Patricia Simons – författare

Patronage, in its broadest sense, has been established as one of the dominant social processes of pre-industrial Europe. This collection examines the role it played in the Italian Renaissance, focusing particularly upon Florence.Traditionally viewed simply as the context for the extraordinary artistic creativity of the Renaissance, patronage has more recently been examined by historians as a comprehensive system of patron-client structures which permeated society and social relations. The scattered research so far done on this broader concept of patronage is drawn together and extended in this new volume, derived from a conference held in Melbourne as part of 'Renaissance Year' in 1983. The essays, by art historians as well as historians, explore our new understanding of Renaissance Italy as a 'patronage society', and consider its implications for the study of art patronage and patron-client structures wherever they occur.

How were male bodies viewed before the Enlightenment? And what does this reveal about attitudes towards sex and gender in premodern Europe? This richly textured cultural history investigates the characterization of the sex of adult male bodies from ancient Greece to the seventeenth century. Before the modern focus on the phallic, penetrative qualities of male anatomy, Patricia Simons finds that men's bodies were considered in terms of their active physiological characteristics, in relation to semen, testicles and what was considered innately masculine heat. Re-orienting attention from an anatomical to a physiological focus, and from fertility to pleasure, Simons argues that women's sexual agency was perceived in terms of active reception of the valuable male seed. This provocative, compelling study draws on visual, material and textual evidence to elucidate a broad range of material, from medical learning, high art and literary metaphors to obscene badges, codpieces and pictorial or oral jokes.