Nora Foster Stovel – författare

Carol Shields, best known for her fiction writing, received both the Pulitzer Prize and the Governor General’s Award for Fiction for her novel The Stone Diaries. But she also wrote hundreds of poems over the span of her career.The Collected Poetry of Carol Shields includes three previously published collections and over eighty unpublished poems, ranging from the early 1970s to Shields’s death in 2003. In a detailed introduction and commentary, Nora Foster Stovel contextualizes these poems against the background of Shields’s life and oeuvre and the traditions of twentieth-century poetry. She demonstrates how poetry influenced and informed Shields’s novels; many of the poems, which constitute miniature narratives, illuminate Shields’s fiction and serve as the testing ground for metaphors she later employed in her prose works. Stovel delineates Shields’s career-long interest in character and setting, gender and class, self and other, actuality and numinousness, as well as revealing her subversive feminism, which became explicit in Reta Winter’s angry (unsent) letters in Unless and in the stories of poet Mary Swann and Daisy Goodwill in Swann and The Stone Diaries.The first complete collection of her poetry, this volume is essential for all readers of Carol Shields. Stovel’s detailed annotations, based on research in the Carol Shields fonds at Library and Archives Canada, reveal the poems in all their depth and resonance, and the dignity and consequence they afford to ordinary people.

Carol Shields, best known for her fiction writing, received both the Pulitzer Prize and the Governor General’s Award for Fiction for her novel The Stone Diaries. But she also wrote hundreds of poems over the span of her career.The Collected Poetry of Carol Shields includes three previously published collections and over eighty unpublished poems, ranging from the early 1970s to Shields’s death in 2003. In a detailed introduction and commentary, Nora Foster Stovel contextualizes these poems against the background of Shields’s life and oeuvre and the traditions of twentieth-century poetry. She demonstrates how poetry influenced and informed Shields’s novels; many of the poems, which constitute miniature narratives, illuminate Shields’s fiction and serve as the testing ground for metaphors she later employed in her prose works. Stovel delineates Shields’s career-long interest in character and setting, gender and class, self and other, actuality and numinousness, as well as revealing her subversive feminism, which became explicit in Reta Winter’s angry (unsent) letters in Unless and in the stories of poet Mary Swann and Daisy Goodwill in Swann and The Stone Diaries.The first complete collection of her poetry, this volume is essential for all readers of Carol Shields. Stovel’s detailed annotations, based on research in the Carol Shields fonds at Library and Archives Canada, reveal the poems in all their depth and resonance, and the dignity and consequence they afford to ordinary people.

This collection of essays explores celebrated Canadian author Carol Shields’s experimentation with the essay genre in relation to her fiction. Shields’s essays clarify her iconoclastic approach to rules of narrative and illuminate her revisionist policies, elucidating the development of her fiction, both novels and stories, as her writing gradually becomes more explicitly feminist, as well as more daringly postmodernist. The dozen essays by the eminent Canadianists included in this edition throw fresh light on Shields’s writing, inviting us to read it with new eyes by revealing how her essays reflect and refract the brilliance of her fiction. These essays read Shields’s fiction through the lens of her essays, including those contained in the recent Giardini edition, wherein the author explains the creative methodologies involved in her fiction and also offers specific advice to writers of fiction.