Oliver Chandler – författare
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827 kr
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This book is a music-theoretical and critical-theoretical study of late tonal music, and, in particular, of the music of Wagner’s Götterdämmerung.First, in terms of music theory, it proposes a new theory of tonal function that returns to the theories of Hugo Riemann to rediscover a development of his thought that has been covered over by the recent project of neo-Riemannian theory. Second, in terms of its philosophical approach, it reawakens the critical-theoretical examination of the relation between music and the late capitalist society that is sedimented in the musical materials themselves, and which the music, in turn, subjects to aesthetically embodied critique. The music, the theory, and the listeners and critics who respond to them are all radically reimagined.This book will be of interest to professional music theorists, undergraduates, and technically inclined musicians and listeners, that is, anyone who is fascinated by the chromatic magic of late-nineteenth-century music.
346 kr
Skickas inom 10-15 vardagar
This book is a music-theoretical and critical-theoretical study of late tonal music, and, in particular, of the music of Wagner’s Götterdämmerung.First, in terms of music theory, it proposes a new theory of tonal function that returns to the theories of Hugo Riemann to rediscover a development of his thought that has been covered over by the recent project of neo-Riemannian theory. Second, in terms of its philosophical approach, it reawakens the critical-theoretical examination of the relation between music and the late capitalist society that is sedimented in the musical materials themselves, and which the music, in turn, subjects to aesthetically embodied critique. The music, the theory, and the listeners and critics who respond to them are all radically reimagined.This book will be of interest to professional music theorists, undergraduates, and technically inclined musicians and listeners, that is, anyone who is fascinated by the chromatic magic of late-nineteenth-century music.
162 kr
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This volume marks the centenary of British composer Stephen Dodgson (1924-2013), whose long, distinguished and multi-faceted career produced many highly distinctive works in a voice that could be both playful and deeply evocative. An approachable, thoughtful book for the musician and curious layperson alike, it brings together interviews and specially commissioned articles on Dodgson's musical output as well as a selection of the composer's own warmly erudite writings and broadcasts. These sit alongside personal reflections and anecdotes from his friends and family, providing a rounded picture of Stephen Dodgson, the musician and the man. With a wide variety of his work, from opera to chamber music, now available on recordings, this book is a consolidation of Stephen Dodgson's importance as a fixture in British music, both in the post-war period and today.