Owen King – författare

In this spectacular father/son collaboration, Stephen King and Owen King tell the highest of high-stakes stories: what might happen if women disappeared from the world of men?All around the world, something is happening to women when they fall asleep; they become shrouded in a cocoon-like gauze. If awakened, if the gauze wrapping their bodies is disturbed, the women become feral and spectacularly violent...In the small town of Dooling, West Virginia, the virus is spreading through a women's prison, affecting all the inmates except one. Soon, word spreads about the mysterious Evie, who seems able to sleep - and wake. Is she a medical anomaly or a demon to be slain? The abandoned men, left to their increasingly primal devices, are fighting each other, while Dooling's Sheriff, Lila Norcross, is just fighting to stay awake.And the sleeping women are about to open their eyes to a new world altogether...

'One of those books that straddles fantastic and modernist literature in that it seems to be set in our world, seems to be set maybe 100 years ago . . . And it's as magical as it is political and beautifully crafted' - Neil GaimanHalf fairy tale and half historical account of a revolution that never was, Owen King's The Curator is full of sly humor, sensuality, and strangeness - Holly BlackFrom Sunday Times bestselling author Owen King comes a Dickensian fantasy of illusion and charm where cats are revered as religious figures, thieves are noble, scholars are revolutionaries, and conjurers the most wonderful criminals.At first glance, the world has not changed: the trams on the boulevards, the grand hotels, the cafes abuzz with conversation. The street kids still play on the two great bridges that divide the city, and the smart set still venture down to the Morgue Ship for an evening's entertainment.Yet it only takes a spark to ignite a revolution.For young Dora, a maid at the university, the moment brings liberation. She finds herself walking out with one of the student radicals, Robert, free to investigate what her brother Ambrose may have seen at the Institute for Psykical Research before he died.But it is another establishment that Dora is given to look after, The Museum of the Worker. This strange, forgotten edifice is occupied by waxwork tableaux of miners, nurses, shopkeepers and other disturbingly lifelike figures.As the revolution and counter-revolution outside unleash forces of love, betrayal, magic and terrifying darkness, Dora's search for the truth behind a mystery that she has long concealed will unravel a monstrous conspiracy and bring her to the very edge of worlds.In The Curator, Owen King has created an extraordinary time and place - historical, fantastical, yet compellingly real, and a heroine who is courageous, curious and utterly memorable.'The Curator feels a little like Owen King somehow brought a curiosity cabinet to life. There are terrors here, but also marvels and delights, and a set of the most interesting characters I've met in some time. Put The Curator on the same shelf as other classics of the uncanny and uncategorisable, like Susanna Clarke's Piranesi and Mervyn Peake's Gormenghast. I loved it' - Kelly Link'Owen King's The Curator is a rich read. Language, characters, and a fascinating world combine to create an intensely satisfying experience' - Charlaine Harris

Half fairy tale and half historical account of a revolution that never was, Owen King's The Curator is full of sly humor, sensuality, and strangeness - Holly BlackFrom Sunday Times bestselling author Owen King comes a Dickensian fantasy of illusion and charm where cats are revered as religious figures, thieves are noble, scholars are revolutionaries, and conjurers the most wonderful criminals.At first glance, the world has not changed: the trams on the boulevards, the grand hotels, the cafes abuzz with conversation. The street kids still play on the two great bridges that divide the city, and the smart set still venture down to the Morgue Ship for an evening's entertainment.Yet it only takes a spark to ignite a revolution.For young Dora, a maid at the university, the moment brings liberation. She finds herself walking out with one of the student radicals, Robert, free to investigate what her brother Ambrose may have seen at the Institute for Psykical Research before he died.But it is another establishment that Dora is given to look after, The Museum of the Worker. This strange, forgotten edifice is occupied by waxwork tableaux of miners, nurses, shopkeepers and other disturbingly lifelike figures.As the revolution and counter-revolution outside unleash forces of love, betrayal, magic and terrifying darkness, Dora's search for the truth behind a mystery that she has long concealed will unravel a monstrous conspiracy and bring her to the very edge of worlds.In The Curator, Owen King has created an extraordinary time and place - historical, fantastical, yet compellingly real, and a heroine who is courageous, curious and utterly memorable.'The Curator feels a little like Owen King somehow brought a curiosity cabinet to life. There are terrors here, but also marvels and delights, and a set of the most interesting characters I've met in some time. Put The Curator on the same shelf as other classics of the uncanny and uncategorisable, like Susanna Clarke's Piranesi and Mervyn Peake's Gormenghast. I loved it' - Kelly Link'Owen King's The Curator is a rich read. Language, characters, and a fascinating world combine to create an intensely satisfying experience' - Charlaine Harris

In Who Can Save Us Now?, the new anthology edited by Owen King and John McNally, talented writers unite to fight the forces of evil. Each writer will introduce a new superhero who is equipped to tackle the challenges of the 21st century. In combining terrific writing and the subject matter of comics and cartoons, Who Can Save Us Now?bridges the gap between literature and pop culture, much like Michael Chabon's The Amazing Adventures of Kavalier and Clayand Jonathan Lethem's Fortress of Solitude. To date the full list of contributors is as follows: John McNally, Owen King, Jim Shepard, Tom Bissell, Jennifer Weiner, Stephaine Harrell, George Singleton, Sean Doolittle, Will Clarke, Noria Jablonski, Elizabeth McCracken, Sam Weller, Kelly Braffet, Scott Snyder, David Yoo, David Haynes, Cary Holladay.

Edited and with contributions by Owen King (We''re All in This Together) and John McNally (America''s Report Card this anthology enriches the superhero canon immeasurably.Twenty-two of today''s most talented writers (and comics fans) unite in Who Can Save Us Now?, an anthology featuring brand-new superheroes equipped for the threats and challenges of the twenty-first century -- with a few supervillains thrown in for good measure. With mutations stranger than the X-Men and with even more baggage than the Hulk, this next generation of superheroes is a far cry from your run-of-the-mill caped crusader. From the image-conscious and not-very-mysterious masked meathead who swoops in and sweeps the tough girl reporter off her feet; to the Meerkat, who overcomes his species'' cute and cuddly image to become the resident hero in a small Midwestern city; to the Silverfish, "the creepy superhero," who fights crime while maintaining the slipperiest of identities; to Manna Man, who manipulates the minds of televangelists to serve his own righteous mission, these protectors (and in some cases antagonizers) of the innocent and the virtuous will delight literary enthusiasts and comic fans alike. With stunning illustrations by artist Chris Burnham, Who Can Save Us Now? offers a vibrant, funny, and truly unusual array of characters and their stories.

“An ambitious and warmhearted first novel” (Entertainment Weekly) from Owen King—the epic tale of a young man coming to terms with his life in the aftermath of the spectacularly bizarre failure of his first film.SAM DOLAN is a young man coming to terms with his life in the process and aftermath of making his first film. He has a difficult relationship with his father, B-movie actor Booth Dolan—a boisterous, opinionated, lying lothario whose screen legacy falls somewhere between cult hero and pathetic. Allie, Sam’s dearly departed mother, was a woman whose only fault, in Sam’s eyes, was her eternal affection for his father. Also included in the cast of indelible characters: a precocious, frequently violent half-sister; a conspiracy-theorist second wife; an Internet-famous roommate; a contractor who can’t stop expanding his house; a happy-go-lucky college girlfriend and her husband, a retired Yankees catcher; the morose producer of a true-crime show; and a slouching indie-film legend. Not to mention a tragic sex monster. Unraveling the tumultuous, decades-spanning story of the Dolan family’s friends, lovers, and adversaries, Double Feature is about letting go of everything—regret, resentment, dignity, moving pictures, the dead—and taking it again from the top. Against the backdrop of indie filmmaking, college campus life, contemporary Brooklyn, and upstate New York, Owen King’s epic debut novel combines propulsive storytelling with mordant wit and brims with a deep understanding of the trials of ambition and art, of relationships and life, and of our attempts to survive it all.

SAM DOLAN is a young man coming to terms with his life in the process and aftermath of making his first film. He has a difficult relationship with his father, B-movie actor Booth Dolan—a boisterous, opinionated, lying lothario whose screen legacy falls somewhere between cult hero and pathetic. Allie, Sam’s dearly departed mother, was a woman whose only fault, in Sam’s eyes, was her eternal affection for his father. Also included in the cast of indelible characters: a precocious, frequently violent half-sister; a conspiracy-theorist second wife; an Internet-famous roommate; a contractor who can’t stop expanding his house; a happy-go-lucky college girlfriend and her husband, a retired Yankees catcher; the morose producer of a true-crime show; and a slouching indie-film legend. Not to mention a tragic sex monster. Unraveling the tumultuous, decades-spanning story of the Dolan family’s friends, lovers, and adversaries, Double Feature is about letting go of everything—regret, resentment, dignity, moving pictures, the dead—and taking it again from the top. Against the backdrop of indie filmmaking, college campus life, contemporary Brooklyn, and upstate New York, Owen King’s epic debut novel combines propulsive storytelling with mordant wit and brims with a deep understanding of the trials of ambition and art, of relationships and life, and of our attempts to survive it all.

In this wildly entertaining collaboration, novelists Owen King and Mark Jude Poirier team up with illustrator Nancy Ahn to present a wickedly funny graphic novel about an alien invasion on a college campus. Stacey, a brilliant, overachieving astrobiology major at Fenton College, had planned on just another lonely Spring Break on campus. But when a hurricane batters the small college town, downing power lines and knocking out cell phone reception, Stacey and her friends are stranded with no way to communicate with the outside world at the worst possible moment: in the midst of an alien invasion. As space insects begin to burrow into students and staff, transforming them into slobbering, babbling monsters, a conglomeration of misfits must band together to prevent the infestation from spreading. Meanwhile, Stacey's long-stifled romantic feelings for her friend Charlotte begin to surface, while the professor she had admired and respected becomes the students' worst enemy. Illustrated with enormous wit and dynamism-mixing classic tropes from science fiction, indie comics, B-movies, and campus culture-this graphic novel is something different, a large-scale action/adventure story as seen from the point-of-view of a contemporary, realistic heroine. The result is a funny and singular work unlike anything else you've ever read.

In this spectacular New York Times bestselling father/son collaboration that “barrels along like a freight train” (Publishers Weekly), Stephen King and Owen King tell the highest of high-stakes stories: what might happen if women disappeared from the world of men?In a future so real and near it might be now, something happens when women go to sleep: they become shrouded in a cocoon-like gauze. If they are awakened, if the gauze wrapping their bodies is disturbed or violated, the women become feral and spectacularly violent. And while they sleep they go to another place, a better place, where harmony prevails and conflict is rare. One woman, the mysterious “Eve Black,” is immune to the blessing or curse of the sleeping disease. Is Eve a medical anomaly to be studied? Or is she a demon who must be slain? Abandoned, left to their increasingly primal urges, the men divide into warring factions, some wanted to kill Eve, some to save her. Others exploit the chaos to wreak their own vengeance on new enemies. All turn to violence in a suddenly all-male world. Set in a small Appalachian town whose primary employer is a woman’s prison, Sleeping Beauties is a wildly provocative, gloriously dramatic father-son collaboration that feels particularly urgent and relevant today.

In this spectacular New York Times bestselling father/son collaboration that “barrels along like a freight train” (Publishers Weekly), Stephen King and Owen King tell the highest of high-stakes stories: what might happen if women disappeared from the world of men?In a future so real and near it might be now, something happens when women go to sleep: they become shrouded in a cocoon-like gauze. If they are awakened, if the gauze wrapping their bodies is disturbed or violated, the women become feral and spectacularly violent. And while they sleep they go to another place, a better place, where harmony prevails and conflict is rare. One woman, the mysterious “Eve Black,” is immune to the blessing or curse of the sleeping disease. Is Eve a medical anomaly to be studied? Or is she a demon who must be slain? Abandoned, left to their increasingly primal urges, the men divide into warring factions, some wanted to kill Eve, some to save her. Others exploit the chaos to wreak their own vengeance on new enemies. All turn to violence in a suddenly all-male world. Set in a small Appalachian town whose primary employer is a woman’s prison, Sleeping Beauties is a wildly provocative, gloriously dramatic father-son collaboration that feels particularly urgent and relevant today.

From New York Times bestselling author Owen King, who “writes with witty verve” (Entertainment Weekly) comes a “richly imagined” (The New York Times) Dickensian fantasy of illusion and charm where cats are revered as religious figures, thieves are noble, scholars are revolutionaries, and conjurers are the most wonderful criminals you can imagine.It begins in an unnamed city nicknamed “the Fairest”, it is distinguished by many things from the river fair to the mountains that split the municipality in half; its theaters and many museums; the Morgue Ship; and, like all cities, but maybe especially so, by its essential unmappability. Dora, a former domestic servant at the university has a secret desire—to understand the mystery of her brother''s death, believing that the answer lies within The Museum of Psykical Research, where he worked when Dora was a child. With the city amidst a revolutionary upheaval, where citizens like Robert Barnes, her lover and a student radical, are now in positions of authority, Dora contrives to gain the curatorship of the half-forgotten museum only to find it all but burnt to the ground, with the neighboring museums oddly untouched. Robert offers her one of these, The National Museum of the Worker. However, neither this museum, nor the street it is hidden away on, nor Dora herself, are what they at first appear to be. Set against the backdrop of an oddly familiar and wondrous city on the verge of collapse, Dora’s search for the truth will unravel a monstrous conspiracy and bring her to the edge of worlds.

From New York Times bestselling author Owen King, who “writes with witty verve” (Entertainment Weekly) comes a “richly imagined” (The New York Times) Dickensian fantasy of illusion and charm where cats are revered as religious figures, thieves are noble, scholars are revolutionaries, and conjurers are the most wonderful criminals you can imagine.It begins in an unnamed city nicknamed “the Fairest”, it is distinguished by many things from the river fair to the mountains that split the municipality in half; its theaters and many museums; the Morgue Ship; and, like all cities, but maybe especially so, by its essential unmappability. Dora, a former domestic servant at the university has a secret desire—to understand the mystery of her brother''s death, believing that the answer lies within The Museum of Psykical Research, where he worked when Dora was a child. With the city amidst a revolutionary upheaval, where citizens like Robert Barnes, her lover and a student radical, are now in positions of authority, Dora contrives to gain the curatorship of the half-forgotten museum only to find it all but burnt to the ground, with the neighboring museums oddly untouched. Robert offers her one of these, The National Museum of the Worker. However, neither this museum, nor the street it is hidden away on, nor Dora herself, are what they at first appear to be. Set against the backdrop of an oddly familiar and wondrous city on the verge of collapse, Dora’s search for the truth will unravel a monstrous conspiracy and bring her to the edge of worlds.

Eine Dickens''sche Fantasie voller Illusionen und Charme, in der Katzen verehrt werden, Gelehrte Revolutionäre sind, Diebe edel und Zauberer die wunderbarsten Verbrecher.Auf den ersten Blick hat sich die Welt nicht verändert. Straßenkinder spielen noch immer auf den beiden großen Brücken und die Schickeria geht noch immer ins Morgue Ship, um sich einen Abend lang zu amüsieren.Doch es braucht nur einen Funken, um eine Revolution zu entfachen.Auf der Suche nach der Wahrheit über ihren Bruder Ambrose schließt sich das junge Dienstmädchen Dora einem der radikalen Studenten an. Doch dann soll sie sich um das Museum des Arbeiters kümmern – ein seltsames, vergessenes Gebäude, voll mit beunruhigend lebensechten Wachsfiguren von Bergarbeitern, Krankenschwestern und Ladenbesitzern.Während Revolution und Gegenrevolution Kräfte der Liebe und des Verrats, der Magie und furchtbarer Dunkelheit freisetzen, wird Doras Suche eine monströse Verschwörung aufdecken und sie an den Rand der Welt bringen.In Die Kuratorin hat Owen King ein faszinierendes Zeitalter und einen außergewöhnlichen Ort erschaffen: historisch, fantastisch und doch fesselnd real; sowie eine Heldin, die mutig, neugierig und zutiefst bemerkenswert ist.Vorzugsausgabe im Schuber: signiert von Owen King & François Vaillancourt.Holly Black:»Halb Märchen, halb historischer Tatsachenbericht über eine Revolution, die nie stattgefunden hat, ist Owen Kings Die Kuratorin voller scharfsinnigem Humor, Sinnlichkeit und Skurrilität.«Kirkus, starred review:»Ein Roman von Dickens vereint sich mit einem Gemälde von Hieronymus Bosch – düsterer, chaotischer Spaß.«The New York Times:»Der Roman hat seine ganz eigene sanfte Lyrik und suggestive Bildsprache, die dazu beiträgt, dass die Seiten nur so dahinfliegen. King hat ein Händchen für farbenfrohe Metaphern und durchdachte Perspektiven.«Anthony Breznican, Vanity Fair:»Elegant und eindringlich ... spielt Die Kuratorin in einer Fantasiewelt namens Die Schönste ... einer Gesellschaft, die technologisch etwa ein Jahrhundert hinter der unseren zurückliegt, uns aber in Bezug auf Magie und Übernatürliches weit voraus ist.«Library Journal:»Kings neuestes Werk ist ein Meisterwerk der Erzählkunst.«The Guardian:»Die Kuratorin beginnt wie eine Geschichte aus einer alternativen Welt, die durch ihren Detailreichtum und ihre vielfältigen Charaktere einen fast Dickens''schen Ton anschlägt. Ein tolles Gemisch aus Realismus, Fantasie und Skurrilität.«Tor.com:»Kings Welt ist teils stimmungsvoll viktorianisch, teils Terry Pratchett, und es gibt neben der mutigen Hauptfigur eine Menge zu entdecken. Die Kuratorin ist ein wahres Kuriosum von einem Buch.«Crime Reads: »Eine entzückende neuartige Fantasygeschichte... Kings Roman fühlt sich an wie der Nachfolger von Terry Pratchetts Scheibenwelt-Romanen.«Booklist:»Kings außergewöhnlicher Roman ist teils ein Gothic-Thriller und teils eine absurde Regierungssatire. In diesem äußerst kreativen Roman werden Klassenkampf und Ressentiments, dunkle Komödie und bittersüße Romantik miteinander verwoben, was Fans verworrener dunkler Phantastik begeistern wird.«Publishers Weekly:»King erweitert seine gleichnamige Kurzgeschichte in dieser viktorianisch anmutenden Fantasy, die sowohl Momente des Grauens als auch des Humors enthält.«

Die mysteriöse Krankheit Aurora hat die gesamte Welt erobert, und alle Frauen – abgesehen von ein paar wenigen, die unter Schlafstörungen leiden – sind in endlosem Schlummer gefangen. Tatsächlich wurde ihr Bewusstsein in eine utopische Traumwelt transportiert, wo sie eine eigene Gesellschaft nach ihren Vorstellungen errichten können. Eine Traumwelt, die sie vielleicht nicht mehr verlassen wollen.In Dooling, West Virginia, kämpft der Gefängnispsychiater Clint Norcross derweil darum, die Frau namens Eve Black vor immer verzweifelteren Männern zu beschützen. Eve, die einzige Frau, die noch aufwachen kann, hat jedoch ihre eigenen Pläne: einen Test, der weltumspannende Konsequenzen haben könnte.Stephen und Owen Kings Horror-Roman »Sleeping Beauties« stürmte die Bestsellerlisten, und die grandios umgesetzte Adaption von Rio Youers und Alison Sampson garantiert Gänsehaut ab Seite eins. Was würde passieren, wenn alle Frauen verschwänden? »Sleeping Beauties« liefert eine schauerliche Antwort.Abschlussband der Miniserie