Nora Crook – författare

This provocative study assesses at length and in detail the validity and significance of the claim, first made in 1863, that Shelley suffered throughout his life from a youthful contraction of venereal disease. The authors have undertaken vigourous research and consulted little-known medical works of the period 1780-1830 (including a number by Shelley's own doctors), and have interwoven their examination with a description of early nineteenth-century attitudes towards venereal disease (which parallel in some respects present-day fears raised by the threat of AIDS). The book is not, however, simply an investigation of a biographical mystery. The authors' cardinal aim is to reveal the importance of the meaning of disease and healing in Shelley's poetry. They document through specific and concrete textual analysis the extent to which the image of venereal plague functions for Shelley as a metaphor of evil, and they show how his schoolboy fascination with the panacea and his fugitive ambition to be a doctor were transmitted into a passionate belief in the power of poetry to act as society's medicine.

This collection covers the lyrical poetry of Mary Shelley, as well as her writings for Lardner's "Cabinet Cyclopaedia of Biography" and some other materials only recently attributed to her.

This collection covers the lyrical poetry of Mary Shelley, as well as her writings for Lardner's "Cabinet Cyclopaedia of Biography" and some other materials only recently attributed to her.

This collection covers the lyrical poetry of Mary Shelley, as well as her writings for Lardner's "Cabinet Cyclopaedia of Biography" and some other materials only recently attributed to her.

These eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).

These eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).

These eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).

These eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).

These eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).

These eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).

These eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).

These eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).

"His name is Percy Bysshe Shelley, and he is the author of a poetical work entitled "Alastor", or "The Spirit of Solitude"". With these words, the radical journalist and poet Leigh Hunt announced his discovery in 1816 of an extraordinary talent within "a new school of poetry rising of late." The third volume of the acclaimed edition of "The Complete Poetry of Percy Bysshe Shelley" includes "Alastor", one of Shelley's first major works, and all the poems that Shelley completed, for either private circulation or publication, during the turbulent years from 1814 to March 1818: "Hymn to Intellectual Beauty", "Mont Blanc, Laon and Cythna", as well as shorter pieces, such as his most famous sonnet, "Ozymandias". It was during these years that Shelley, already an accomplished and practiced poet with three volumes of published verse, authored two major volumes, earned international recognition, and became part of the circle that was later called the Younger Romantics. As with previous volumes, extensive discussions of the poems' composition, influences, publication, circulation, reception, and critical history accompany detailed records of textual variants for each work.Among the appendixes are Mary W. Shelley's 1839 notes on the poems for these years, a table of the forty-two revisions made to "Laon and Cythna" for its reissue as "The Revolt of Islam", and Shelley's errata list for the same. It is in the works included in this volume that the recognizable and characteristic voice of Shelley emerges-unmistakable, consistent, and vital.

The latest volume of the acclaimed and magisterial Hopkins Press edition of Percy Bysshe Shelley's poetry, covering the years 1818 to early 1820, the first phase of Shelley's Italian period."You talk Utopia," says the worldly Count Maddalo, reproaching the idealistic Julian in Julian and Maddalo. Inspired by conversations conducted on horseback near Venice between the two notorious exiled poets, Shelley and Byron, this poem was among the first of the masterpieces that Shelley wrote after moving with his family in March 1818 from England to post-Napoleonic Italy. The fourth volume of the Hopkins Complete Poetry of Percy Bysshe Shelley covers the years 1818–19 and part of 1820, when Britain was convulsed by popular agitation for the reform of Parliament and stifled by repressive laws against free speech. Among its other contents are The Cenci, an indictment of tyranny, domestic and political, probably the most actable of Romantic dramas; The Mask of Anarchy, the "greatest poem of political protest ever written in English" (too inflammatory to be published at the time); Peter Bell the Third, a brilliant satire on Wordsworth; the fiery sonnet "England in 1819"; an eclogue for women's voices (Rosalind and Helen); playful, sophisticated songs ("Love's Philosophy") and sad verses ("Stanzas, Written in dejection"). Shelley's publications received slashing reviews from politically motivated critics, who attacked his character and principles but acknowledged his poetic gifts. He broadened his scope and composed the most politically engaged poems of his maturity. To quote a Victorian editor, he "ceased to be a subject of Time, and became a citizen of Eternity."As in previous volumes, meticulously edited texts are accompanied by discussions of the poems' composition, the influences they reflect, their publication, reception, and critical history, and detailed records of textual variants. Appendixes range from Mary Shelley's editorial notes to jottings by Shelley drawn from a hitherto unrecognized source for The Cenci. Readers will find in volume four original research, fresh readings, new contexts, and discoveries—hallmarks of this acclaimed edition.Volumes 5, 6, and 8 are in preparation.