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3 produkter
495 kr
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This autobiography depicts the spiritual landscape against which Ellen Glasgow's novels were written. The introduction examines her composition of "The Woman Within", surveys critical responses since its publication, examines unpublished portions and discusses the implications of the text.
729 kr
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The novels of Pulitzer Prize-winning author Ellen Glasgow ushered the South into the modern era, rejecting the typically romanticized approach for a cunningly observed realism. Glasgow's originality of mind and abiding fascination with her native South are in abundant display in this new selection of her correspondence with women. Covering more than sixty years, Perfect Companionship collects some 250 letters to and from Glasgow, many published here for the first time. The correspondents include Glasgow's family members, as well as prominent Richmonders. Also included are letters to and from authors such as Radclyffe Hall, Margaret Mitchell, and Marjorie Kinnan Rawlings, artists Malvina Hoffman and Clare Leighton, publishing figures Blanche Knopf and Irita Van Doren, and spouses of literary and academic figures such as Eleanor Brooks, wife of Van Wyck Brooks, and Bessie Zaban Jones, wife of Howard Mumford Jones. The letters are set in their proper context by a wealth of useful features, including a substantial introduction, a complete chronology of Glasgow's life, a comprehensive calendar listing all of her known correspondence with women, and a biographical register identifying all correspondents and persons mentioned in the letters. The result is a collection valuable not only to Glasgow scholars but also to any reader drawn to the South and the great contribution made by women to its literature and culture.
287 kr
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Demonstrates the remarkable resurgence of interest in the aestheticRecent calls for a return to aesthetics occur precisely at a moment when it is increasingly evident that nothing concerning aesthetics is self-evident anymore. Determined to recover the value of aesthetic experience for artistic, cultural, and social analysis, the contributors to this volume-prominent scholars in literature, philosophy, art history, architecture, history, and anthropology-begin from a shared recognition that ideological readings of the aesthetic have provided invaluable insights, in particular, that analyses of aesthetics within historical and social contexts tell us a great deal about the experience of aesthetic encounters. From multiple and complementary perspectives, the contributors address topics as varied as Nabokov and Dickens, Caravaggio and Shelley Winters, gender and sexuality, advertising and AIDS. Taken together, their essays constitute a sustained and multifarious effort to resituate aesthetic pleasure in the mixed, impure conditions characteristic of every social practice and experience, however privileged or marginalized, and to ask what happens to the aesthetic if we consider it apart from-or at least in tension with-its historically dominant discursive formulations. As such, this volume establishes a renewed sense of aesthetic discourse and its usefulness as a tool for understanding culture. Contributors: Leo Bersani, U of California, Berkeley; Susan Bordo, U of Kentucky; Bill Brown, U of Chicago; Beatriz Colomina, Princeton U; Ulysse Dutoit, U of California, Berkeley; Lee Edelman, Tufts U; Maureen Harkin, Reed College; Howard Horwitz, U of Utah; Audrey Jaffe, U of California, Santa Cruz; Martin Jay, U of California, Berkeley; Kay Bea Jones, Ohio State U; Robert Kaufman, Stanford U; Alphonso Lingis, Pennsylvania State U; Joseph Litvak, Tufts U; Douglas Mao, Cornell U; Barbara Stafford, U of Chicago; Kathleen Stewart, U of Texas; Kathryn Bond Stockton, U of Utah; Judith Stoddart, Michigan State U; Michael Taussig, Columbia U.