Paola Antonelli – författare

Workspheres is the catalogue of MoMA's Spring exhibition devoted to the way we work and the role of design in creating effective solutions for work tools and environments in the near future. The exhibition features nine concepts for work tools and environments designed to represent solutions to the specific needs of nine unique sets of work ambitions, problems, skills and requirements. Each has been assigned to individual teams of architects and designers and is based on extensive research in consultation with an international advisory group. This catalogue not only represents the exhibition, but also expands upon it. While the main body of the volume is devoted to the nine models, the history of workplace design and an analysis of offices, both national and global, will also be included in a series of six essays by internationally known designers. In addition to history and cultural differences, the publication also addresses such themes as individuality within a work organization, communication design, interface design, and the impact of digital technologies on different professions.

Extensive holdings of contemporary art produced from 1980 until now are showcased in this updated and revised edition. This edition provides an international spectrum of more than 580 works of key contemporary art in a variety of mediums, including 36 new works that have been added to the MoMA collection since 1999.

Design has a history of violence. It can be an act of creative destruction and a double-edged sword, and yet professional discourse around design has been dominated by voices that only trumpet its commercial and aesthetic successes. Violence, defined here as the power to alter circumstances against the will of others and to their detriment, is ubiquitous in history and in contemporary society. In recent years, moreover, technology has introduced new threats and added dramatically to the many manifestations of violence. Design and Violence is an exploration of the relationship between the two that sheds light on the complex impact of design on the built environment and on everyday life, as well as on the manifestations of violence in contemporary society. Published to accompany an online experiment launched by The Museum of Modern Art in Autumn 2013, it brings together controversial, provocative, and compelling design projects with leading voices from a variety of fields. Each invited author responds to one object chosen by the curators – ranging from an AK-47 to a Euthanasia Rollercoaster, from plastic handcuffs to the Stuxnet digital virus – and invites dialogue, comments, reflection, and active, occasionally fierce, debate. Examples of questions posed include: Can we design a violent act to be more humane? How far can the state go to ‘protect’ its borders from immigration before it becomes an act of violence? Is violence ‘male’? These experimental and wide-ranging conversations bring together voices from the fields of art and design, science, law, criminal justice, ethics, finance, journalism, and social justice, making Design and Violence an invaluable resource for lively discussions and classroom curricula.

Commemorating over a decade of MoMA’s in-person, thematic salons, through new essays and archival photographsExamining the many forms of productive gatherings, from formal conferences and roundtables to impromptu rallies and raves, this volume celebrates what is gained when we come together in physical space and walk away with unintended outcomes, insights and wisdom. Launched in 2012 and helmed by the visionary Paola Antonelli, MoMA Research & Development explores the potential and responsibility of museums as public actors and as a testing ground for ideas. The R&D Salons, which have brought together over 400 contributors to date, generate a lively discussion that not only informs the museum and its programming, but also a wider conversation in the outside world, acting as both crucibles and catalysts for new ways of thinking and doing in cultural institutions. This volume combines new essays with highlights from the extensive MoMA R&D Salon archive, looking both backward and forward to tackle topics as diverse as Revolution, Hair, Anger, Dogs, Gastrodiplomacy and Death.

In den wenig mehr als zehn Jahren seit seiner Gründung hat das schwedische Designertrio Claesson Koivisto Rune bereits außerordentlich großen Anklang gefunden. Wie andere skandinavische Meister zuvor, beispielsweise Aalto oder Jacobsen, sind Claesson Koivisto Rune sowohl in der Architektur als auch im Design heimisch. 2004 gehörten sie zu den ersten schwedischen Architekten, die für die internationale Sektion der Architektur-Biennale in Venedig ausgewählt wurden.

Die architektonischen Objekte in dieser Monographie sind Privathäuser und Inneneinrichtungen von Europa bis Nord- und Südamerika, außerdem größere Gebäude wie das Sfera Kulturhaus in Kyoto. Die abgebildeten Möbel und andere vom Trio entworfene Produkte werden von über 30 internationalen Herstellern produziert. Alle Bilder wurden eigens für diese Publikation fotografiert. Diese ist auch für sich ein Designobjekt: Sie besteht aus zwei Büchern – getrennten Bänden für Architektur und Design und Architektur [sic] – mit Einleitungen von Paola Antonelli (MoMA) und Marcus Fairs (ICON Magazine).

A counterhistory and new historiography of design.

In Design by Accident, Alexandra Midal declares the autonomy of design, in and on its own terms. This meticulously researched work proposes not only a counterhistory but a new historiography of design, shedding light on overlooked historical landmarks and figures while reevaluating the legacies of design's established luminaries from the nineteenth century to the present. Midal rejects both linear narratives of progress and the long-held perception of design as a footnote to the histories of fine art and architecture. By weaving critical analysis of the canon of design history and theory together, with special attention to the writings of designers themselves, she draws out the nuances and radical potentials of the discipline—from William Morris's ambivalence toward industry, to Catharine Beecher's proto-feminist household appliances, to the Bauhaus's Expressionist origins, and the influence of Herbert Marcuse on Joe Colombo.

Alice Rawsthorn and Paola Antonelli, two of the world’s most influential design figures, meet the visionary designers whose innovations and ingenuity give us hope for the future by redesigning and reconstructing our lives, enabling us to thriveDesign Emergency tells the stories of the remarkable designers, architects, engineers, artists, scientists, and activists, who are at the forefront of positive change worldwide. Focusing on four themes - Technology, Society, Communication, and Ecology - Alice Rawsthorn and Paola Antonelli present a unique portrait of how our great creative minds are developing new design solutions to the major challenges of our time, while helping us to benefit from advances in science and technology.