Owen King – författare

In this spectacular father/son collaboration, Stephen King and Owen King tell the highest of high-stakes stories: what might happen if women disappeared from the world of men?All around the world, something is happening to women when they fall asleep; they become shrouded in a cocoon-like gauze. If awakened, if the gauze wrapping their bodies is disturbed, the women become feral and spectacularly violent...In the small town of Dooling, West Virginia, the virus is spreading through a women's prison, affecting all the inmates except one. Soon, word spreads about the mysterious Evie, who seems able to sleep - and wake. Is she a medical anomaly or a demon to be slain? The abandoned men, left to their increasingly primal devices, are fighting each other, while Dooling's Sheriff, Lila Norcross, is just fighting to stay awake.And the sleeping women are about to open their eyes to a new world altogether...

In his wry novella, Owen King conjures an eccentric North-Eastern American family whose personal strife mirrors the political turmoil of our time. George is the teenaged son of a single mother, and the only grandson of a family of union organisers in Maine. George's grandfather Henry, obsessed with the outcome of the 2000 election, has planted a giant billboard of homage to Al Gore in his front yard that he suspects has been defaced by the paperboy, now a sworn enemy. Meanwhile, George's mother is about to marry Dr Vic, who besides being possess by an almost royal obliviousness, may even have voted for George W Bush. George's efforts to aid his endearingly cranky grandfather and to undermine his mother's marriage reflect on a central question for our times: How will we fight? All together, or all alone?A heartwarming, funny and hugely inventive tale from a young writer set to become one of the most exciting talents on the Faber list.

'One of those books that straddles fantastic and modernist literature in that it seems to be set in our world, seems to be set maybe 100 years ago . . . And it's as magical as it is political and beautifully crafted' - Neil GaimanHalf fairy tale and half historical account of a revolution that never was, Owen King's The Curator is full of sly humor, sensuality, and strangeness - Holly BlackFrom Sunday Times bestselling author Owen King comes a Dickensian fantasy of illusion and charm where cats are revered as religious figures, thieves are noble, scholars are revolutionaries, and conjurers the most wonderful criminals.At first glance, the world has not changed: the trams on the boulevards, the grand hotels, the cafes abuzz with conversation. The street kids still play on the two great bridges that divide the city, and the smart set still venture down to the Morgue Ship for an evening's entertainment.Yet it only takes a spark to ignite a revolution.For young Dora, a maid at the university, the moment brings liberation. She finds herself walking out with one of the student radicals, Robert, free to investigate what her brother Ambrose may have seen at the Institute for Psykical Research before he died.But it is another establishment that Dora is given to look after, The Museum of the Worker. This strange, forgotten edifice is occupied by waxwork tableaux of miners, nurses, shopkeepers and other disturbingly lifelike figures.As the revolution and counter-revolution outside unleash forces of love, betrayal, magic and terrifying darkness, Dora's search for the truth behind a mystery that she has long concealed will unravel a monstrous conspiracy and bring her to the very edge of worlds.In The Curator, Owen King has created an extraordinary time and place - historical, fantastical, yet compellingly real, and a heroine who is courageous, curious and utterly memorable.'The Curator feels a little like Owen King somehow brought a curiosity cabinet to life. There are terrors here, but also marvels and delights, and a set of the most interesting characters I've met in some time. Put The Curator on the same shelf as other classics of the uncanny and uncategorisable, like Susanna Clarke's Piranesi and Mervyn Peake's Gormenghast. I loved it' - Kelly Link'Owen King's The Curator is a rich read. Language, characters, and a fascinating world combine to create an intensely satisfying experience' - Charlaine Harris

Half fairy tale and half historical account of a revolution that never was, Owen King's The Curator is full of sly humor, sensuality, and strangeness - Holly BlackFrom Sunday Times bestselling author Owen King comes a Dickensian fantasy of illusion and charm where cats are revered as religious figures, thieves are noble, scholars are revolutionaries, and conjurers the most wonderful criminals.At first glance, the world has not changed: the trams on the boulevards, the grand hotels, the cafes abuzz with conversation. The street kids still play on the two great bridges that divide the city, and the smart set still venture down to the Morgue Ship for an evening's entertainment.Yet it only takes a spark to ignite a revolution.For young Dora, a maid at the university, the moment brings liberation. She finds herself walking out with one of the student radicals, Robert, free to investigate what her brother Ambrose may have seen at the Institute for Psykical Research before he died.But it is another establishment that Dora is given to look after, The Museum of the Worker. This strange, forgotten edifice is occupied by waxwork tableaux of miners, nurses, shopkeepers and other disturbingly lifelike figures.As the revolution and counter-revolution outside unleash forces of love, betrayal, magic and terrifying darkness, Dora's search for the truth behind a mystery that she has long concealed will unravel a monstrous conspiracy and bring her to the very edge of worlds.In The Curator, Owen King has created an extraordinary time and place - historical, fantastical, yet compellingly real, and a heroine who is courageous, curious and utterly memorable.'The Curator feels a little like Owen King somehow brought a curiosity cabinet to life. There are terrors here, but also marvels and delights, and a set of the most interesting characters I've met in some time. Put The Curator on the same shelf as other classics of the uncanny and uncategorisable, like Susanna Clarke's Piranesi and Mervyn Peake's Gormenghast. I loved it' - Kelly Link'Owen King's The Curator is a rich read. Language, characters, and a fascinating world combine to create an intensely satisfying experience' - Charlaine Harris

In Who Can Save Us Now?, the new anthology edited by Owen King and John McNally, talented writers unite to fight the forces of evil. Each writer will introduce a new superhero who is equipped to tackle the challenges of the 21st century. In combining terrific writing and the subject matter of comics and cartoons, Who Can Save Us Now?bridges the gap between literature and pop culture, much like Michael Chabon's The Amazing Adventures of Kavalier and Clayand Jonathan Lethem's Fortress of Solitude. To date the full list of contributors is as follows: John McNally, Owen King, Jim Shepard, Tom Bissell, Jennifer Weiner, Stephaine Harrell, George Singleton, Sean Doolittle, Will Clarke, Noria Jablonski, Elizabeth McCracken, Sam Weller, Kelly Braffet, Scott Snyder, David Yoo, David Haynes, Cary Holladay.

In this wildly entertaining collaboration, novelists Owen King and Mark Jude Poirier team up with illustrator Nancy Ahn to present a wickedly funny graphic novel about an alien invasion on a college campus. Stacey, a brilliant, overachieving astrobiology major at Fenton College, had planned on just another lonely Spring Break on campus. But when a hurricane batters the small college town, downing power lines and knocking out cell phone reception, Stacey and her friends are stranded with no way to communicate with the outside world at the worst possible moment: in the midst of an alien invasion. As space insects begin to burrow into students and staff, transforming them into slobbering, babbling monsters, a conglomeration of misfits must band together to prevent the infestation from spreading. Meanwhile, Stacey's long-stifled romantic feelings for her friend Charlotte begin to surface, while the professor she had admired and respected becomes the students' worst enemy. Illustrated with enormous wit and dynamism-mixing classic tropes from science fiction, indie comics, B-movies, and campus culture-this graphic novel is something different, a large-scale action/adventure story as seen from the point-of-view of a contemporary, realistic heroine. The result is a funny and singular work unlike anything else you've ever read.

Down-on-his-luck rideshare driver Jerry Hauser’s existence is a bleak one…especially because every fare he picks up tells him how much he looks like uber-successful self-help guru Darren Hart. But after a twist of fate, Jerry is given the chance of a lifetime…which, if he’s not careful, may well end his lifetime. So begins this California noir—a rollicking and gleefully lurid pulp crime story for our time.