Oliver Nyambi – författare

This book explores the unique contributions of various forms of post-2000 life-writings such as the autobiography, epistles, and biographies, to discourses about the nature and socio-politics of what has become known as the Zimbabwean crisis (c. 2000–2009).

Much of what has been written about the Zimbabwean crisis – a decade-long period of unprecedented economic collapse and political upheavals in the southern African country – is strictly discipline-specific and therefore limited to unidimensional modes of theorising the crisis’s many and complex dimensions and dynamics. In this context, this book charts a paradigm shift in hermeneutic and epistemological approaches to comprehending the Zimbabwean crisis. Life-Writing from the Margins in Zimbabwe centres the experiences and memories of ordinary Zimbabweans in pluralizing modes of seeing and knowing the crisis. The book argues that these life-writings present a rich site for encountering versions of the crisis that relate in counter-discursive ways, to the dominant, state-authored narrative of the nation in crisis. Oliver Nyambi’s analysis contributes new ideas to ongoing debates about how cultural texts reflect on the postcoloniality of both power, and experiences and negotiations of power in the context of crisis.

This book will be of interest to scholars and students of African literature, Zimbabwean/African studies, postcolonial literature, life-writing and cultural studies.

This book explores the unique contributions of various forms of post-2000 life-writings such as the autobiography, epistles, and biographies, to discourses about the nature and socio-politics of what has become known as the Zimbabwean crisis (c. 2000–2009).

Much of what has been written about the Zimbabwean crisis – a decade-long period of unprecedented economic collapse and political upheavals in the southern African country – is strictly discipline-specific and therefore limited to unidimensional modes of theorising the crisis’s many and complex dimensions and dynamics. In this context, this book charts a paradigm shift in hermeneutic and epistemological approaches to comprehending the Zimbabwean crisis. Life-Writing from the Margins in Zimbabwe centres the experiences and memories of ordinary Zimbabweans in pluralizing modes of seeing and knowing the crisis. The book argues that these life-writings present a rich site for encountering versions of the crisis that relate in counter-discursive ways, to the dominant, state-authored narrative of the nation in crisis. Oliver Nyambi’s analysis contributes new ideas to ongoing debates about how cultural texts reflect on the postcoloniality of both power, and experiences and negotiations of power in the context of crisis.

This book will be of interest to scholars and students of African literature, Zimbabwean/African studies, postcolonial literature, life-writing and cultural studies.

This book investigates how culture reflects change in Zimbabwe, focusing predominantly on Mnangagwa’s 2017 coup, but also uncovering deeper roots for how renewal and transition are conceived in the country. Since Emmerson Mnangagwa ousted Robert Mugabe in 2017, he has been keen to defi ne his "Second Republic" or "New Dispensation" with a rhetoric of change and a rejection of past political and economic cultures. This multi and inter- disciplinary volume looks to the (social) media, language/ discourse, theatre, images, political speeches and literary fiction and non- fiction to see how they have reflected on this time of unprecedented upheaval. The book argues that themes of self- renewal stretch right back to the formative years of the ZANU PF, and that despite the longevity of Mugabe’s tenure, the latest transition can be seen as part of a complex and protracted layering of postcolonial social, economic and political changes. Providing an innovative investigation of how political change in Zimbabwe is reflected on in cultural texts and products, this book will be of interest to researchers across African history, literature, politics, culture and post- colonial studies.

This book investigates how culture reflects change in Zimbabwe, focusing predominantly on Mnangagwa’s 2017 coup, but also uncovering deeper roots for how renewal and transition are conceived in the country. Since Emmerson Mnangagwa ousted Robert Mugabe in 2017, he has been keen to defi ne his "Second Republic" or "New Dispensation" with a rhetoric of change and a rejection of past political and economic cultures. This multi and inter- disciplinary volume looks to the (social) media, language/ discourse, theatre, images, political speeches and literary fiction and non- fiction to see how they have reflected on this time of unprecedented upheaval. The book argues that themes of self- renewal stretch right back to the formative years of the ZANU PF, and that despite the longevity of Mugabe’s tenure, the latest transition can be seen as part of a complex and protracted layering of postcolonial social, economic and political changes. Providing an innovative investigation of how political change in Zimbabwe is reflected on in cultural texts and products, this book will be of interest to researchers across African history, literature, politics, culture and post- colonial studies.

This book examines the ways in which political discourses of crisis and ‘newness’ are (re)produced, circulated, naturalised, received and contested in Post-Mugabe Zimbabwe.

Going beyond the ordinariness of conventional political, human and social science methods, the book offers new and engaging multi-disciplinary approaches that treat discourse and language as important sites to encounter the politics of contested representations of the Zimbabwean crisis in the wake of the 2017 coup. The book centres discourse on new approaches to contestations around the discursive framing of various aspects of the socio-economic and political crisis related to significant political changes in Zimbabwe post-2017. Contributors in this volume, most of whom experienced the complex transition first-hand, examine some of the ways in which language functions as a socio-cultural and political mechanism for creating imaginaries, circulating, defending and contesting conceptions, visions, perceptions and knowledges of the post-Mugabe turn in the Zimbabwean crisis and its management by the "New Dispensation".

This book will be of interest to scholars of African studies, postcolonial studies, language/discourse studies, African politics and culture.

This book examines the ways in which political discourses of crisis and ‘newness’ are (re)produced, circulated, naturalised, received and contested in Post-Mugabe Zimbabwe.

Going beyond the ordinariness of conventional political, human and social science methods, the book offers new and engaging multi-disciplinary approaches that treat discourse and language as important sites to encounter the politics of contested representations of the Zimbabwean crisis in the wake of the 2017 coup. The book centres discourse on new approaches to contestations around the discursive framing of various aspects of the socio-economic and political crisis related to significant political changes in Zimbabwe post-2017. Contributors in this volume, most of whom experienced the complex transition first-hand, examine some of the ways in which language functions as a socio-cultural and political mechanism for creating imaginaries, circulating, defending and contesting conceptions, visions, perceptions and knowledges of the post-Mugabe turn in the Zimbabwean crisis and its management by the "New Dispensation".

This book will be of interest to scholars of African studies, postcolonial studies, language/discourse studies, African politics and culture.

African Shakespeare: Subversions, Appropriations, Negotiations uncovers the multidimensional inventions, synergies, and experimentations that have emerged from performative, political, literary, and conceptual encounters with Shakespeare and his oeuvre in African contexts.

Divided into three broad and overlapping parts, the chapters of the book critically explore issues of decoloniality and postcoloniality; nation-building and state corruption; history and memory; gender and feminism; translation and adaptation from diverse theoretical standpoints. The book displaces the emphasis on Shakespeare’s works to productively illuminate the multi-layered significance of African epistemes, politico-aesthetics, languages and socio-cultural realities to the practice and process of literary and theatrical intervention and creation. Building on and extending extant scholarship in the field of African Shakespeare, the contributions in the volume not only enhance knowledge of African Shakespearean creations but also enrich African Studies and Shakespeare Studies by opening up new possibilities for transdisciplinary dialogues and cross-fertilization.

The book will be useful for students and scholars of African Theatre and Performance, Cultural Studies, (Global) Shakespeare Studies, Translation and Adaptation Studies and Post-colonial Studies.

African Shakespeare: Subversions, Appropriations, Negotiations uncovers the multidimensional inventions, synergies, and experimentations that have emerged from performative, political, literary, and conceptual encounters with Shakespeare and his oeuvre in African contexts.

Divided into three broad and overlapping parts, the chapters of the book critically explore issues of decoloniality and postcoloniality; nation-building and state corruption; history and memory; gender and feminism; translation and adaptation from diverse theoretical standpoints. The book displaces the emphasis on Shakespeare’s works to productively illuminate the multi-layered significance of African epistemes, politico-aesthetics, languages and socio-cultural realities to the practice and process of literary and theatrical intervention and creation. Building on and extending extant scholarship in the field of African Shakespeare, the contributions in the volume not only enhance knowledge of African Shakespearean creations but also enrich African Studies and Shakespeare Studies by opening up new possibilities for transdisciplinary dialogues and cross-fertilization.

The book will be useful for students and scholars of African Theatre and Performance, Cultural Studies, (Global) Shakespeare Studies, Translation and Adaptation Studies and Post-colonial Studies.