Patrick Minges – författare

Few people realize that Native Americans were enslaved right alongside the African Americans in this country. Fewer still realize that many Native Americans owned African Americans and Native Americans from other tribes. Recently, historians have determined that of the 2,193 interviews with former slaves that were collected by the Federal Writers’ Project, 12 percent contain some reference to the interviewees’ being related to or descended from Native Americans. In addition, many of the interviewees make references to their Native American owners. In Black Indian Slave Narratives, Patrick Minges offers the most absorbing of these firsthand testimonies about African American and Native American relationships in the 19th century. The selections include an interview with Felix Lindsey, who was born in Kentucky of Mvskoke/African heritage and who served as one of the buffalo soldiers who rounded up Geronimo. Chaney Mack, whose father was a “full-blood African” from Liberia and whose mother was a “pure-blood Indian,” gives an in-depth look at both sides of her cultural heritage, including her mother’s visions based on the “night the stars fell” over Alabama. There are stories of Native Americans taken by “nigger stealers,” who found themselves placed on slave-auction blocks alongside their African counterparts. The narratives in this collection provide insight into the lives of people who lived in complex and dynamically interconnected cultures. The interviews also offer historical details of capture and enslavement, life in the Old South and the Old West, Indian removal, and slavery in the Indian territory.Patrick Minges worked for 17 years for Amnesty International and Human Rights Watch. He teaches in Stokes County Schools and at Forsyth Technical Community College in Winston-Salem. He is also the author of Slavery in the Cherokee Nation: The Keetowah Society and the Defining of a People, 1855-1867 and Far More Terrible for Women: Personal Accounts of Women in Slavery."This book is an important contribution to the dialogue about relationships between African-Americans and Native-Americans, and the complex political context in which these narratives were recorded. Patrick does not over-analyze this often emotional subject. He simply allows the people to tell their stories." -Wilma Mankiller

De massa call me and tell me, "Woman, I’s pay big money for you, and I’s done dat 'cause I wants you to raise me chillum. I’s put you to live with Rufus for dat purpose. Now, if you doesn’t want whippin’ at de stake, you do what I wants." I thinks ‘bout Massa buyin’ me off de block and savin’ me from bein’ separated from my folks, and ‘bout bein’ whipped at de stake. Dere it am. What am I to do?So asks Rose Williams of Bell County, Texas, whose long-ago forced cohabitation remains as bitter at age 90 as when she was “just a ingnoramus chile” of 16. In all her years after freedom, she never had any desire to marry. Firsthand accounts of female slaves are few. The best-known narratives of slavery are those of Frederick Douglass and other men. Even the photos most people have seen are of male slaves chained and beaten. What we know of the lives of female slaves comes mainly from the fiction of authors like Toni Morrison and movies like Gone With the Wind. Far More Terrible for Women seeks to broaden the discussion by presenting 27 narratives of female ex-slaves. Editor Patrick Minges combed the WPA interviews of the 1930s for those of women, selecting a range of stories that give a taste of the unique challenges, complexities, and cruelties that were the lot of females under the “peculiar institution.”Patrick Minges worked for 17 years for Amnesty International and Human Rights Watch. He teaches in Stokes County Schools and at Forsyth Technical Community College in Winston-Salem. He is also the author of Slavery in the Cherokee Nation: The Keetowah Society and the Defining of a People, 1855-1867 and Black Indian Slave Narratives

Few people realize that Native Americans were enslaved right alongside the African Americans in this country. Fewer still realize that many Native Americans owned African Americans and Native Americans from other tribes. Recently, historians have determined that of the 2,193 interviews with former slaves that were collected by the Federal Writers’ Project, 12 percent contain some reference to the interviewees’ being related to or descended from Native Americans. In addition, many of the interviewees make references to their Native American owners. In Black Indian Slave Narratives, Patrick Minges offers the most absorbing of these firsthand testimonies about African American and Native American relationships in the 19th century. The selections include an interview with Felix Lindsey, who was born in Kentucky of Mvskoke/African heritage and who served as one of the buffalo soldiers who rounded up Geronimo. Chaney Mack, whose father was a “full-blood African” from Liberia and whose mother was a “pure-blood Indian,” gives an in-depth look at both sides of her cultural heritage, including her mother’s visions based on the “night the stars fell” over Alabama. There are stories of Native Americans taken by “nigger stealers,” who found themselves placed on slave-auction blocks alongside their African counterparts. The narratives in this collection provide insight into the lives of people who lived in complex and dynamically interconnected cultures. The interviews also offer historical details of capture and enslavement, life in the Old South and the Old West, Indian removal, and slavery in the Indian territory.

Patrick Minges worked for 17 years for Amnesty International and Human Rights Watch. He teaches in Stokes County Schools and at Forsyth Technical Community College in Winston-Salem. He is also the author of Slavery in the Cherokee Nation: The Keetowah Society and the Defining of a People, 1855-1867 and Far More Terrible for Women: Personal Accounts of Women in Slavery.

"This book is an important contribution to the dialogue about relationships between African-Americans and Native-Americans, and the complex political context in which these narratives were recorded. Patrick does not over-analyze this often emotional subject. He simply allows the people to tell their stories." -Wilma Mankiller