Patrice Deparpe – författare

Who other than Henri Matisse's daughter Marguerite could describe his engraving in this way? Responsible for validating her father's press-proofs, she is, along with her son Claude Duthuit, the author of this catalogue raisonné of his engravings. She has devoted a large part of her life to allowing this 'unknown continent' to be discovered which is nevertheless essential in understanding the progression of an artist known above all for his mastery of colour.The Matisse Departmental Museum, with the help of the Matisse family, Barbara Duthuit, and some most prestigious institutions, explores in this catalogue all of the engraving techniques used by Matisse from 1900 up to the end of his life. For him, engraving, drawing, painting, and sculpture all had the same importance, and in this work all the key themes that led him to build his research around the human figure, are represented.For the very first time the matrices (woodcut, lithograph, drypoint, etching, linocut...) accompany the works and help us to understand that high standards and hard work, along with an economy of means, led Matisse to transform black into a colour that he used to serve the purity of line.Text in English and French.

Who other than Henri Matisse's daughter Marguerite could describe his engraving in this way? Responsible for validating her father's press-proofs, she is, along with her son Claude Duthuit, the author of this catalogue raisonné of his engravings. She has devoted a large part of her life to allowing this 'unknown continent' to be discovered and which is nevertheless essential in understanding the progression of an artist known above all for his mastery of colour. The Matisse Departmental Museum, with the help of the Matisse family, Barbara Duthuit, and some most prestigious institutions, explores in this catalogue all of the engraving techniques used by Matisse from 1900 up to the end of his life. For him, engraving, drawing, painting, and sculpture all had the same importance, and in this work all the key themes that led him to build his research around the human figure, are represented. For the very first time the matrices (woodcut, lithograph, drypoint, etching, linocut...) accompany the works and help us to understand that high standards and hard work, along with an economy of means, led Matisse to transform black into a colour that he used to serve the purity of line. Text in English and French.

Pierre Alechinsky: Marginalia highlights an aspect of the artist's work that is perhaps less familiar: his long-standing interest in the illustrated book. This fascination has fed Alechinsky's collaborative projects with writers and his incorporation of 'marginal remarks' into his own monumental paintings over many years. Maintaining a deep engagement with the written word in literary and painting contexts, Alechinsky has worked with writers such as André Breton, Eugene Ionesco, Christian Dotremont, Roger Caillois, Hélène Cixous, Joyce Mansour, Michel Butor, Hugo Claus, E.M. Cioran, Marcel Moreau, Pierre-Andre Benoit and Roland Topor. Pierre Alechinsky: Marginalia presents Alechinsky in three characteristic modes - as reader, illustrator and artist. Text in English and French.