Nikos Kazantzakis – författare

This moving fable sees a young Greek writer set out to Crete to claim a small inheritance. But when he arrives, he meets Alexis Zorba, a middle-aged Greek man with a zest for life. Zorba has had a family and many lovers, has fought in the Balkan wars, has lived and loved - he is a simple but deep man who lives every moment fully and without shame. As their friendship develops, he is gradually won over, transformed and inspired along with the reader.Zorba the Greek, Nikos Kazantzakis' most popular and enduring novel, has its origins in the author's own experiences in the Peleponnesus in the 1920s. His swashbuckling hero has legions of fans across the world and his adventures are as exhilarating now as they were on first publication in the 1950s.'There can never be any doubt that Kazantzakis was the possessor of genius.' Sunday Telegraph

Freedom and Death is Kazantzakis's modern Iliad. The context is Crete in the late nineteenth century, the epic struggle between Greeks and Turks, between Christianity and Islam. A new uprising takes place to rival those of 1854, 1866 and 1878, and the island is thrown into confusion yet again. In the village of Megalokastro a Cretan resistance fighter, Captain Michales, is matched by the Turkish bey, his blood-brother. The life of the local community continues shakily, but is disrupted by explosions of violence.

Kazantzakis's classic novel, blacklisted by the Vatican, filmed by Scorsese, has been labelled heretical, blasphemous, and also a masterpiece. His Christ is an epic conception, wholly original.'When Kazantzakis describes the raising of Lazarus, the early life of Mary Magdalene, the domestic lives of Martha and Mary, it is as if an old box of lantern slides had suddenly become a moving picture. The author has achieved a new and moving interpretation of a truly human Christ.' Times Literary Supplement

The inhabitants of a Greek village, ruled by the Turks, plan to enact the life of Christ in a mystery play but are overwhelmed by their task. A group of refugees, fleeing from the ruins of their plundered homes, arrive asking for protection - and suddenly the drama of the Passion becomes reality.

The classic novel, international sensation, and inspiration for the film starring Anthony Quinn explores the struggle between the aesthetic and the rational, the inner life and the life of the mind.The classic novel Zorba the Greek is the story of two men, their incredible friendship, and the importance of living life to the fullest. Zorba, a Greek working man, is a larger-than-life character, energetic and unpredictable. He accompanies the unnamed narrator to Crete to work in the narrator’s lignite mine, and the pair develops a singular relationship. The two men couldn’t be further apart: The narrator is cerebral, modest, and reserved; Zorba is unfettered, spirited, and beyond the reins of civility. Over the course of their journey, he becomes the narrator’s greatest friend and inspiration and helps him to appreciate the joy of living. Zorba has been acclaimed as one of the most remarkable figures in literature; he is a character in the great tradition of Sinbad the Sailor, Falstaff, and Sancho Panza. He responds to all that life offers him with passion, whether he’s supervising laborers at a mine, confronting mad monks in a mountain monastery, embellishing the tales of his past adventures, or making love. Zorba the Greek explores the beauty and pain of existence, inviting readers to reevaluate the most important aspects of their lives and live to the fullest.

A stunning new translation of the classic book—and basis for the beloved Oscar-winning film—brings the clarity and beauty of Kazantzakis’s language and story alive.First published in 1946, Zorba the Greek, is, on one hand, the story of a Greek working man named Zorba, a passionate lover of life, the unnamed narrator who he accompanies to Crete to work in a lignite mine, and the men and women of the town where they settle. On the other hand it is the story of God and man, The Devil and the Saints; the struggle of men to find their souls and purpose in life and it is about love, courage and faith. Zorba has been acclaimed as one of the truly memorable creations of literature—a character created on a huge scale in the tradition of Falstaff and Sancho Panza. His years have not dimmed the gusto and amazement with which he responds to all life offers him, whether he is working in the mine, confronting mad monks in a mountain monastery, embellishing the tales of his life or making love to avoid sin. Zorba’s life is rich with all the joys and sorrows that living brings and his example awakens in the narrator an understanding of the true meaning of humanity. This is one of the greatest life-affirming novels of our time. Part of the modern literary canon, Zorba the Greek, has achieved widespread international acclaim and recognition. This new edition translated, directly from Kazantzakis’s Greek original, is a more faithful rendition of his original language, ideas, and story, and presents Zorba as the author meant him to be.

Kazantzakis's autobiographical novel Report to Greco was one of the last things he wrote before he died. It paints a vivid picture of his childhood in Crete, still occupied by the Turks, and then steadily grows into a spiritual quest that takes him to Italy, Jerusalem, Paris, Vienna, Berlin, Russia and the Caucasus, and finally back to Crete again. At different times Nietzshe, Bergson, Buddha, Homer and Christ dominate as his spiritual masters.

The Fratricides is about internecine strife in a village in the Epirus during the Greek civil war of the late 1940s. Many of the villagers, including Captain Drakos, son of the local priest Father Yanaros, have taken to the mountains and joined the Communist rebels. It is Holy Week and, with murder, death and destruction everywhere, Father Yanaros feels that he himself is bearing the sins of the world.

The internationally renowned novel about the life and death of Jesus Christ.Hailed as a masterpiece by critics worldwide, The Last Temptation of Christ is a monumental reinterpretation of the Gospels that brilliantly fleshes out Christ’s Passion. This literary rendering of the life of Jesus Christ has courted controversy since its publication by depicting a Christ far more human than the one seen in the Bible. He is a figure who is gloriously divine but earthy and human, a man like any other—subject to fear, doubt, and pain. In elegant, thoughtful prose Nikos Kazantzakis, one of the greats of modern literature, follows this Jesus as he struggles to live out God’s will for him, powerfully suggesting that it was Christ’s ultimate triumph over his flawed humanity, when he gave up the temptation to run from the cross and willingly laid down his life for mankind, that truly made him the venerable redeemer of men. “Spiritual dynamite.” —San Francisco Chronicle “A searing, soaring, shocking novel.” —Time

The life of Nikos Kazantzakis—the author of Zorba the Greek and The Last Temptation of Christ—was as colorful and eventful as his fiction. And nowhere is his life revealed more fully or surprisingly than in his letters. Edited and translated by Kazantzakis scholar Peter Bien, this is the most comprehensive selection of Kazantzakis's letters in any language.One of the most important Greek writers of the twentieth century, Kazantzakis (1883–1957) participated in or witnessed some of the most extraordinary events of his times, including both world wars and the Spanish and Greek civil wars. As a foreign correspondent, an official in several Greek governments, and a political and artistic exile, he led a relentlessly nomadic existence, living in France, Czechoslovakia, Austria, Germany, Italy, Spain, the Soviet Union, and England. He visited the Versailles Peace Conference, attended the tenth-anniversary celebration of the Bolshevik Revolution, interviewed Mussolini and Franco, and briefly served as a Greek cabinet minister—all the while producing a stream of novels, poems, plays, travel writing, autobiography, and translations. The letters collected here touch on almost every aspect of Kazantzakis's rich and tumultuous life, and show the genius of a man who was deeply attuned to the artistic, intellectual, and political events of his times.

First English translation of Nikos Kazantzakis's 1909 doctoral dissertation on Nietzsche.This book represents the first English translation of Nikos Kazantzakis's 1909 dissertation on Friedrich Nietzsche's political and legal philosophy. Before Kazantzakis became one of the best-known modern Greek writers, he was an avid student of Nietzsche's thought, discovering Nietzsche while studying law in Paris from 1907 to 1909. This powerful assessment of Nietzsche's radical political thought is translated here from a restored and authentic recent edition of the original. Its deep insights are unencumbered by the encrustations that generations of Nietzsche's admirers and detractors have deposed on the original Nietzschean corpus. The book also offers a revealing glimpse into the formative stage of Kazantzakis's thought.

Nikos Kazantzakis is no stranger to the heroes of Greek antiquity. In this historical novel based on the life of Alexander the Great, Kazantzakis has drawn on both the rich tradition of Greek legend and the documented manuscripts from historical archives to recreate an Alexander in all his many-faceted images: Alexander the god; Alexander the descendant of Heracles performing the twelve labors; Alexander the mystic, the daring visionary destined to carry out a divine mission; Alexander the flesh-and-blood mortal who, on occasion, is not above the common soldier’s brawling and drinking.The novel, which resists the temptation to portray Alexander in the mantle of purely romantic legend, covers his life from age fifteen to his death at age thirty-two. It opens with Alexander’s first exploit, the taming of the horse, Bucephalus, and is seen in great part through the eyes of his young neighbor who eventually becomes an officer in his army and follows him on his campaign to conquer the world.The book, which was written primarily as an educational adjunct for young readers, is intended for the adult mind as well, and like the legends of old, is entertaining as well as instructive for readers of all ages. It was originally published in Greece in serial form in 1940, and was republished in a complete volume in 1979.

Newly translated, this classic novel is sure to delight readers of all ages as it explores the legendary conqueror’s life, ambitions, and humanity.Nikos Kazantzakis’s Alexander the Great is a biographical novel about one of antiquity’s greatest political and military leaders. In Kazantzakis’s story, Alexander of Macedonia does not conquer for conquest’s sake; instead, he seeks to spread the light of Hellenism to the known world, unite humanity through Greek ideals and culture, and bring together East and West.The story begins in Pella, the lavish capital of Macedonia, in the fourth century BCE. A teenager named Stefanos rushes to the royal stadium for a remarkable event that has drawn every male citizen of this capital city: the taming of a wild and uniquely powerful horse named Bucephalus. Relying on raw strength and force, even seasoned generals fail to subdue Bucephalus; but through skill, kindness, and insight, the fifteen-year-old Alexander is able to befriend the beast. Alexander’s symbolic taming of chaos foretells his rise to power and demonstrates the qualities he will carry with him throughout his lifelong campaign of conquest.Through the eyes of Stefanos, who becomes Alexander’s personal attendant and most trusted companion, Kazantzakis follows the Macedonian army through triumphant campaigns across Persia, Egypt, and India, greatly expanding the boundaries of the ancient Hellenic world. Kazantzakis presents Alexander not only as an ingenious military strategist but also as a reflective human being. Alexander oscillates between the human and the divine but will ultimately be betrayed by the former. Kazantzakis narrates Alexander’s struggles and conquests all the way to Babylon, where he meets his untimely death at just thirty-three years of age.This iconic novel also explores Alexander’s profound relationship with his mentor, Aristotle, who instills in him a lifelong thirst for knowledge. Alexander the Great offers a compelling blend of history, myth, and philosophy and will appeal to readers fascinated by ancient Greece, epic heroes, and humanity’s timeless quest for the meaning of life.

A captivating retelling-newly translated-of the rise and fall of the Minoan civilization interwoven with some of ancient Greece’s most enduring mythsAt the Palaces of Knossos is a vivid reimagining of ancient Crete, blending history and mythology into an epic tale of heroism, love, and destiny. Set against the grandeur of the Minoan court, the novel brings to life the legendary stories of Theseus, the Minotaur, Ariadne, Daedalus, and Icarus.The story follows Theseus, the prince of Athens, who arrives in Crete as part of the annual tribute of young Athenians sent to feed the monstrous Minotaur. Determined to end this brutal cycle, he infiltrates the labyrinthine palace of Knossos, where he crosses paths with Princess Ariadne. Struggling between loyalty to her people and her love for the courageous stranger, Ariadne risks everything to help Theseus in his quest.Through the eyes of palace attendants, acrobats, and the inventor Daedalus and his son Icarus, Kazantzakis transports readers into the splendor of Minoan culture-its sacred rituals, breathtaking bull-leaping ceremonies, and vibrant city life. But as Theseus prepares to face his destiny, a tragic chain of events unfolds, leading to heartbreak, betrayal, and the downfall of a once-mighty civilization.Rich with philosophical depth and lyrical prose, At the Palaces of Knossos is more than a mythological retelling-it is a meditation on power, freedom, and the eternal struggle between fate and human will. Perfect for fans of historical fiction and Greek mythology, this novel offers a compelling journey into one of the ancient world’s most fascinating eras.

The internationally renowned novel about the life and death of Jesus Christ.Hailed as a masterpiece by critics worldwide, The Last Temptation of Christ is a monumental reinterpretation of the Gospels that brilliantly fleshes out Christ’s Passion. This literary rendering of the life of Jesus Christ has courted controversy since its publication by depicting a Christ far more human than the one seen in the Bible. He is a figure who is gloriously divine but earthy and human, a man like any other—subject to fear, doubt, and pain. In elegant, thoughtful prose Nikos Kazantzakis, one of the greats of modern literature, follows this Jesus as he struggles to live out God’s will for him, powerfully suggesting that it was Christ’s ultimate triumph over his flawed humanity, when he gave up the temptation to run from the cross and willingly laid down his life for mankind, that truly made him the venerable redeemer of men. “Spiritual dynamite.” —San Francisco Chronicle “A searing, soaring, shocking novel.” —Time

As a writer and philosopher, Nikos Kazantzakis struggled all his life with existential questions, once spending several months in a monastery in an attempt to attain a closer relationship with God. His relentless quest to understand the nature of life through travel, extensive reading, and constant conversation with a diverse array of compatriots ultimately led Kazantzakis to compose this book of "spiritual exercises" meant to help the reader achieve harmony between the countervailing human impulses toward an immortality-seeking asceticism and toward a more nihilistic and materialist view of death. As with all Kazantzakis’s philosophical works, The Saviors of God sheds light on a mind uniquely suited to a nuanced examination of what it means to be human, and establishes a hopeful vision for a dazzlingly syncretic approach to spiritual life.

A continuation of Homer’s epic poem, Kazantzakis’s own Odyssey finds Odysseus once again leaving Ithaca on finding that the satisfactions of home and hearth are not as he remembered them. Following an encounter with the former Helen of Troy (now returned to her husband, the king of Sparta, after the ignominious defeat of the Trojans), Odysseus gradually wends his way to Egypt and southward, grappling all the while with questions about the nature of God. Considered by Kazantzakis himself to be one of his most important works, The Odyssey takes readers on a richly imagined quest for adventure and understanding with one of literature’s most timeless characters.

Disarmingly personal and intensely philosophical, Report to Greco is a fictionalized account of Greek philosopher and writer Nikos Kazantzakis’s own life, a sort of intellectual autobiography that leads readers through his wide-ranging observations on everything from the Hegelian dialectic to the nature of human existence, all framed as a report to the Spanish Renaissance painter El Greco. The assuredness of Kazantzakis’s prose and the nimbleness of his thinking as he grapples with life’s essential questions—who are we, and how should we be in the world?—will inspire awe and more than a little reflection from readers seeking to answer these questions for themselves.

Nikos Kazantzakis inició su carrera literaria con la publicación—bajo el seudónimo de Karma Nirvami—de un desesperado conjuro de amor: "Lirio y serpiente", publicado por primera vez en Atenas en 1906. Escrito a los veintidós años, fue inspirado por Kathleen Forde, una joven irlandesa de quien Kazantzakis se enamoró perdidamente mientras recibía de ella clases de inglés y le leía al oído poemas de Byron y de Keats. Con ella consumó su amor a los diecinueve años, cuando se fugaron juntos a las cumbres del monte Psiloritis (Ida), tumbados los dos—como los pastores de un idilio antiguo—sobre el suelo de tierra de la ermita de la Santa Cruz, bajo la mirada hierática y atónita de los iconos de Cristo y de la Virgen. Impetuosa, obsesiva, recalcitrante a veces, de juvenil premura y agitada parataxis, la obra le atormentó toda su vida. A sus setenta años fue entregando todos los ejemplares que le quedaban al fuego. Pero no dejó de contarla entre sus obras, incluyéndola en las anejas a su candidatura a la Academia de Atenas (1945) y al Premio Nobel de Literatura (1946)."Una pequeña joya literaria, llena de pasión, lujuria, ternura, desesperación y poesía. Pero también es una historia de muerte y locura, de la obsesión enfermiza del artista por su musa, a quien termina arrastrando a un final digno de la mejor tragedia griega".Marta Otero, La Voz de Galicia"Tiene la virtud de mostrar el talento del autor en estado puro, libre de toda contención y de la contradictoria amalgama de credos o ideologías que caracterizó sus novelas más celebradas. De inequívoca filiación simbolista, Lirio y serpiente se asemeja en realidad a un largo y arrebatado poema en prosa, repleto de pasajes turbadores u obsesivos que revelan una sensibilidad consagrada -esa es la palabra- a los temas habituales del imaginario tardorromántico: la belleza, el erotismo, la locura, la muerte".I. F. Garmendia, Diario de Sevilla

Esta novela escrita entre 1941 y 1943, en la que se inspiró la película protagonizada por Anthony Quinn e Irene Papas, narra la historia de Zorba, un hombre sencillo y un apasionado de la vida que nos descubre su singular sentido de la libertad, el amor y el coraje: "Si hoy tuviera que elegir en el mundo entero un guía espiritual, un "gurú" como lo llaman los indios […], seguro que elegiría a Zorba.Porque él tenía lo que un escritorzuelo necesita para salvarse: la mirada primigenia que, de un flechazo, atrapa su presa en vuelo; el instinto creativo, cada mañana renovado, de mirarlo siempre todo como si fuese por primera vez, devolviendo la virginidad a los elementos eternos—viento, mar, fuego, mujer, pan—de nuestra vida cotidiana". Un libro impetuoso, apasionado y lleno de vida, que nos arrastra a esa sensación originaria de plenitud que sólo la literatura de verdad puede alcanzar."Maravillosa evocación de un paisaje, además de un bosquejo de un temperamento tan característicamente griego como el de Ulises. Un libro fascinante".Lawrence Durrell"Kazantzakis fue un existencialista de primera hora angustiado por entender las potencias de la condición humana, que, a su juicio, debían de satisfacer doblemente las exigencias del cuerpo y del alma, de la carne y del espíritu".Manuel Hidalgo, El Mundo"Siempre llevo a Zorba en mi bolsillo. Me recuerda que cada mañana hay que verlo todo con ojos nuevos, como si fuera la primera vez".Arturo San Agustín, La Vanguardia"Zorba el griego es un canto a la vitalidad, al goce de lo instantáneo, de lo inmediato, de todo eso que nadie da importancia. Un canto a la vida total".J. Ernesto Ayala-DIP, El Correo Español"Kazantzakis destila las esencias hedonistas y a la vez trágicas de la civilización mediterránea construida sobre los pilares de la tolerancia. Zorba es el anti Bartleby de Herman Melville".Antonio Bordón, La Provincia"Una invitación a la vida y una crítica a quien defiende que la existencia ha de contemplarse parapetado tras la barrera y a aquellos que se sienten en un plano superior por su posición social y cultural".Héctor J. Porto, La Voz de Galicia"Zorba es el anti Bartleby de Herman Melville. Un canto a la vida, a la ingenuidad y a la ternura".Antonio Bordón, La Opinión de Tenerife"Una obra impetuosa, apasionada y llena de vida".Faro de Vigo

Es 1922 y los habitantes de Likóvrisi, en Anatolia, se disponen a celebrar la Semana Santa con una representación dramatizada de la Pasión. El reparto de papeles recae en el Consejo de Ancianos, que elige al joven Manoliós para encarnar a Cristo. Entretanto, los habitantes de una población cercana, arrasada por el ejército otomano, se refugian en Likóvrisi, lo que crea divisiones entre los vecinos: mientras que el pope y los Ancianos se niegan a acogerlos, los aldeanos más modestos, escogidos para representar a Cristo y sus apóstoles, acuden en su ayuda, y este acto de caridad trastocará la apacible vida del pueblo. En esta magnífica tragicomedia Nikos Kazantzakis muestra, con su característica lucidez y fuerza, cuán perturbador resulta atenerse fielmente a los valores del cristianismo, y con ello desenmascara la hipocresía de las instituciones religiosas y civiles. Todo indica que, si Cristo volviera a visitarnos, habría más de uno dispuesto a lavarse las manos y muchos a crucificarlo de nuevo."Cristo de nuevo crucificado está escrito en claroscuros. Va del lenguaje cruel, despiadado, duro y cruento a otro de una finura y delicadeza que refleja luminosidad y esperanza. Te lleva de un extremo a otro constantemente. Es muy vivo y espontáneo".Selma Ancira"Una obra llena de vida, una novela perturbadora y creíble. Kazantzakis empuja al lector a una aventura tan reflexiva como emocionante. Nos muestra lo peor y lo mejor del ser humano".Fulgencio Argüelles, "El Comercio -Cultura""Dado que hoy Grecia sigue siendo uno de los principales puntos de llegada de refugiados, la obra de Kazantzakis vuelve a ser desgraciadamente muy vigente. Es un referente del cristianismo revolucionario".Magí Camps, "La Vanguardia""Kazantzakis, considerado sacrílego por la Iglesia ortodoxa, intentará resucitar a Dios convirtiéndolo en hermano y no señor del hombre; en un buscador de justicia y piedad de proporciones bíblicas, ante la hipocresía y frivolidad de la sociedad contemporánea".Marc Fernández, "Diario La Central""Kazantzakis recrea a la perfección aquello que ocurre cuando a la gente normal se le da el más mínimo poder".Álvaro Muñoz, "Llegir en cas d'incendi""La tensión narrativa se fundamenta en los cambios interiores de los personajes y en sus relaciones. Como otras obras de su época, "Cristo de nuevo crucificado" es una obra en la que el diálogo cobra una gran importancia, porque solo hablando pueden comunicarse, entenderse y ayudarse las personas, y porque solo con el discurso se pueden observar los procesos que hacen tan redondos y tan complejos a los personajes diseñados por Kazantzakis".Darío Luque, "Anika entre libros""Humor, denuncia y compasión genuina se alían en una tragicomedia que mantiene su poder subversivo y podría ser adaptada a otros lugares de la cuenca mediterránea".Ignacio F. Garmendia, "Mercurio""En sus páginas se juntan poesía, visión, comprensión filosófica de los problemas humanos básicos, moldeando una tragicomedia de amor y odio, celos y maldad, coraje y perdón. "Cristo de nuevo crucificado" es quizás la mejor novela de Nikos Kazantzakis".Luis M. Alonso, "Faro de Vigo""Una burlona tragicomedia política y religiosa. Un irónico salmo".Javier González-Cotta, "Diario de Sevilla"