Noemie Etienne – författare
Visar alla böcker från författaren Noemie Etienne. Handla med fri frakt och snabb leverans.
6 produkter
Restoration of Paintings in Paris, 1750-1815
Häftad, 2017
652 kr
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The decades following the 1973 publication of Alessandro Conti's Storia del Restauro have seen considerable scholarly interest in the development of restoration in France in the second half of the eighteenth century. A number of technical treatises and biographies of restorers have offered insight …
Exotic Switzerland? – Looking Outward in the Age of Enlightenment
Av Noémie Étienne, Claire Brizon m. fl.
Häftad, 2020
471 kr
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During the 17th and 18th centuries, foreign material culture was introduced into France and Switzerland and integrated into European interiors and decorative arts. Scholars have emphasized this era’s emerging taste for the exotic in order to explain the unprecedented craze for lacquer, porcelain, …
Rhapsodic Objects
Art, Agency, and Materiality (1700–2000)
Av Yaelle Biro, Noemie Etienne
Inbunden, 2022
971 kr
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Zirkulation und Nachahmung haben einen wesentlichen Einfluss auf die Gestaltung der materiellen Welt. Die Beiträge des Bandes untersuchen, wie technisches Wissen, immaterielle Wünsche und politische Agenden die Produktion und Rezeption der visuellen und materiellen Kultur im Wandel der Zeit und …
Art of the Anthropological Diorama
Franz Boas, Arthur C. Parker, and Constructing Authenticity
Häftad, 2021
804 kr
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Dioramas are devices on the frontier of different disciplines: art, anthropology, and the natural sciences, to name a few. Their use developed during the nineteenth century, following reforms aimed at reinforcing the educational dimension of museums. While dioramas with human figures are now the …
Echoes, Ripples, Wake
Casting Art and Flesh
Av Yaëlle Biro, Noémie Étienne
Inbunden, 2026
1156 kr
Kommande
At the intersection of art history, anthropology, and material studies, Echoes, Ripples, Wake: Casting Art and Flesh offers a critical reappraisal of plaster casts. Long dismissed as secondary objects—mere copies, tools, or pedagogical aids—casts are approached here as polymorphous, polysemic …
