Panayis Panagiotopoulos – författare

This book explores the new Greek exoticism by examining political and cultural mechanisms that contribute to Greece’s image and self-image construction. The contributions shed light on the subject from different perspectives, including political science, history of ideas, sociology, cultural studies, and art criticism. In the first part, the book provides a historical review with a focus on philhellenism, perceptions of antiquity and modernity, and the evolution of Greece as an idea. The second part looks at the current Greek crisis and analyses ideological, political and cultural aspects and stereotypes that contributed to the formation of contemporary Greek culture. The third and final part discusses notions such as aestheticism, idealism and pragmaticism, and deconstructs narrations of Greece through artistic media, such as films and exhibitions, which present a new oriental Utopia.

This book explores the new Greek exoticism by examining political and cultural mechanisms that contribute to Greece’s image and self-image construction. The contributions shed light on the subject from different perspectives, including political science, history of ideas, sociology, cultural studies, and art criticism. In the first part, the book provides a historical review with a focus on philhellenism, perceptions of antiquity and modernity, and the evolution of Greece as an idea. The second part looks at the current Greek crisis and analyses ideological, political and cultural aspects and stereotypes that contributed to the formation of contemporary Greek culture. The third and final part discusses notions such as aestheticism, idealism and pragmaticism, and deconstructs narrations of Greece through artistic media, such as films and exhibitions, which present a new oriental Utopia.

This book provides a comprehensive account and conceptualisation of the history and development of the middle class in Greece. What is the history of the middle class in the West after World War II? How is it related to consumerism, individualism and emancipation? How did it reach this, now unanimously admitted, existential crisis? Which is the historical course of the middle class in Greece from the 1960s onwards? Through which experiences was the social contract of the middle class during the Metapolitefsi drawn up? How is it that the Greek family acts as the middle class’ natural habitat and its condemnation at the same time? Is there still a middle class identity in Greece or is it scattered in rival micro-communities of people who can hardly co-exist today, in a space of social and emotional desolation? Will the pandemic crisis validate the inequalities that govern the relationships among the members of the old middle class in Greece or will it prove to be a chance for a new social and cultural convergence?