Patricia Mellencamp – författare

"This intellectually sexy collection features some of the best and brightest academic media analysts from Britain and the United States." —Voice Literary Supplement"The essays in this volume rigorously engage the challenges of postmodern cultural criticism and theory, the central contemporary debate in the humanities." —Communication Abstracts"Mellencamp has produced a challenging and an invigorating text. . . . It should provide much inspiration." —Journal of Communication"This is a particularly good collection of thirteen papers with, overall, much more theoretically interesting yet less obscure and more pleasure-giving content than the norm. Give it priority." —Media Information AustraliaThese essays, on the cutting edge of theoretical debate in the humanities, rigorously engage the challenges of postmodern cultural critique and theory. They range widely from detailed historical research to broad questions of theory and method.Contributors are Patricia Mellencamp, Meaghan Morris, John Caughie, Charlotte Brunsdon, Lynn Spigel, William Boddy, Eileen R. Meehan, Andrew Ross, Lynne Joyrich, Jane Gaines, Margaret Morse, Mary Ann Doane, and Stephen Heath.

Indiscretions follows the path of U.S. avant-garde film and video from the underground of the 1960s to the academy of the 1980s. Patricia Mellencamp traces and charts the intersections of Lacanian psychoanalysis and the desiring male subject, Roland Barthes and texts of pleasure, Michel Foucault and the disciplinary society, the grotesque body and Mikhail Bakhtin, the rhizomatic alogic of Gilles Deleuze and Felix Guattari, and the female subject of feminist film theory. She creates a dialogue among theory and popular culture and politics through inventive readings of the films of Owen Land, Hollis Frampton, Ken Jacobs, Bruce Conner, Robert Nelson, Michael Snow, Yvonne Rainer, and Sally Potter, and videotapes by Ant Farm, TVTV, Michael Smith, William Wegman, and Cecelia Condit.

" . . . acute look at the state of contemporary culture . . . A humorous . . . book, it yields rewarding advice for our perception of reality and fiction." —Back Stage / Shoot"Mellencamp's ease of movement between the conceptual and the commonplace is the great strength of this work. . . . High Anxiety is an invaluable contribution to the cultural studies debate . . . " —Art + TextWritten with wit and flair, High Anxiety is a critique of the temporality of U.S. television, a narrative journey between Freud's texts on obsession and the cult of anxiety pervading contemporary culture. Operation Desert Storm, I Love Lucy, Anita Hill, Twin Peaks, and Oprah are a few of the subjects which form this "anxious" mosaic of popular culture.