Orvar Lofgren – författare

Löfgren takes us on a tour of the Western holiday world and shows how two centuries of "learning to be a tourist" have shaped our own ways of vacationing. We see how fashions in destinations have changed through the years, with popular images (written, drawn, painted, and later photographed) teaching the tourist what to look for and how to experience it. Travelers present and future will never see their cruises, treks, ecotours, round-the-world journeys, or trips to the vacation cottage or condo in quite the same way again. All our land-, sea-, and mindscapes will be the richer for Löfgren''s insights.

In this insightful and pathbreaking reflection on "doing nothing," Billy Ehn and Orvar Löfgren take us on a fascinating tour of what is happening when, to all appearances, absolutely nothing is happening. Sifting through a wide range of examples drawn from literature, published ethnographies, and firsthand research, they probe the unobserved moments in our daily lives—waiting for a bus, daydreaming by the window, performing a routine task—and illuminate these "empty" times as full of significance. Creative, insightful, and profound, The Secret World of Doing Nothing leads us to rethink the ordinary and find meaning in today’s hypermodern reality.

The culture of the bourgeoisie gradually came to dominate European society during the nineteenth century. Jonas Frykman and Orvar LÖfgren examine how this new style of life developed and how it spread. They focus on Swedish society from 1880 to 1910, conceptualizing events and behavior in a way that applies to western culture in general during that era, and illustrate their yhemeswith contemporary photographs.  Through their interpretation, we are reminded that middle-class culture is only one alternative among many, and not always the best.Culture Builders deals primarily with the ways in which ideas about the good and proper life are anchored in the trivialities and routines of everyday life: in the sharing of a meal, in holiday-making, and in the upbringing of children.  The authors describe how the attitudes of the bourgeoisie toward. Time and time-keeping set them apart from the peasantry. Uses and perceptions of naturals increasingly divided the classes.  For peasants, nature consisted of natural resources to be used. Fr the bourgeoisie, nature had only non-productive connotations.  Another change was the growing importance of home over the community.  Life became a romantic ideal, not an economic necessity.  For the first time, parents became self-conscious about how to raise their children.Frykman and LÖgnen also show how the middle-class developed new perceptions of dirt, pollution, orderliness, health, sexuality, and bodily functions, and how they disdained the filth of peasant households. By stressing refinement, rationality, morality, and discipline, the middle classes were able to differentiate themselves not only from the peasants, but also from the degenerate aristocracy and the disordered and uncontolled emerging working class.  The bourgeoisie viewed their own form of culture as the highest on the evolutionary ladder, and turned it into a national culture against which all other groups would be measured.

What happens when economies ''heat up''? This book looks at the 1990s, years of intense economic experimentation, when buzz words such as ''network society'', ''the experience economy'', ''creative cities'' and ''glocalization'' were everywhere. A fascinating perspective on ''The New Economy'' emerges as the authors explore the worlds of coolhunters, biotech brokers, career coaches, software entrepreneurs and event managers and tackle such questions as: - how is magic used in the quest for newness and change? - what happens when cultural techniques such as branding and styling colonize new arenas? - what turns out to be just a flash-in-the-pan and what has a lasting impact? This book is essential reading for anyone wishing to understand how economies operate in periods of rapid transformation.

What happens when economies ''heat up''? This book looks at the 1990s, years of intense economic experimentation, when buzz words such as ''network society'', ''the experience economy'', ''creative cities'' and ''glocalization'' were everywhere. A fascinating perspective on ''The New Economy'' emerges as the authors explore the worlds of coolhunters, biotech brokers, career coaches, software entrepreneurs and event managers and tackle such questions as: - how is magic used in the quest for newness and change? - what happens when cultural techniques such as branding and styling colonize new arenas? - what turns out to be just a flash-in-the-pan and what has a lasting impact? This book is essential reading for anyone wishing to understand how economies operate in periods of rapid transformation.

"Nichtstun ist die allerschwierigste Beschäftigung und zugleich diejenige, die am meisten Geist voraussetzt." Oscar Wilde Was passiert, wenn allem Anschein nach gar nichts passiert? Wenn Menschen sich von der Aussicht, "nichts zu tun", angezogen oder abgestoßen fühlen, wenn sie geduldig oder wütend warten, wenn sie alltägliche Routinen gedankenverloren erledigen und in mehr oder weniger abstrusen Tagträumen der Realität entfliehen? Billy Ehn und Orvar Löfgren gehen in ihrer kreativen und aufschlussreichen Untersuchung der Frage nach, wie sich die Formen des Nichtstuns und die gesellschaftliche Haltung dazu in verschiedenen kulturellen Kontexten entwickeln und verändern, wie individuelle Gewohnheiten, Gedanken und Gefühle kulturell geformt werden. Sie geleiten uns auf eine Reise in die Welt der Übergangszonen, Zwischenzeiten und Pausen, die voller vertrauter und überraschender Details steckt.

This volume starts out with two contrasting studies of monuments. How does the seemingly stability of stone and bronze hide a constantly changing cultural use? Anne Eriksen looks at the history of ruins in Norway. The murmur of ruins turns out to be a speech of modernity, a way of emotionalising place and history. Viktoriya Hryaban discusses the fate of socialist monuments in Ukraine and shows how the attempts to create alternative post-socialist memorials reproduce a traditional Soviet cultural grammar. Lace is a dominating decorative element in many Turkish Dutch homes. It has become a sign of "Turkishness" but as Hilje van der Horst points out, people's relations to this mundane domestic element mirror some important conflicts and ideas about modernity and ethnicity. From the cultural media of monuments and lace, the discussion moves on to two more classic mass media and their role in identity politics. Stijn Reijnders explores a popular Dutch game show that has managed to survive for decades, becoming something of a national institution for some, an example of an outmoded genre for others. How does the involvement mirror ideas of an imagined national community? Finally, Silke Meyer looks at an 18th century national stereotype of "The German quack" in English popular debate and mass media. How did this caricature of Germanness become an alter ego of the English?