Norman Page – författare

Drawing on much contemporary material, including Auden's fascinating unpublished diary, this book places personal experience in the context of the life of a great city: not only its political, artistic and cultural life, but the life of the streets, bars and caf� It presents portraits of figures, often fascinating in their own right, with whom Auden and Isherwood came into contact, and it demonstrates how, especially in Isherwood's fiction, the raw material of daily existence was transformed into art. The wide scope of this study, which ranges from poetry and cinema to street violence and prostitution, provides a richly detailed context for its account of two writers engaged in the process of self-definition.

'His characters are marvellous, his insights wonderful ... You don't expect reality but you get something bigger and better' Ruth RendellThe Old Curiosity Shop was an instant bestseller that, even while it was criticized for its sentimentality, captured the hearts of the nation with its portrayal of little Nell Trent, who is thrown into a terrifying world when her beloved grandfather is unable to pay his debts to the loathsome Quilp. Alongside the pathos of the innocent, tragic Nell are some of Dickens's greatest characters: the ne'er-do'well Dick Swiveller, the mannish lawyer Sally Brass, the half-starved 'Marchioness' and the lustful Quilp himself, a creation of demonic power and cruelty. Edited with an Introduction and Notes by Norman Page

'His characters are marvellous, his insights wonderful ... You don't expect reality but you get something bigger and better' Ruth RendellThe Old Curiosity Shop was an instant bestseller that, even while it was criticized for its sentimentality, captured the hearts of the nation with its portrayal of little Nell Trent, who is thrown into a terrifying world when her beloved grandfather is unable to pay his debts to the loathsome Quilp. Alongside the pathos of the innocent, tragic Nell are some of Dickens's greatest characters: the ne'er-do'well Dick Swiveller, the mannish lawyer Sally Brass, the half-starved 'Marchioness' and the lustful Quilp himself, a creation of demonic power and cruelty. Edited with an Introduction and Notes by Norman Page

`This time the fiction is founded upon facts'' stated Wilkie Collins in his Preface to Man and Wife (1870). Many Victorian writers responded to contemporary debates on the rights and the legal status of women, and here Collins questions the deeply inequitable marriage laws of his day.Man and Wife examines the plight of a woman who, promised marriage by one man, comes to believe that she may inadvertently have gone through a form of marriage with his friend, as recognized by the archaic laws of Scotland and Ireland. From this starting-point Collins develops a radical critique of the values and conventions of Victorian society.Collins had already developed a reputation as the master of the `sensation novel'', and Man and Wife is as fast moving and unpredictable as The Moonstone and The Woman in White. During the novel the atmosphere grows increasingly sinister as the setting moves from a country house to a London suburb and a world of confinement, plotting, and murder.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

`This time the fiction is founded upon facts' stated Wilkie Collins in his Preface to Man and Wife (1870). Many Victorian writers responded to contemporary debates on the rights and the legal status of women, and here Collins questions the deeply inequitable marriage laws of his day. Man and Wife examines the plight of a woman who, promised marriage by one man, comes to believe that she may inadvertently have gone through a form of marriage with his friend, as recognized by the archaic laws of Scotland and Ireland. From this starting-point Collins develops a radical critique of the values and conventions of Victorian society. Collins had already developed a reputation as the master of the `sensation novel', and Man and Wife is as fast moving and unpredictable as The Moonstone and The Woman in White. During the novel the atmosphere grows increasingly sinister as the setting moves from a country house to a London suburb and a world of confinement, plotting, and murder. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Drawing on much contemporary material, including Auden''s fascinating unpublished diary, this book places personal experience in the context of the life of a great city: not only its political, artistic and cultural life, but the life of the streets, bars and caf� It presents portraits of figures, often fascinating in their own right, with whom Auden and Isherwood came into contact, and it demonstrates how, especially in Isherwood''s fiction, the raw material of daily existence was transformed into art. The wide scope of this study, which ranges from poetry and cinema to street violence and prostitution, provides a richly detailed context for its account of two writers engaged in the process of self-definition.

Drawing on much contemporary material, including Auden's fascinating unpublished diary, this book places personal experience in the context of the life of a great city: not only its political, artistic and cultural life, but the life of the streets, bars and caf� It presents portraits of figures, often fascinating in their own right, with whom Auden and Isherwood came into contact, and it demonstrates how, especially in Isherwood's fiction, the raw material of daily existence was transformed into art. The wide scope of this study, which ranges from poetry and cinema to street violence and prostitution, provides a richly detailed context for its account of two writers engaged in the process of self-definition.

Like Paris in the '20s, Berlin in the early thirties was one of the most exciting cities in the world. As the Weimar Republic sputtered to a close and war loomed on the horizon, the city was a magnet for talented writers and artists. It was in this now-vanished time and place that W.H. Auden and Christopher Isherwood lived, wrote and slept together. Norman Page tells the story of how these years shaped these important writers and, in doing so, illuminates a bygone era.

Since Speech in the English Novel first appeared in 1973, it has won international recognition as an important pioneering study of a topic that lies on the frontiers of literature and linguistics - the nature and function of fictional dialogue and its relationship to real speech. Drawing on a wide range of examples from many periods, the book includes general and theoretical chapters and also case-studies of particular texts, as well as a whole chapter devoted to Dickens. It has been found stimulating and useful by teachers and students in many countries, and has been praised by numerous scholars. The Year's Work in English Studies described it as a 'classic'; Studia Neophilologica said that it 'opened up new vistas for research'; Language and Style found that it 'admirably bridges the gap between linguistics and English studies', and English Studies judged it 'a thoroughly readable and even entertaining book'. This new edition incorporates numerous revisions, new examples, and additions to the bibliographies.

This chronology, like others in the series, presents the story of Dr Johnson's life in a readily accessible format to provide scholar and general reader alike with a quick guide to dates, people and places together with supplementary indexes.

W.B.Yeats, one of the greatest poets who wrote in English, was also a playwright, theatre director, essayist, Senator, and life-long occultist. He knew practically every important figure in the cultural and public life of his time, including Oscar Wilde, Winston Churchill, James Joyce, Ezra Pound, and Eamon de Valera. In recording the details of these relationships and tracing his prolific literary output, this book is a vivid witness to an extraordinarily important, rich and crowded life, as a context for his work.

Providing details of Wilde's life and work in an easily accessible profile, this biography makes use of surviving letters, notebooks, diaries and documents, as well as other researched biographies. Other author's in the series include Pope, Byron, Dickens, Kipling, and Tennyson.

Combining the most widely-read and studied of Conrad's novels, Heart of Darkness and The Secret Agent, with The Shadow Line, this volume represents Conrad's early, middle and later writing. With an extensive introduction, explanatory notes, a chronology of Conrad's life and a glossary of nautical terms, this is an invaluable edition for students.

A.E. Housman (1859-1936) was a poet of enormous popularity and widespread influence: a Latin scholar of the front rank, a superb prose stylist, a notable writer of comic verse and, thanks to the enormous success of A Shropshire Lad, one of the greatest and best-known poems in the English language, he became a legend in his own lifetime. Reissued to mark the centenary of the publication of A Shropshire Lad, Norman Page's highly-acclaimed biography is regarded as the most complete account of Housman's life and career available. Drawing on a wide range of sources, including much unpublished material, Norman Page provides us with a fascinating insight into Housman the poet, the scholar and the man. `By far the best biography of Housman we have ...' - Andrew Motion, Times Literary Supplement

This book is designed to serve as a practical guide for students and others wishing to improve their skills in the detailed analysis and discussion of Hardy's prose texts. Its aim is to sharpen readers' awareness of the complexity and subtlety of Hardy's art by encouraging responsiveness to such aspects as language and style, imagery and symbol, descriptive and dramatic method and narrative technique. At the same time extracts are considered not in isolation but in relation to the overall purposes of a highly-organised text.While the main focus is on four of Hardy's most-widely read novels, the twenty-four examples of close analysis cover six major themes that are relevant to all his fiction. There are also numerous references to his other writings in prose and verse. The second part of the book provides, in succinct form, essential background material, including an outline of Hardy's life and career and an account of the literary, historical and intellectual contexts of his fiction. As well as a guide to further reading, a chapter is devoted to samples of criticism illustrating a range of approaches to the chosen texts and representing the work of important critics past and present.

Drawing on much contemporary material, including Auden's fascinating unpublished diary, this book places personal experience in the context of the life of a great city: not only its political, artistic and cultural life, but the life of the streets, bars and caf� It presents portraits of figures, often fascinating in their own right, with whom Auden and Isherwood came into contact, and it demonstrates how, especially in Isherwood's fiction, the raw material of daily existence was transformed into art. The wide scope of this study, which ranges from poetry and cinema to street violence and prostitution, provides a richly detailed context for its account of two writers engaged in the process of self-definition.

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes.

This set comprises of 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.

First published in 1977, this concise and insightful study of the life and works of Thomas Hardy provides a thorough examination of Hardy's literary output. Alongside a brief biography of Hardy's life, Professor Page's study also spotlights his major and minor novels, his short stories, his non-fiction prose and his verse.

First published in 1977, this concise and insightful study of the life and works of Thomas Hardy provides a thorough examination of Hardy's literary output. Alongside a brief biography of Hardy's life, Professor Page's study also spotlights his major and minor novels, his short stories, his non-fiction prose and his verse.

First published in 1972, Norman Page’s seminal study of The Language of Jane Austen seeks to demonstrate both the exceptional nature and the degree of subtlety of Jane Austen’s use of language. As well as examining the staple items of her vocabulary and some of the characteristic patterns of her syntax, attention is paid to her use of dialogue and of the letter form. The aim of the study is not simply to analyse linguistic qualities for their own sake but to employ close verbal analysis to enrich the critical understanding of Jane Austen’s novels.

First published in 1972, Norman Page’s seminal study of The Language of Jane Austen seeks to demonstrate both the exceptional nature and the degree of subtlety of Jane Austen’s use of language. As well as examining the staple items of her vocabulary and some of the characteristic patterns of her syntax, attention is paid to her use of dialogue and of the letter form. The aim of the study is not simply to analyse linguistic qualities for their own sake but to employ close verbal analysis to enrich the critical understanding of Jane Austen’s novels.

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes.

This set comprises of 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.