Omita Goyal – författare

This book looks broadly at the evolution of sport and play in India and South Asia, those that enjoy mass popularity as well as those that are marginal, situating them in the region's history, society and economy. It is a valuable addition to the study of sports in South Asia, which remains underdeveloped, with a significant bias towards cricket. Avoiding personality-based narratives, focusing only on successful sportspersons, this volume looks at the different sports played and watched in South Asia: from popular ones such as hockey, football, and badminton, to more local ones such as boat racing in Kerala.

This book lays out the different and complex dimensions of urbanisation in India. It brings together contributors with expertise in fields as varied as demography, geography, economics, political science, sociology, anthropology, architecture, planning and land use, environmental sciences, creative writing, filmmaking and grassroots activism to reflect on and examine India’s urban experience. It discusses various dimensions of city life—how to define the urban; the conditions generating work, living and (in)security; the nature of contemporary cities; the dilemmas of creating and executing urban policy, planning and governance; and the issues concerning ecology and environment. The volume also articulates and evaluates the way Indian urbanism promotes and organises aspirations and utopias of the people, whilst simultaneously endorsing disparities, depravities and conflicts.The volume includes interventions that shape contemporary debates. Comprehensive, accessible and topical, it will be useful to scholars and researchers of urban studies, urban sociology, development studies, public policy, economics, political studies, gender studies, city studies, planning and governance. It will also interest practitioners, think tanks and NGOs working on urban issues.

This volume outlines the specific conditions and responses to climate change in India. It discusses various aspects of the planetary crisis that have acquired widespread global urgency: global warming induced by anthropogenic emissions, largely owing to the fossil fuel-based economic growth model; severe environmental decline; and the catastrophic consequences that threaten the very foundations of modern life, which has been based on using nature as a ‘resource’ instead of as an ecosystem in which human life exists. The book brings together contributors with expertise in fi elds as varied as national security, public policy, environmental law, climate justice activism, anthropology, restoration ecology, conservation biology, wildlife ecology, the health sector and medicine, conservation science and sustainability, gender, humanities and the creative arts. It includes a new spectrum of responses—holistic or alternate, literary and the arts, dance and poetry—and their interface with climate change, which are often left out in science and policy circles, and an unusual ground-up approach with grassroots movements’ perspectives along with theoretical practices and a Gandhian way of thinking in a global economy.Comprehensive, accessible and topical, this book will be useful to scholars and researchers of environmental and sustainability studies, natural resources, environment and technology, sociology of development, development studies, public policy, energy and environment and urbanisation. It will also interest practitioners, policymakers, think tanks and NGOs working on climate change issues.

This volume outlines the specific conditions and responses to climate change in India. It discusses various aspects of the planetary crisis that have acquired widespread global urgency: global warming induced by anthropogenic emissions, largely owing to the fossil fuel-based economic growth model; severe environmental decline; and the catastrophic consequences that threaten the very foundations of modern life, which has been based on using nature as a ‘resource’ instead of as an ecosystem in which human life exists. The book brings together contributors with expertise in fi elds as varied as national security, public policy, environmental law, climate justice activism, anthropology, restoration ecology, conservation biology, wildlife ecology, the health sector and medicine, conservation science and sustainability, gender, humanities and the creative arts. It includes a new spectrum of responses—holistic or alternate, literary and the arts, dance and poetry—and their interface with climate change, which are often left out in science and policy circles, and an unusual ground-up approach with grassroots movements’ perspectives along with theoretical practices and a Gandhian way of thinking in a global economy.Comprehensive, accessible and topical, this book will be useful to scholars and researchers of environmental and sustainability studies, natural resources, environment and technology, sociology of development, development studies, public policy, energy and environment and urbanisation. It will also interest practitioners, policymakers, think tanks and NGOs working on climate change issues.

Cinema has been, and is, a powerful tool for social mobilisation. The political importance of cinema was of course always well-known and has continued to evolve and grow. However, with innovations in modern technology, there has been the exponential growth of television alongside the movies, with content made especially for TV, as well as social media.This volume covers developments in Indian Cinema over the last decade. It explores an array of changes which has dramatically changed cinema — a surge of new filming and broadcasting technologies, from the camera phone to the most sophisticated digital equipment; an avalanche of talent, from trained to completely untrained actors; and a volume of content difficult to document and categorise. It also studies cinema growth and reactions to the onslaught of home entertainment and discusses its changing formats over the years, from TV to satellite, to VCRs and DVDs, serials to OTT streaming platforms.This book will be of great interest to scholars and researchers in film studies, performance studies, cultural studies, media studies, and popular culture. It will also interest professionals working in media and entertainment industries.

The Indian Constitution has held the country together for 75 years now. This volume demonstrates the Constitution is not a static document and has seen several amendments and interpretations over the years. It delves into how the document has worked for the people since its adoption — its strengths and weaknesses, its many interpretations, how it has influenced and shaped our collectives over time and in turn been shaped by the people.The Indian Constitution clearly vests power in the hands of its people. This volume critically examines how the longest written national Constitution is made successful by people who take its spirit to heart and let it inform their activities, and how like anywhere in the world, it is a work in progress. It covers a range of debates on issues such as individual freedom (of expression, of association, freedom to lead lives of dignity, etc.), liberty (freedom from oppression), the right to life, right to equality, justice, among several others. The book contains essays by judges, lawyers and academics who describe the journey of the Constitution through doctrine, case-law, and comparative analyses with other countries. At the same time, it also contains essays by doctors, politicians, activists, bureaucrats, and a number of methodologically diverse essays by a host of demographically diverse writers.The volume will be an indispensable read for scholars and researchers of legal studies, political scientists, governance, public policy, modern history, and South Asia studies. It will also be of immense interest to political scientists, political theorists, legal scholars, historians, lawyers, and general readers interested in the history of the Indian Constitution.

The Indian Constitution has held the country together for 75 years now. This volume demonstrates the Constitution is not a static document and has seen several amendments and interpretations over the years. It delves into how the document has worked for the people since its adoption — its strengths and weaknesses, its many interpretations, how it has influenced and shaped our collectives over time and in turn been shaped by the people.The Indian Constitution clearly vests power in the hands of its people. This volume critically examines how the longest written national Constitution is made successful by people who take its spirit to heart and let it inform their activities, and how like anywhere in the world, it is a work in progress. It covers a range of debates on issues such as individual freedom (of expression, of association, freedom to lead lives of dignity, etc.), liberty (freedom from oppression), the right to life, right to equality, justice, among several others. The book contains essays by judges, lawyers and academics who describe the journey of the Constitution through doctrine, case-law, and comparative analyses with other countries. At the same time, it also contains essays by doctors, politicians, activists, bureaucrats, and a number of methodologically diverse essays by a host of demographically diverse writers.The volume will be an indispensable read for scholars and researchers of legal studies, political scientists, governance, public policy, modern history, and South Asia studies. It will also be of immense interest to political scientists, political theorists, legal scholars, historians, lawyers, and general readers interested in the history of the Indian Constitution.

Cinema has been, and is, a powerful tool for social mobilisation. The political importance of cinema was of course always well-known and has continued to evolve and grow. However, with innovations in modern technology, there has been the exponential growth of television alongside the movies, with content made especially for TV, as well as social media.This volume covers developments in Indian Cinema over the last decade. It explores an array of changes which has dramatically changed cinema — a surge of new filming and broadcasting technologies, from the camera phone to the most sophisticated digital equipment; an avalanche of talent, from trained to completely untrained actors; and a volume of content difficult to document and categorise. It also studies cinema growth and reactions to the onslaught of home entertainment and discusses its changing formats over the years, from TV to satellite, to VCRs and DVDs, serials to OTT streaming platforms.This book will be of great interest to scholars and researchers in film studies, performance studies, cultural studies, media studies, and popular culture. It will also interest professionals working in media and entertainment industries.