Norman Finkelstein – författare

"In its comprehensive sweep, deep probing and acute critical analysis, Finkelstein's study stands alone."—Noam Chomsky"No one who ventures an opinion on Gaza . . . is entitled to do so without taking into account the evidence in this book."—The InterceptThe Gaza Strip is among the most densely populated places in the world. More than two-thirds of its inhabitants are refugees, and more than half are under eighteen years of age. Since 2004, Israel has launched eight devastating “operations” against Gaza’s largely defenseless population. Thousands have perished, and tens of thousands have been left homeless. In the meantime, Israel has subjected Gaza to a merciless illegal blockade.  What has befallen Gaza is a man-made humanitarian disaster.  Based on scores of human rights reports, Norman G. Finkelstein's new book presents a meticulously researched inquest into Gaza’s martyrdom. He shows that although Israel has justified its assaults in the name of self-defense, in fact these actions constituted flagrant violations of international law.  But Finkelstein also documents that the guardians of international law—from Amnesty International and Human Rights Watch to the UN Human Rights Council—ultimately failed Gaza. One of his most disturbing conclusions is that, after Judge Richard Goldstone's humiliating retraction of his UN report, human rights organizations succumbed to the Israeli juggernaut.Finkelstein’s magnum opus is both a monument to Gaza’s martyrs and an act of resistance against the forgetfulness of history.

In the past five years Israel has mounted three major assaults on the 1.8 million Palestinians trapped behind its blockade of the Gaza Strip. Taken together, Operation Cast Lead (2008-9), Operation Pillar of Defense (2012), and Operation Protective Edge (2014), have resulted in the deaths of some 3,700 Palestinians. Meanwhile, a total of 90 Israelis were killed in the invasions.On the face of it, this succession of vastly disproportionate attacks has often seemed frenzied and pathological. Senior Israeli politicians have not discouraged such perceptions, indeed they have actively encouraged them. After the 2008-9 assault Israel’s then-foreign minister, Tzipi Livni, boasted, "Israel demonstrated real hooliganism during the course of the recent operation, which I demanded."However, as Norman G. Finkelstein sets out in this concise, paradigm-shifting new book, a closer examination of Israel's motives reveals a state whose repeated recourse to savage war is far from irrational. Rather, Israel's attacks have been designed to sabotage the possibility of a compromise peace with the Palestinians, even on terms that are favorable to it.Looking also at machinations around the 2009 UN sponsored Goldstone report and Turkey's forlorn attempt to seek redress in the UN for the killing of its citizens in the 2010 attack on the Gaza freedom flotilla, Finkelstein documents how Israel has repeatedly eluded accountability for what are now widely recognized as war crimes.Further, he shows that, though neither side can claim clear victory in these conflicts, the ensuing stalemate remains much more tolerable for Israelis than for the beleaguered citizens of Gaza. A strategy of mass non-violent protest might, he contends, hold more promise for a Palestinian victory than military resistance, however brave.

To Go Into the Words is the latest book of critical prose from renowned poet and scholar of Jewish literature Norman Finkelstein. Through a rigorous examination of poets such as William Bronk, Helen Adam, and Nathaniel Mackey, the book engages the contemporary poetic fascination with transcendence through the radical delight with language. By opening up a given poem, Finkelstein seeks the “gnosis” or insight of what it contains so that other readers can understand and appreciate the works even more.Pulling from Finkelstein’s experience of writing thirteen books of poetry and six books of literary criticism, To Go Into the Words consistently rewards the reader with insights as transformative as they are well-considered and deftly mapped out. This volume opens the world of poetry to poets, scholars, and readers by showcasing “the gnosis that is to be found in modern poetry.”

Gaza is among the most densely populated places in the world. Two-thirds of its inhabitants are refugees, and more than half the population is under eighteen years of age. Since Israel occupied Gaza in 1967, it has systematically de-developed the economy. After Hamas won democratic elections in 2006, Israel intensified its blockade of Gaza, and after Hamas consolidated its control of the territory in 2007, Israel tightened its illegal siege another notch. In the meantime, Israel has launched no less than eight military operations against Gaza-culminating in Operation Cast Lead in 2008-9 and Operation Protective Edge in 2014-that left behind over three million tons of rubble. Recent UN reports predict that Gaza will be unlivable by 2020. Norman G. Finkelstein presents a meticulously researched and devastating inquest into Israel's actions of the last decade. He argues that although Israel justified its blockade and violent assaults in the name of self-defense, in fact these actions were cynical exercises of brutal power against an essentially defenseless civilian population.Based on hundreds of human rights reports, the book scrutinizes multifarious violations of international law Israel committed both during its operations and in the course of its decade-long siege of Gaza. It is a monument to Gaza's martyrs and a scorching accusation against their tormenters.

Explores the ways in which Jewish American poetry engages persistent questions of modern Jewish identity.Not One of Them in Place is the first book to examine the ways in which Jewish belief, thought, and culture have been shaped and articulated in modern American poetry. Based on the idea that recent American poetry has gravitated between two traditions-romantic and symbolist on the one hand, modernist and objectivist on the other-Norman Finkelstein provides a theoretical framework for reading the Jewish-American canon, as well as close readings of well known and less established poets, including Allen Ginsberg, Charles Reznikoff, Louis Zukofsky, Harvey Shapiro, Armand Schwerner, Hugh Seidman, and Michael Heller. Not One of Them in Place presents this poetry in a clear and nuanced style, paying equal attention to its historical and its aesthetic dimensions.

Explores the ways in which Jewish American poetry engages persistent questions of modern Jewish identity.Not One of Them in Place is the first book to examine the ways in which Jewish belief, thought, and culture have been shaped and articulated in modern American poetry. Based on the idea that recent American poetry has gravitated between two traditions-romantic and symbolist on the one hand, modernist and objectivist on the other-Norman Finkelstein provides a theoretical framework for reading the Jewish-American canon, as well as close readings of well known and less established poets, including Allen Ginsberg, Charles Reznikoff, Louis Zukofsky, Harvey Shapiro, Armand Schwerner, Hugh Seidman, and Michael Heller. Not One of Them in Place presents this poetry in a clear and nuanced style, paying equal attention to its historical and its aesthetic dimensions.

Wallace Stevens' "dark rabbi", from his poem "Le Monocle de Mon Oncle", provides a title for this collection of essays on the "lordly study" of modern Jewish poetry in English. Including chapters on such poets as Charles Reznikoff, Allen Grossman, Chana Bloch, and Michael Heller, this volume explores the tensions between religious and secular worldviews in recent Jewish poetry, the often conflicted linguistic and cultural matrix from which this poetry arises, and the complicated ways in which Jewish tradition shapes the sensibilities of not only Jewish, but also non-Jewish, poets. Finkelstein, described as "one of American poetry's indispensable makers" (Lawrence Joseph), whose previous critical work has been called "the exemplary study of the religious aspect of the works of contemporary American poets" (Peter O'Leary), considers large literary and cultural trends while never losing sight of the particular formal powers of individual poems. In Like a Dark Rabbi he offers a passionate argument for the importance of Jewish-American poetry to modern Jewish culture—and to American poetry—as it engages with the contradictions of contemporary life.

The world’s leading forensic scholar exposes international duplicity and complicity in the Gaza genocide.Methodically debunking the claims of its apologists, Norman Finkelstein has for decades laid bare the cynical politics behind Israel’s high-tech killing sprees in Gaza.Since October 7, 2023, he has been a unique voice in not just condemning Israel’s onslaught but also providing original and acute insight into it.Now, in Gaza’s Gravediggers, Finkelstein turns his critical lens to the global enablers of genocide—those who distort truth and manipulate justice as they prostitute themselves to power and privilege.With meticulous research and razor-sharp analysis, he systematically dissects and dismantles the most influential arguments defending Israel’s actions. He exposes how a United Nations special representative lent credence to an Israeli smear campaign, how officials in the world’s highest court perverted international law in Israel’s defence, and how even Israel’s severe critics colluded in misrepresenting genocide as a war.This is more than a book; it is a searing indictment of those who abused their authority to whitewash an unfolding horror. Gaza’s Gravediggers serves as a clarion call for accountability, reminding those in power: the world is watching, and History will not forgive. “It will not be forgotten,” Finkelstein admonishes. “It will no longer be business as usual, if you choose to do the Devil’s work.”

Track is a book-length poem, originally released in the USA by Spuyten Divil in three volumes. "Norman Finkelstein's Track undertakes a voyage beset by recombinatory duress. An excursis through realms where "the letters / arrive to be destroyed," this wickedly wise poem keeps on arriving long after it's done - a lingering trade or track of mind in mind, trouble in mind. It is a beautiful, beguiling book of unrest." - Nathaniel Mackey