Patton Oswalt – författare

You ever see that second Ewoks movie?The one where they suddenly kill off all the characters from the first movie?!And you were like 'Mommy! Whyyy, oh God, whyyy?'Well, this new MONEY SHOT arc is like that with a lot less body hair, somewhat more sex, and the same amount of people yelling for mommy. The XXX-plorers return just in time to witness the rise of an anti-sex death cult! Now it's a race against time and the relay team includes alien strippers!PATTON OSWALT, real life funny person, joins OG writer Tim Seeley and all new artist Garth Graham for a sexy new arc!

Prepare yourself for a journey through the world of Patton Oswalt, one of the most creative, insightful, and hysterical voices on the entertain­ment scene today. Widely known for his roles in the films Big Fan and Ratatouille, as well as the television hit The King of Queens, Patton Oswalt—a staple of Comedy Central—has been amusing audiences for decades. Now, with Zombie Spaceship Wasteland, he offers a fascinating look into his most unusual, and lovable, mindscape. Oswalt combines memoir with uproarious humor, from snow forts to Dungeons & Dragons to gifts from Grandma that had to be explained. He remem­bers his teen summers spent working in a movie Cineplex and his early years doing stand-up. Readers are also treated to several graphic elements, includ­ing a vampire tale for the rest of us and some greeting cards with a special touch. Then there’s the book’s centerpiece, which posits that before all young creative minds have anything to write about, they will home in on one of three story lines: zom­bies, spaceships, or wastelands. Oswalt chose wastelands, and ever since he has been mining our society’s wasteland for perversion and excess, pop culture and fatty foods, indie rock and single-malt scotch. Zombie Spaceship Wasteland is an inventive account of the evolution of Patton Oswalt’s wildly insightful worldview, sure to indulge his legion of fans and lure many new admirers to his very entertaining “wasteland.”

Now in paperback, from a “multi-faceted, medium-hopping, culture skewering performer” (SPIN), this is a journey through the world of Patton Oswalt, best known for his roles in film (Big Fan and Ratatouille) and television (The King of Queens and The United States of Tara), but also beloved for his ascerbic, highly eloquent, and wildly funny standup comedy.Prepare yourself for a journey through the world of Patton Oswalt, one of the most creative, insightful, and hysterical voices on the entertain­ment scene today. Widely known for his roles in the films Big Fan and Ratatouille, as well as the television hit The King of Queens, Patton Oswalt—a staple of Comedy Central—has been amusing audiences for decades. Now, with Zombie Spaceship Wasteland, he offers a fascinating look into his most unusual, and lovable, mindscape. Oswalt combines memoir with uproarious humor, from snow forts to Dungeons & Dragons to gifts from Grandma that had to be explained. He remem­bers his teen summers spent working in a movie Cineplex and his early years doing stand-up. Readers are also treated to several graphic elements, includ­ing a vampire tale for the rest of us and some greeting cards with a special touch. Then there’s the book’s centerpiece, which posits that before all young creative minds have anything to write about, they will home in on one of three story lines: zom­bies, spaceships, or wastelands. Oswalt chose wastelands, and ever since he has been mining our society’s wasteland for perversion and excess, pop culture and fatty foods, indie rock and single-malt scotch. Zombie Spaceship Wasteland is an inventive account of the evolution of Patton Oswalt’s wildly insightful worldview, sure to indulge his legion of fans and lure many new admirers to his very entertaining “wasteland.”

The instant New York Times bestseller from author, comedian and actor Patton Oswalt, a “heartfelt and hilarious” (USA TODAY) memoir about coming of age as a performer during the late 1990s while obsessively watching classic films at a legendary theater in Los Angeles. “[Oswalt has] a set of synapses like a pinball machine and a prose style to match” (The New York Times).Between 1995 and 1999, Patton Oswalt lived with an unshakable addiction. It wasn’t drugs, alcohol, or sex: it was film. After moving to Los Angeles, Oswalt became a huge film buff (or as he calls it, a sprocket fiend), absorbing classics, cult hits, and new releases at the famous New Beverly Cinema. Silver screen celluloid became Patton’s life schoolbook, informing his notion of acting, writing, comedy, and relationships. Set in the nascent days of LA’s alternative comedy scene, Silver Screen Fiend chronicles Oswalt’s journey from fledgling stand-up comedian to self-assured sitcom actor, with the colorful New Beverly collective and a cast of now-notable young comedians supporting him all along the way. “Clever and readable...Oswalt’s encyclopedic knowledge and frothing enthusiasm for films (from sleek noir classics, to gory B movies, to cliché-riddled independents, to big empty blockbusters) is relentlessly present, whirring in the background like a projector” (The Boston Globe). More than a memoir, this is “a love song to the silver screen” (Paste Magazine).

The instant New York Times bestseller from author, comedian and actor Patton Oswalt, a “heartfelt and hilarious” (USA TODAY) memoir about coming of age as a performer during the late 1990s while obsessively watching classic films at a legendary theater in Los Angeles. “[Oswalt has] a set of synapses like a pinball machine and a prose style to match” (The New York Times).Between 1995 and 1999, Patton Oswalt lived with an unshakable addiction. It wasn’t drugs, alcohol, or sex: it was film. After moving to Los Angeles, Oswalt became a huge film buff (or as he calls it, a sprocket fiend), absorbing classics, cult hits, and new releases at the famous New Beverly Cinema. Silver screen celluloid became Patton’s life schoolbook, informing his notion of acting, writing, comedy, and relationships. Set in the nascent days of LA’s alternative comedy scene, Silver Screen Fiend chronicles Oswalt’s journey from fledgling stand-up comedian to self-assured sitcom actor, with the colorful New Beverly collective and a cast of now-notable young comedians supporting him all along the way. “Clever and readable...Oswalt’s encyclopedic knowledge and frothing enthusiasm for films (from sleek noir classics, to gory B movies, to cliché-riddled independents, to big empty blockbusters) is relentlessly present, whirring in the background like a projector” (The Boston Globe). More than a memoir, this is “a love song to the silver screen” (Paste Magazine).