Olga Gershenson – författare
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4 produkter
4 produkter
Inbunden, Engelska, 2009
926 kr
Skickas inom 5-8 vardagar
Talking about toilets--in all their material, social, symbolic and discursive complexity
Häftad, Engelska, 2009
353 kr
Skickas inom 5-8 vardagar
Talking about toilets--in all their material, social, symbolic and discursive complexity
Häftad, Engelska, 2023
406 kr
Skickas inom 5-8 vardagar
Before 2010, there were no Israeli horror films. Then distinctly Israeli serial killers, zombies, vampires, and ghosts invaded local screens. The next decade saw a blossoming of the genre by young Israeli filmmakers. New Israeli Horror is the first book to tell their story. Through in-depth analysis, engaging storytelling, and interviews with the filmmakers, Olga Gershenson explores their films from inception to reception. She shows how these films challenge traditional representations of Israel and its people, while also appealing to audiences around the world. Gershenson introduces an innovative conceptual framework of adaptation, which explains how filmmakers adapt global genre tropes to local reality. It illuminates the ways in which Israeli horror borrows and diverges from its international models. New Israeli Horror offers an exciting and original contribution to our understanding of both Israeli cinema and the horror genre. A companion website to this book is available at https://blogs.umass.edu/newisraelihorror/ (https://blogs.umass.edu/newisraelihorror/)Book trailer: https://youtu.be/oVJsD0QCORw (https://youtu.be/oVJsD0QCORw)
Inbunden, Engelska, 2023
1 713 kr
Skickas inom 5-8 vardagar
Before 2010, there were no Israeli horror films. Then distinctly Israeli serial killers, zombies, vampires, and ghosts invaded local screens. The next decade saw a blossoming of the genre by young Israeli filmmakers. New Israeli Horror is the first book to tell their story. Through in-depth analysis, engaging storytelling, and interviews with the filmmakers, Olga Gershenson explores their films from inception to reception. She shows how these films challenge traditional representations of Israel and its people, while also appealing to audiences around the world. Gershenson introduces an innovative conceptual framework of adaptation, which explains how filmmakers adapt global genre tropes to local reality. It illuminates the ways in which Israeli horror borrows and diverges from its international models. New Israeli Horror offers an exciting and original contribution to our understanding of both Israeli cinema and the horror genre. A companion website to this book is available at https://blogs.umass.edu/newisraelihorror/ (https://blogs.umass.edu/newisraelihorror/)Book trailer: https://youtu.be/oVJsD0QCORw (https://youtu.be/oVJsD0QCORw)