Patrizia Violi – författare

" . . . an excellent collection . . . " —Journal of Language & Social PsychologyAn important collection of original essays by well-known scholars debating the questions of logical versus psychologically-based interpretations of language.

What can space tell us about our past? Which stories do memory sites narrate? Which memories do they transmit? And, more importantly, how can we read their meanings? Semiotics can provide us with a homogeneous, shareable and theoretically sound methodology to analyse space within a comparable and common frame of reference for scholars of memory studies and traumatic heritage, as well as for historians, architects and museum curators. The book describes in clear and understandable language the main semiotic concepts that can be used to analyse space, illustrating them with carefully chosen case studies of memory spaces - monuments, museums, post-war urban restoration, filmed and virtual space - in order to show the applicability and efficacy of a semiotic methodology.

What can space tell us about our past? Which stories do memory sites narrate? Which memories do they transmit? And, more importantly, how can we read their meanings? Semiotics can provide us with a homogeneous, shareable and theoretically sound methodology to analyse space within a comparable and common frame of reference for scholars of memory studies and traumatic heritage, as well as for historians, architects and museum curators. The book describes in clear and understandable language the main semiotic concepts that can be used to analyse space, illustrating them with carefully chosen case studies of memory spaces - monuments, museums, post-war urban restoration, filmed and virtual space - in order to show the applicability and efficacy of a semiotic methodology.

This book takes as its object of investigation an array of traumatic heritage sites and spaces of memory, including museums, former detention camps, and sites of commemoration, in Europe, Argentina, and Colombia, to investigate how various traumatic pasts can be preserved and transmitted through space, and which kind of actions might be taken both to improve knowledge of the past and to serve as an opening to a discussion of current social issues.

What can space tell us about our past? Which stories do memory sites narrate? Which memories do they transmit? And, more importantly, how can we read their meanings? Semiotics can provide us with a homogeneous, shareable and theoretically sound methodology to analyse space within a comparable and common frame of reference for scholars of memory studies and traumatic heritage, as well as for historians, architects and museum curators. The book describes in clear and understandable language the main semiotic concepts that can be used to analyse space, illustrating them with carefully chosen case studies of memory spaces – monuments, museums, post-war urban restoration, filmed and virtual space – in order to show the applicability and efficacy of a semiotic methodology.

Since Auschwitz, and more and more frequently today, places that were theatres of mass suffering and other atrocities are becoming common features of our cultural landscape. What should we do with these places? Keep them as they were, to remind us of what actually took place there, as ideal museums of past evils? Or should we transform them and, if so, into which forms and according to which principles? Which pasts do these places transmit, and how? This volume uses an innovative semiotic methodology to analyse selected key trauma sites. The author demonstrates that these places can become, once properly interrogated, privileged observatories capable of throwing light upon the many different conflicts, forms of social control, and power relationships that underlie any politics of memory. The selfsame notions of trauma and memory become, in this way, rewritten in quite a different light: far from any kind of naturalistic definition, they emerge as painful «knots» within which many of the most crucial questions in the contemporary world are intertwined.

The book describes the main semiotic concepts that can be used to analyse space, illustrating them with carefully chosen case studies of memory spaces – monuments, museums, post-war urban restoration, filmed and virtual space – in order to show the applicability and efficacy of a semiotic methodology.