Pamela Hansford Johnson – författare

Toby is a very plausible young scoundrel: good at winning confidences — and also at staving off troublesome emotions. On the point of leaving Cambridge, he meets Maisie, who is beautiful, tense and vulnerable.She falls in love. He does not. He takes what he can, as young men do. But Maisie tries to force the issue, and he makes off — warned by a friend’s disastrous shotgun marriage. There will always be other girls, more cheerful and just as willing . . .And Toby never worries about minor problems like the way separation wounds its victim. The bitter surprises still in store disconcert him only briefly.After all, a good listener will always get by.‘With her characteristic mixture of sense and sensibility, Pamela Hansford Johnson creates a whole gallery of convincing characters, entangled in a web of drifting relationships.’ Sunday Telegraph‘Beautifully rendered . . . memorable settings and lively characters’ Financial Times‘The light shining steadily through each page of Pamela Hansford Johnson’s new novel is the light of quality’ The Times‘A stunning performance’ Nina Bawden, Daily Telegraph

'As her work reappears, another missing jigsaw piece is replaced' Independent Described by the New York Times upon her death as 'one of Britain's best-known novelists', plunge yourself into the wry world of Pamela Hansford Johnson in this coming-of-marriageable-age story, perfect for fans of Elizabeth Jane Howard and Barbara Pym.******************It's between the wars, and Christine - Christie, to her friends - is tired of London, her job in a travel agency, her friends, and the young men she's being set up with. So when, by chance, she meets the older Ned Skelton, who seems sophisticated and experienced, she quickly becomes besotted. Before Christie knows it, they are engaged. But will marriage to a man she doesn't know well truly offer this young woman an escape? Or is she walking into another prison of her own making?A classic coming-of-age story set in the 1930s, by one of Britain's best-loved and almost-forgotten novelists.'A story so vivid it might be the memoir of a real person' Britannia and Eve******************Praise for Pamela Hansford Johnson:'Witty, satirical and deftly malicious' Anthony Burgess'A remarkable craftswoman' A.S. Byatt'Hansford Johnson at her wittiest is Waugh mingled with Malcolm Bradbury Ruth Rendell'A writer whose memory fully deserves to be kept alive' Jonathan Coe

'Striking first novel . . . qualities of vitality and humour which set it apart.' New York Times Described by the New York Times upon her death as 'one of Britain's best-known novelists', plunge yourself into the wry world of Pamela Hansford Johnson in this story of seduction and marriage, perfect for fans of Elizabeth Jane Howard and Barbara Pym.******************Sixteen-year-old Elsie Cotton is curious about sex, but in this 1930s London suburb, there's no one who is willing to talk to her about it. Her widowed mother refuses to engage with the fact she's growing up, her art teacher tells her she'll find out about it soon enough, and Patty Maginnis would probably know, but Elsie can't find a way to ask her. The only person who will happily help is her boyfriend, Roly; but Elsie is all to aware of the risks... but as their relationship intensifies and her curiosity grows, what options are left to her?Banned from Battersea library, blasted by reviewers for being 'lewd' and earning the author abusive notes through the letterbox on its publication in 1935, This Bed Thy Centre is the controversial debut by Pamela Hansford Johnson that marked the start of her distinguished career. ******************Praise for Pamela Hansford Johnson:'Witty, satirical and deftly malicious' Anthony Burgess'A remarkable craftswoman' A.S. Byatt'Hansford Johnson at her wittiest is Waugh mingled with Malcolm Bradbury Ruth Rendell'A writer whose memory fully deserves to be kept alive' Jonathan Coe

'Witty, satirical and deftly malicious' Anthony Burgess Described by the New York Times upon her death as 'one of Britain's best-known novelists', delve into the sparkling and satirical world of Pamela Hansford Johnson with this wickedly funny tragicomedy about a destitute English author living in Bruges. 'A maliciously witty account of literary skulduggery and loft pretensions.' TLS ******************Daniel Skipton is a literary genius - at least, that's what he'll tell you. A tortured artist living in Bruges on money donated by others (a distant relative, the daughter of his landlady, his exasperated, long-suffering publishers), he dreams of the time his talent will once again be truly appreciated and spends days working on his masterpiece. Between charitable bequests, he preys on tourists, accepting hospitality and tricking them into parting with their money; and when an Italian aristocrat arrives, he recognises an opportunity to earn even more. But is it time for the conman to be conned?A wickedly funny novel, and one in which you will always find yourself on the side of the undeniably unspeakable Skipton.'Very funny' Independent'If this is not a great book, then I don't know what greatness is.' Edith Sitwell******************Praise for Pamela Hansford Johnson:'Witty, satirical and deftly malicious' Anthony Burgess'A remarkable craftswoman' A.S. Byatt'Hansford Johnson at her wittiest is Waugh mingled with Malcolm Bradbury Ruth Rendell'A writer whose memory fully deserves to be kept alive' Jonathan Coe

'A very cool and intelligent writer' TLS Described by the New York Times upon her death as 'one of Britain's best-known novelists', plunge yourself into the wry world of Pamela Hansford Johnson in this story of seduction and marriage, perfect for fans of Elizabeth Jane Howard and Barbara Pym.******************Christine Hall, a mother in her late thirties, is on holiday on the south coast of England when she bumps into an old friend: Celia Baird, staying with her parents at the Moray hotel. Celia - eccentric, impulsive - is one of tangled group of friends who have Christine at their core. There's architect Eric Aveling (who happens to be having an affair with Celia); his wife, terminally ill Lois; and Junius Evans, Eric's business partner.When death affects a shift in the dynamics of the group, none of them expect the final outcome. Duty, guilt, secrecy, loneliness: the hidden side of marriage is uncovered as choices are thrust upon the characters.******************Praise for Pamela Hansford Johnson:'Witty, satirical and deftly malicious' Anthony Burgess'A remarkable craftswoman' A.S. Byatt'Hansford Johnson at her wittiest is Waugh mingled with Malcolm Bradbury Ruth Rendell'A writer whose memory fully deserves to be kept alive' Jonathan Coe