Patricia Young – författare

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Love is a boxcar going off the rails. For anyone who has experienced the highs and lows of love and wants to know they are not alone.Patricia Young's new collection confirms her status as one of Canada's great and most versatile contemporary poets. In Amateurs at Love, she explores the dynamic, liminal space between lovers, taking precise aim at the silent climacteric moments of the heart: the interrogating, persuading, confiding, reflecting moments that help us feel and understand that distance.Her response is unexpected, unsettling and emotionally pungent. To the question of what is love, her interlocutor answers,I think it means a boxcar going off the rails, grain spilling down a gully, fermenting over summer, a bear gorging on that grain, passing out in a field, a bear that could wake any moment, hung-over and thirsty and ready to kill for a drop of waterIn forms ranging wildly from pangramic love songs to prose poems, Young guides her readers through the many layers of human relationship with unappeasable joy. Her poetic voice, her bold and unconventional metaphors, her rich incantatory rhythms and linguistic dexterity, lure us into a pulsing universe that leaves no aspect of human nature unblemished.

The collection, which began as a response to Elmore Leonard's "Ten Rules of Writing," metamorphosed into witty, poetic responses to famous epigraphs and quotations. Built upon the words of others--from Leonardo da Vinci to Neil Gaiman, Margaret Atwood to Jimmy Kimmel--the resulting pieces explore veganism, sex, parenting, death, and Coachella.

These fourteen stories by acclaimed poet Patricia Young explore the small victories and lurching disappointments, losses and betrayals of the everyday with a language and style that is tautly poetic and beautifully unsentimental. A woman who cannot leave her house loses almost everything, her only companion a garrulous radio talk show host; a house fire sets in motion the end of a marriage as a couple re-examine the meaning of truth and commitment; a teenage girl cannot extract herself from a doomed relationship with a heroin addict. Innocence, and the loss of it, are handled with humour and compassion, and heartbreaking honesty. Young reveals an uncanny ability to see the mysterious in the commonplace.

While the tone of Patricia Young's latest collection, Here Come the Moonbathers, is perhaps more dark, difficult and tragic than her earlier work, beautifully hedonic poems spark and sizzle throughout. The poems in this collection have wild freedom, different kinds of power, exploring the themes of love and longing and loss (especially the latter) with grace, bewilderment, playfulness, and occasionally anger. There's a surreal edge to many of these poems, a personal, political and ecological vision, and an incantatory vernacular and rhythm that makes these poems unforgettable. This collection is perhaps the more important and immediately human of Patricia Young's celebrated career.