Patricia Williams – författare

Nominated for the NAACP Image Award for Outstanding Literary Work

"An absolute must-read" – Shondaland

“[Rabbit] tells how it went down with brutal honesty and outrageous humor” – New York Times

They called her Rabbit.

Patricia Williams (aka Ms. Pat) was born and raised in Atlanta at the height of the crack epidemic. One of five children, Pat watched as her mother struggled to get by on charity, cons, and petty crimes. At age seven, Pat was taught to roll drunks for money. At twelve, she was targeted for sex by a man eight years her senior. By thirteen, she was pregnant. By fifteen, Pat was a mother of two.

Alone at sixteen, Pat was determined to make a better life for her children. But with no job skills and an eighth-grade education, her options were limited. She learned quickly that hustling and humor were the only tools she had to survive. Rabbit is an unflinching memoir of cinematic scope and unexpected humor. With wisdom and humor, Pat gives us a rare glimpse of what it’s really like to be a black mom in America.

Brilliant essays from the renowned Nation columnist—aka the Mad Law Professor—tackling questions of identity, bioethics, race, surveillance, and more

Beginning with a jaw-dropping rumination on a centuries-old painting featuring a white man with a Black man’s leg surgically attached (with the expired Black leg-donor in the foreground), contracts law scholar and celebrated journalist Patricia J. Williams uses the lens of the law to take on core questions of identity, ethics, and race.

With her trademark elegant prose and critical legal studies wisdom, Williams brings to bear a keen analytic eye and a lawyer’s training to chapters exploring the ways we have legislated the ownership of everything from body parts to gene sequences—and the particular ways in which our laws in these areas isolate nonnormative looks, minority cultures, and out-of-the-box thinkers.

At the heart of “Wrongful Birth” is a lawsuit in which a white couple who use a sperm bank sue when their child “comes out Black”; “Bodies in Law” explores the service of genetic ancestry testing companies to answer the question of who owns DNA. And “Hot Cheeto Girl” examines the way that algorithms give rise to new predictive categories of human assortment, layered with market-inflected cages of assigned destiny.

In the spirit of Dorothy Roberts, Rebecca Skloot, and Anne Fadiman, The Miracle of the Black Leg offers a brilliant meditation on the tricky place where law, science, ethics, and cultural slippage collide.