Niyi Afolabi – författare

This book uncovers the reality that new African immigrants now represent a significant force in the configuration of American polity and identity especially in the last forty years. Despite their minority status, African immigrants are making their marks in various areas of human endeavor and accomplishments—from academic, to business, to even scientific inventions. The demographic shift is both welcome news as well as a matter for concern given the consequences of displacement and the paradoxes of exile in the new location. By its very connection to the ‘Old African Diaspora,’ the notion of a ‘New African Diaspora’ marks a clear indication of a historical progression reconnecting continental Africa with the New World without the stigma of slavery. Yet, the notion of trans-Atlantic slavery is never erased when the African diaspora is mentioned whether in the old or new world. Within this paradoxical dispensation, the new African diaspora must be conceived as the aftermath of a global migration crisis.

This book argues that a new cadre of African immigrants are finding themselves in the New World—mostly well educated, high-income earning professionals, and belonging to the category termed "African brain drain," they constitute the antinomy of those Africans who were forcibly removed from Africa during slavery. Along with this sense of freedom and voluntary migration comes a paradox—that of living in two worlds and negotiating the pleasures and agonies that come with living in exile. For the new African immigrant, the primary factor motivating migration is the desire for a better life whether fleeing political persecution, economic crisis, refugee crisis, or a combination thereof. The overall consequences include displacement, alienation, and the not so enchanting reality of exile. In its encompassing structure and multivalent perspectives, Trans-Atlantic Migration sets in motion the shifting theoretical and pragmatic verity that the new African diaspora and transatlantic migrations are paths laden with paradoxes that only time, negotiations, compromises, and sense of identities can ultimately resolve.

In an era of globalization, population growth, and displacements, migration is now a fact of life in a constantly shifting economic and political world order. This book contributes to the discourse on the beneficiaries, benefactors, and the casualties of African displacement. While the few existing studies have emphasized economic motivation as the primary factor triggering African migration, this volume treats a range of issues: economic, socio-political, pedagogical, developmental, and cultural. Organized with a multidisciplinary thrust in mind, this book argues that any discussion of African migration, whether internal or external, must be conceived as only one aspect of a more complex, organic, and global patterning of "flux and reflux" necessitated by constantly shifting dynamics of world socio-economic, cultural, and political order.

In an era of globalization, population growth, and displacements, migration is now a fact of life in a constantly shifting economic and political world order. This book contributes to the discourse on the beneficiaries, benefactors, and the casualties of African displacement. While the few existing studies have emphasized economic motivation as the primary factor triggering African migration, this volume treats a range of issues: economic, socio-political, pedagogical, developmental, and cultural. Organized with a multidisciplinary thrust in mind, this book argues that any discussion of African migration, whether internal or external, must be conceived as only one aspect of a more complex, organic, and global patterning of "flux and reflux" necessitated by constantly shifting dynamics of world socio-economic, cultural, and political order.

This book argues that a new cadre of African immigrants are finding themselves in the New World—mostly well educated, high-income earning professionals, and belonging to the category termed "African brain drain," they constitute the antinomy of those Africans who were forcibly removed from Africa during slavery. Along with this sense of freedom and voluntary migration comes a paradox—that of living in two worlds and negotiating the pleasures and agonies that come with living in exile. For the new African immigrant, the primary factor motivating migration is the desire for a better life whether fleeing political persecution, economic crisis, refugee crisis, or a combination thereof. The overall consequences include displacement, alienation, and the not so enchanting reality of exile. In its encompassing structure and multivalent perspectives, Trans-Atlantic Migration sets in motion the shifting theoretical and pragmatic verity that the new African diaspora and transatlantic migrations are paths laden with paradoxes that only time, negotiations, compromises, and sense of identities can ultimately resolve.

This book uncovers the reality that new African immigrants now represent a significant force in the configuration of American polity and identity especially in the last forty years. Despite their minority status, African immigrants are making their marks in various areas of human endeavor and accomplishments—from academic, to business, to even scientific inventions. The demographic shift is both welcome news as well as a matter for concern given the consequences of displacement and the paradoxes of exile in the new location. By its very connection to the ‘Old African Diaspora,’ the notion of a ‘New African Diaspora’ marks a clear indication of a historical progression reconnecting continental Africa with the New World without the stigma of slavery. Yet, the notion of trans-Atlantic slavery is never erased when the African diaspora is mentioned whether in the old or new world. Within this paradoxical dispensation, the new African diaspora must be conceived as the aftermath of a global migration crisis.

Ilê Aiyê's unifying identity politics through Afro-Carnival performance, is embedded in its dialectical relationship with the rest of Brazil as it takes ownership of its oppressed status by striving for racial equality and economic empowerment.

Reevaluates the significance of iconic Afro-Brazilian figures, from slavery to post-abolition.Drawing on historical and cultural approaches to race relations, Identities in Flux examines iconic Afro-Brazilian figures and theorizes how they have been appropriated to either support or contest a utopian vision of multiculturalism. Zumbi dos Palmares, the leader of a runaway slave community in the seventeenth century, is shown not as an anti-Brazilian rebel but as a symbol of Black consciousness and anti-colonial resistance. Xica da Silva, an eighteenth-century mixed-race enslaved woman who "married" her master and has been seen as a licentious mulatta, questions gendered stereotypes of so-called racial democracy. Manuel Querino, whose ethnographic studies have been ignored and virtually unknown for much of the twentieth century, is put on par with more widely known African American trailblazers such as W. E. B. Du Bois. Niyi Afolabi draws out the intermingling influences of Yoruba and Classical Greek mythologies in Brazilian representations of the carnivalesque Black Orpheus, while his analysis of City of God focuses on the growing centrality of the ghetto, or favela, as a theme and producer of culture in the early twenty-first-century Brazilian urban scene. Ultimately, Afolabi argues, the identities of these figures are not fixed, but rather inhabit a fluid terrain of ideological and political struggle, challenging the idealistic notion that racial hybridity has eliminated racial discrimination in Brazil.

Reevaluates the significance of iconic Afro-Brazilian figures, from slavery to post-abolition.Drawing on historical and cultural approaches to race relations, Identities in Flux examines iconic Afro-Brazilian figures and theorizes how they have been appropriated to either support or contest a utopian vision of multiculturalism. Zumbi dos Palmares, the leader of a runaway slave community in the seventeenth century, is shown not as an anti-Brazilian rebel but as a symbol of Black consciousness and anti-colonial resistance. Xica da Silva, an eighteenth-century mixed-race enslaved woman who "married" her master and has been seen as a licentious mulatta, questions gendered stereotypes of so-called racial democracy. Manuel Querino, whose ethnographic studies have been ignored and virtually unknown for much of the twentieth century, is put on par with more widely known African American trailblazers such as W. E. B. Du Bois. Niyi Afolabi draws out the intermingling influences of Yoruba and Classical Greek mythologies in Brazilian representations of the carnivalesque Black Orpheus, while his analysis of City of God focuses on the growing centrality of the ghetto, or favela, as a theme and producer of culture in the early twenty-first-century Brazilian urban scene. Ultimately, Afolabi argues, the identities of these figures are not fixed, but rather inhabit a fluid terrain of ideological and political struggle, challenging the idealistic notion that racial hybridity has eliminated racial discrimination in Brazil.

Maps manifestations of the sacred and religious syncretism in Afro-Brazilian cultural forms.Although Brazil is home to the largest African diaspora, the religions of its African descendants have often been syncretized and submerged, first under the force of colonialism and enslavement and later under the spurious banner of a harmonious national Brazilian character. Relocating the Sacred argues that these religions nevertheless have been preserved and manifested in a strategic corpus of shifting masks and masquerades of Afro-Brazilian identity. Following the re-Africanization process and black consciousness movement of the 1970s to 1990s, Afro-Brazilians have questioned racial democracy, seeing how its claim to harmony actually dispossesses them of political power. By embracing African deities as a source of creative inspiration and resistance, Afro-Brazilians have appropriated syncretism as a means of not only popularizing African culture but also decolonizing themselves from the past shame of slavery. This book maps the role of African heritage in-and relocation of the sacred to-three sites of Brazilian cultural production: ritual altars, literature, and carnival culture.

Maps manifestations of the sacred and religious syncretism in Afro-Brazilian cultural forms.Although Brazil is home to the largest African diaspora, the religions of its African descendants have often been syncretized and submerged, first under the force of colonialism and enslavement and later under the spurious banner of a harmonious national Brazilian character. Relocating the Sacred argues that these religions nevertheless have been preserved and manifested in a strategic corpus of shifting masks and masquerades of Afro-Brazilian identity. Following the re-Africanization process and black consciousness movement of the 1970s to 1990s, Afro-Brazilians have questioned racial democracy, seeing how its claim to harmony actually dispossesses them of political power. By embracing African deities as a source of creative inspiration and resistance, Afro-Brazilians have appropriated syncretism as a means of not only popularizing African culture but also decolonizing themselves from the past shame of slavery. This book maps the role of African heritage in-and relocation of the sacred to-three sites of Brazilian cultural production: ritual altars, literature, and carnival culture.

An interdisciplinary study on the myth of racial democracy in Brazil through the prism of producers of Afro-Brazilian culture.Brazil, the most racially diverse Latin American country, is also the most contradictory: for centuries it has maintained fantasy as reality through the myth of racial democracy. Enshrined in that mythology is the masking of exclusionism that strategically displaces and marginalizes Afro-Brazilians from political power.In this absorbing new study, Niyi Afolabi exposes the tensions between the official position on racial harmony and the reality of marginalization experienced by Afro-Brazilians by exploring Afro-Brazilian cultural production as a considered response to this exclusion. The author examines major contributions in music, history, literature, film, and popular culture in the nineteenth and twentieth centuries to reveal how each performance by an Afro-Brazilian artist addresses issues of identity and racism through a variety of veils that entertain, ridicule, invoke, provoke, protest, and demand change at the same time.Raising cogent questions such as the vital role of Afro-Brazilians in the making of Brazilian national identity; the representation of Brazilian women as hapless, exploited, and abandoned; the erosion of the influence of black movements due to fragmentation and internal disharmony; and the portrayal of Afro-Brazilians on the national screen as domestics, Afolabi provides insightful, nuanced analyses that tease out the complexities of the dilemma in their appropriate historical, political, and social contexts.Niyi Afolabi teaches Luso-Brazilian, Yoruba, and African Diaspora studies in the Department of Spanish and Portuguese as well as the John L. Warfield Center for African and African American Studies at the University of Texas at Austin.