Patricia Mayayo – författare

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6 produkter

Making Art History in Europe After 1945
AvNoemi de Haro García,Patricia Mayayom. fl.
Inbunden, Engelska, 2020
2 493 kr
Skickas inom 10-15 vardagar
This book analyses the intermeshing of state power and art history in Europe since 1945 and up to the present from a critical, de-centered perspective. Devoting special attention to European peripheries and to under-researched transnational cultural political initiatives related to the arts implemented after the end of the Second World War, the contributors explore the ways in which this relationship crystallised in specific moments, places, discourses and practices. They make the historic hegemonic centres of the discipline converse with Europe’s Southern and Eastern peripheries, from Portugal to Estonia to Greece. By stressing the margins’ point of view this volume rethinks the ideological grounds on which art history and the European Union have been constructed as well as the role played by art and culture in the very concept of ‘Europe.’
Making Art History in Europe After 1945
AvNoemi de Haro García,Patricia Mayayom. fl.
Häftad, Engelska, 2022
701 kr
Skickas inom 10-15 vardagar
This book analyses the intermeshing of state power and art history in Europe since 1945 and up to the present from a critical, de-centered perspective. Devoting special attention to European peripheries and to under-researched transnational cultural political initiatives related to the arts implemented after the end of the Second World War, the contributors explore the ways in which this relationship crystallised in specific moments, places, discourses and practices. They make the historic hegemonic centres of the discipline converse with Europe’s Southern and Eastern peripheries, from Portugal to Estonia to Greece. By stressing the margins’ point of view this volume rethinks the ideological grounds on which art history and the European Union have been constructed as well as the role played by art and culture in the very concept of ‘Europe.’
Making Art History in Europe After 1945
AvJesus Carrillo,Patricia Mayayom. fl.
E-bok
Engelska, 2020
829 kr
Läs direkt efter köp
This book analyses the intermeshing of state power and art history in Europe since 1945 and up to the present from a critical, de-centered perspective.
Devoting special attention to European peripheries and to under-researched transnational cultural political initiatives related to the arts implemented after the end of the Second World War, the contributors explore the ways in which this relationship crystallised in specific moments, places, discourses and practices. They make the historic hegemonic centres of the discipline converse with Europe’s Southern and Eastern peripheries, from Portugal to Estonia to Greece.
By stressing the margins’ point of view this volume rethinks the ideological grounds on which art history and the European Union have been constructed as well as the role played by art and culture in the very concept of ‘Europe.’
Making Art History in Europe After 1945
AvJesus Carrillo,Patricia Mayayom. fl.
E-bok
PDF, Engelska, 2020
829 kr
Läs direkt efter köp
This book analyses the intermeshing of state power and art history in Europe since 1945 and up to the present from a critical, de-centered perspective.
Devoting special attention to European peripheries and to under-researched transnational cultural political initiatives related to the arts implemented after the end of the Second World War, the contributors explore the ways in which this relationship crystallised in specific moments, places, discourses and practices. They make the historic hegemonic centres of the discipline converse with Europe’s Southern and Eastern peripheries, from Portugal to Estonia to Greece.
By stressing the margins’ point of view this volume rethinks the ideological grounds on which art history and the European Union have been constructed as well as the role played by art and culture in the very concept of ‘Europe.’
Louise Bourgeois
AvPatricia Mayayo
E-bok
Spanska, 2016
102 kr
Läs direkt efter köp
Prácticamente desconocida por el gran público hasta la gran retrospectiva celebrada en el Museo de Arte Moderno de Nueva York en 1982, cuando la artista contaba 71 años, la escultura de Louise Bourgeois (París, 1911), de marcado carácter autobiográfico y personal, no es fácilmente catalogable en ningún movimiento ni tendencia establecidos. Según sostiene la propia escultora, toda su producción gira en torno a una suerte de mito fundador: el adulterio de su padre, que introdujo a su amante, una joven institutriz inglesa llamada Sadie, en la casa familiar. De hecho, desde sus primeros dibujos y pinturas de "Femmes-maison" (Mujeres-casa), realizados en los años cuarenta, hasta sus "Cells", instalaciones a modo de celdas o pequeñas habitaciones, de los años noventa, pasando por sus esculturas de yeso y látex de los sesenta o imágenes del cuerpo desmembrado de la década de los ochenta, toda su producción se halla marcada, de una forma u otra, por ese recuerdo de la "traición" paterna. Ello no implica, sin embargo, que la escultura de Bourgeois tenga un significado exclusivamente íntimo o biográfico. Su obra nos desvela las relaciones de poder, la situación de opresión sexual y la experiencia de dolor que anidan en el interior de la familia patriarcal, demostrando en último término que, como subraya el célebre eslogan feminista, "lo personal es político".
Power with which We Leap Together
Women Artists in Spain and Portugal between Dictatorship and Democracy
AvGiulia Lamoni,Patricia Mayayo
Häftad, Engelska, 2025
504 kr
Skickas inom 5-8 vardagar
The catalogue for The power with which we leap together. Women artists in Spain and Portugal between dictatorship and democracy stems from an exhibition held at IVAM – Institut Valencià d’Art Modern, in partnership with CAM and curated by Giulia Lamoni and Patricia Mayayo.Bringing together works by 59 renowned Iberian women artists, the exhibition examines the work created during the pre-revolutionary period in Portugal, before the Carnation Revolution in 1974, and in Spain, prior to the death of the dictator Francisco Franco, in 1975. In both countries, women had already started to challenge the established order, and there was a strong feeling of sisterhood on either side of the border.In addition to the curatorial text, the publication features four essays by prominent Portuguese and Spanish researchers, interspersed with images of several of the works on display, spread through the nine sections that also structure the exhibition.With design by the artist Dayana Lucas, each essay is jointly written by a Spanish and a Portuguese researcher, thus forging relationships and allowing for the examination of themes that have been little studied until now: abstractionism in the work of women artists between 1960 and 1970, feminism in Iberian pop art, the mobility of women artists in the Iberian Peninsula in the final decades of the Cold War, and a proposed dialogue between the two countries through artists’ books.

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Patricia Mayayo – författare

Making Art History in Europe After 1945

Making Art History in Europe After 1945

Making Art History in Europe After 1945

Making Art History in Europe After 1945

Louise Bourgeois

Power with which We Leap Together

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