Patrick O'Hare – författare

Rubbish. Waste. Trash. Whatever term you choose to describe the things we throw away, the connotations are the same; of something dirty, useless and incontrovertibly 'bad'. But does such a dismissive rendering mask a more nuanced reality?In Rubbish Belongs to the Poor, Patrick O'Hare journeys to the heart of Uruguay's waste disposal system in order to reconceptualize rubbish as a 21st century commons, at risk of enclosure. On a giant landfill site outside the capital Montevideo we meet the book's central protagonists, the 'classifiers': waste-pickers who recover and recycle materials in and around its fenced but porous perimeter. Here the struggle of classifiers against the enclosure of the landfill, justified on the grounds of hygiene, is brought into dialogue with other historical and contemporary enclosures - from urban privatizations to rural evictions - to shed light on the nature of contemporary forms of capitalist dispossession.Supplementing this rich ethnography with the author's own insights from dumpster diving in the UK, the book analyses capitalism's relations with its material surpluses and what these tell us about its expansionary logics, limits and liminal spaces. Rubbish Belongs to the Poor ultimately proposes a fundamental rethinking of the links between waste, capitalism and dignified work.

Rubbish. Waste. Trash. Whatever term you choose to describe the things we throw away, the connotations are the same; of something dirty, useless and incontrovertibly 'bad'. But does such a dismissive rendering mask a more nuanced reality?In Rubbish Belongs to the Poor, Patrick O'Hare journeys to the heart of Uruguay's waste disposal system in order to reconceptualize rubbish as a 21st century commons, at risk of enclosure. On a giant landfill site outside the capital Montevideo we meet the book's central protagonists, the 'classifiers': waste-pickers who recover and recycle materials in and around its fenced but porous perimeter. Here the struggle of classifiers against the enclosure of the landfill, justified on the grounds of hygiene, is brought into dialogue with other historical and contemporary enclosures - from urban privatizations to rural evictions - to shed light on the nature of contemporary forms of capitalist dispossession.Supplementing this rich ethnography with the author's own insights from dumpster diving in the UK, the book analyses capitalism's relations with its material surpluses and what these tell us about its expansionary logics, limits and liminal spaces. Rubbish Belongs to the Poor ultimately proposes a fundamental rethinking of the links between waste, capitalism and dignified work.

This landmark first anthropological open access volume on the topic of ‘circular economies’ brings together a range of international scholars with regional specialisations in Europe, Africa, Asia, and South America to examine the concept's global implications. Aspirations towards a circular economy have become increasingly prominent around the world, yet until now, social anthropology has largely neglected the potentially deep social impacts of this concept, despite its obvious implications through every level of the economy and society.This volume covers a diverse array of international actors, including waste-pickers, traders and policymakers, and the global movement of materials like metals, plastic and textiles. Through ethnographic and qualitative case studies, it exposes many of the tensions that exist between state and corporate ideals of the circular economy, and the vernacular practices and philosophies that exist around the world. Contributors examine the frictions that emerge as these concepts and materials travel across different geographic contexts, and ask – what can an anthropological analysis contribute to a concept that is increasingly reshaping economies and restructuring global flows of virgin commodities, recyclables, and waste?The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by UKRI.

2023 LASA Visual Culture Studies Section Book Prize, Latin American Studies Association (LASA)The first comprehensive study of cartonera, a vibrant publishing phenomenon born in Latin America.A publishing phenomenon and artistic project, cartonera was born in the wake of Argentina’s 2001 economic crisis. Infused with a rebellious spirit, it has exploded in popularity, with hundreds of publishers across Latin America and Europe making colorful, low-cost books out of cardboard salvaged from the street. Taking Form, Making Worlds is the first comprehensive study of cartonera. Drawing on interdisciplinary research conducted across Mexico, Brazil, and Argentina, the authors show how this hands-on practice has fostered a politically engaged network of writers, artists, and readers. More than a social movement, cartonera uses texts, workshops, encounters, and exhibitions to foster community and engagement through open-ended forms that are at once artistic and social. For various groups including waste-pickers, Indigenous communities, rural children, and imprisoned women, cartonera provides a platform for unique stories and sparks collaborations that bring the walls of the “lettered city” tumbling down. In contexts of stigma and exclusion, cartonera collectives give form to a decolonial aesthetics of resistance, making possible a space of creative experimentation through which plural worlds can be brought to life.