil servant under Cromwell’s Protectorate, he has been variously identified as a patriot, spy, conspirator, concealed homosexual, father to the liberal tradition, and incendiary satirical pamphleteer and freethinker. But while Marvell’s poetry and prose has attracted a wide modern following, his prose is known only to specialists, and much of his personal life remains shrouded in mystery. Nigel Smith’s pivotal biography provides an unparalleled look into Marvell’s life, from his early employment as a tutor and gentleman’s companion to his suspicious death, reputedly a politically fueled poisoning. Drawing on exhaustive archival research, the voluminous corpus of Marvell’s previously little known writing, and recent scholarship across several disciplines, Smith’s portrait becomes the definitive account of this elusive life.

In this volume of interdisciplinary essays, leading scholars examine the radical tradition in British literary culture from the English Revolution to the French Revolution. They chart continuities between the two periods and examine the recuperation of ideas and texts from the earlier period in the 1790s and beyond. Contributors utilize a variety of approaches and concepts: from gender studies, the cultural history of food and diet and the history of political discourse, to explorations of the theatre, philosophy and metaphysics. This volume argues that the radical agendas of the mid-seventeenth century, intended to change society fundamentally, did not disappear throughout the long eighteenth century only to be resuscitated at its close. Rather, through close textual analysis, these essays indicate a more continuous transmission.

In this volume of interdisciplinary essays, leading scholars examine the radical tradition in British literary culture from the English Revolution to the French Revolution. They chart continuities between the two periods and examine the recuperation of ideas and texts from the earlier period in the 1790s and beyond. Contributors utilize a variety of approaches and concepts: from gender studies, the cultural history of food and diet and the history of political discourse, to explorations of the theatre, philosophy and metaphysics. This volume argues that the radical agendas of the mid-seventeenth century, intended to change society fundamentally, did not disappear throughout the long eighteenth century only to be resuscitated at its close. Rather, through close textual analysis, these essays indicate a more continuous transmission.

With literature waning in the interest of so many, is Shakespeare the only poet the public can still appreciate? John Milton, as this book makes clear, speaks more powerfully to the eternal questions and to the important concerns of our time. The Milton of this volume is an author for all Americans—conservative, liberal, radical—not only because he was a favorite of the founding fathers, his voice echoing through their texts and our very foundation, but also because his visionary writing embodies the aspirations that have guided Americans seeking ideals of ethical and spiritual perfection.Nigel Smith makes a compelling case for Milton’s relevance to our present situation. In direct and accessible terms, he shows how the seventeenth-century poet, while working to write the greatest heroic poem in the English language, also managed to theorize about religious, political, and civil liberty in ways that matter as much today as they did in Puritanical times. Through concise chapters that chart Milton’s life at the center of the English and European literary and political scenes—as well as his key themes of free will, freedom and slavery, love and sexual liberty, the meaning of creation, and the nature of knowledge—Smith’s work brings Milton, his poetry, and his prose home to readers of our day. A provocative and enlightening introduction, for newcomers and informed readers alike, this book rediscovers and redefines Milton for a new generation, one that especially needs and deserves to know him.

The Ranters - like the Levellers and the Diggers - were a group of religious libertarians who flourished during the English Civil War (1642-1651), a period of social and religious turmoil which saw, in the words of the historian Christopher Hill, 'the world turned upside down'. A Collection of Ranter Writings is the most notable attempt to anthologise the key Ranter writings, bringing together some of the most remarkable, visionary and unforgettable texts. The subjects range from the limits to pleasure and divine right, to social justice and collective action.The Ranters have intrigued and captivated generations of scholars and philosophers. This carefully curated collection will be of great interest to historians, philosophers and all those trying to understand past radical traditions.

The Digital Stage: Technology and the Future of Performing Arts explores the implications and applications of contemporary and emergent digital technologies, from a leadership perspective as well as an audience engagement and an artistic and production perspective. From this broad survey of the industry, readers will develop a new understanding for the use of digital technologies in the creation, staging, performing, marketing, distributing and selling of the performing arts. It is essential for the sector to explore and proactively consider adoption of new and disruptive technologies, to ensure the long-term viability of arts institutions and for the sector at large to remain relevant in a rapidly changing context. The Digital Stage seeks to frame a strategic view of the performing arts sector through this lens to understand new practices, identify challenges and barriers ahead and determine key digital technologies that can enable change. The book is organized into three parts: Technology Next, Technology Now and Technology Nexus, and will be of interest to arts managers, production managers and leaders in the performing arts industry.

The Digital Stage: Technology and the Future of Performing Arts explores the implications and applications of contemporary and emergent digital technologies, from a leadership perspective as well as an audience engagement and an artistic and production perspective. From this broad survey of the industry, readers will develop a new understanding for the use of digital technologies in the creation, staging, performing, marketing, distributing and selling of the performing arts. It is essential for the sector to explore and proactively consider adoption of new and disruptive technologies, to ensure the long-term viability of arts institutions and for the sector at large to remain relevant in a rapidly changing context. The Digital Stage seeks to frame a strategic view of the performing arts sector through this lens to understand new practices, identify challenges and barriers ahead and determine key digital technologies that can enable change. The book is organized into three parts: Technology Next, Technology Now and Technology Nexus, and will be of interest to arts managers, production managers and leaders in the performing arts industry.

The Digital Stage: Technology and the Future of Performing Arts explores the implications and applications of contemporary and emergent digital technologies, from a leadership perspective as well as an audience engagement and an artistic and production perspective. From this broad survey of the industry, readers will develop a new understanding for the use of digital technologies in the creation, staging, performing, marketing, distributing and selling of the performing arts. It is essential for the sector to explore and proactively consider adoption of new and disruptive technologies, to ensure the long-term viability of arts institutions and for the sector at large to remain relevant in a rapidly changing context. The Digital Stage seeks to frame a strategic view of the performing arts sector through this lens to understand new practices, identify challenges and barriers ahead and determine key digital technologies that can enable change. The book is organized into three parts: Technology Next, Technology Now and Technology Nexus, and will be of interest to arts managers, production managers and leaders in the performing arts industry.

The Digital Stage: Technology and the Future of Performing Arts explores the implications and applications of contemporary and emergent digital technologies, from a leadership perspective as well as an audience engagement and an artistic and production perspective. From this broad survey of the industry, readers will develop a new understanding for the use of digital technologies in the creation, staging, performing, marketing, distributing and selling of the performing arts. It is essential for the sector to explore and proactively consider adoption of new and disruptive technologies, to ensure the long-term viability of arts institutions and for the sector at large to remain relevant in a rapidly changing context. The Digital Stage seeks to frame a strategic view of the performing arts sector through this lens to understand new practices, identify challenges and barriers ahead and determine key digital technologies that can enable change. The book is organized into three parts: Technology Next, Technology Now and Technology Nexus, and will be of interest to arts managers, production managers and leaders in the performing arts industry.

Little known as a poet in his own time, Andrew Marvell (1621-78) was a patriotic politician and champion of religious toleration during the Restoration. Although long celebrated for the great love lyric, To His Coy Mistress, the last century has seen his wider reputation as a poet grow significantly, as readers have acclaimed not only his technical excellence, but the appeal of his verse to such themes as poetry and politics, alternative sexualities and the criticism of violent persecution. Nigel Smith presents an authoritative text of Marvell's poetry, accompanied by extensive annotations giving an unprecedented record of literary, philosophical and theological analogues and allusions. Local points of interpretation are addressed - using the many hundreds of publications devoted to Marvell's life and works - and Marvell's canon is re-appraised: some poems considered dubious hitherto are added, and others excluded. In a headnote to each poem, the reader will find the fullest accounts yet published of matters of dating, sources, publication, historical context, and critical reception. The first complete, annotated edition of Andrew Marvell's verse for thirty years, this is an indispensable guide to the study of Marvell's poetryThis revised edition contains new information available since the original publication: newly recovered versions of some poems, further details of historical context and updated translations of all the Latin poems. It remains the first point of reference for scholar, student and general reader alike.