Paul Bradshaw – författare

The Online Journalism Handbook offers a comprehensive guide to the ever-evolving world of digital journalism, showcasing the multiple possibilities in researching, writing, and storytelling provided by new technologies.In this new edition, Paul Bradshaw presents an engaging mix of technological expertise with real-world practical guidance to illustrate how those training and working as journalists can improve the development, presentation, and global reach of their stories through webbased technologies.Thoroughly revised and updated, this third edition features:A new chapter dedicated to writing for email and chat, with updated case studiesNew sections covering online abuse, news avoidance, and trustUpdated coverage of accessibility, inclusivity, and diversity in sourcing, writing for social media, and audio and videoNew formats, including social audio, audiograms, Twitter threads, the “Stories” format, charticles, and “scrollytelling”Expanded international examples throughoutThe Online Journalism Handbook is an essential guide for all journalism students and professional journalists and will also be of interest to digital media practitioners.The companion website for this book further enhances student knowledge through regularly updated case studies, real-time development reports, and in-depth discussion pieces from cutting-edge sources.

The Online Journalism Handbook offers a comprehensive guide to the ever-evolving world of digital journalism, showcasing the multiple possibilities in researching, writing, and storytelling provided by new technologies.In this new edition, Paul Bradshaw presents an engaging mix of technological expertise with real-world practical guidance to illustrate how those training and working as journalists can improve the development, presentation, and global reach of their stories through webbased technologies.Thoroughly revised and updated, this third edition features:A new chapter dedicated to writing for email and chat, with updated case studiesNew sections covering online abuse, news avoidance, and trustUpdated coverage of accessibility, inclusivity, and diversity in sourcing, writing for social media, and audio and videoNew formats, including social audio, audiograms, Twitter threads, the “Stories” format, charticles, and “scrollytelling”Expanded international examples throughoutThe Online Journalism Handbook is an essential guide for all journalism students and professional journalists and will also be of interest to digital media practitioners.The companion website for this book further enhances student knowledge through regularly updated case studies, real-time development reports, and in-depth discussion pieces from cutting-edge sources.

Including comprehensive coverage on both print and online, consumer and free magazines, Magazine Editing looks at how magazines work and explains the dual role of the magazine editor. John Morrish and Paul Bradshaw consider the editor both as a journalist, having to provide information and entertainment for readers, and as a manager, expected to lead and supervise successfully the development of a magazine or periodical.Looking at the current state of the magazine market in the twenty-first century, the third edition explains how this has developed and changed in recent years, with specific attention paid to the explosion of apps, e-zines, online communities and magazine websites. Featuring case studies, interviews with successful editors, examples of covers and spreads, and useful tables and graphs, this book discusses the editor’s many roles and details the skills needed to run a publication.Magazine Editing offers practical guidance on:how to create an editorial strategyhow to lead and manage an editorial teamresearching a market and finding new readersdealing with budgets and financeworking with designers and production stafflegal, technological and ethical dilemmasonline distribution, social media and search engine optimisationmanaging information overloadhow to become an editor.

Including comprehensive coverage on both print and online, consumer and free magazines, Magazine Editing looks at how magazines work and explains the dual role of the magazine editor. John Morrish and Paul Bradshaw consider the editor both as a journalist, having to provide information and entertainment for readers, and as a manager, expected to lead and supervise successfully the development of a magazine or periodical.Looking at the current state of the magazine market in the twenty-first century, the third edition explains how this has developed and changed in recent years, with specific attention paid to the explosion of apps, e-zines, online communities and magazine websites. Featuring case studies, interviews with successful editors, examples of covers and spreads, and useful tables and graphs, this book discusses the editor’s many roles and details the skills needed to run a publication.Magazine Editing offers practical guidance on:how to create an editorial strategyhow to lead and manage an editorial teamresearching a market and finding new readersdealing with budgets and financeworking with designers and production stafflegal, technological and ethical dilemmasonline distribution, social media and search engine optimisationmanaging information overloadhow to become an editor.

The story of Black British music is a five-hundred-year journey from the court of King Henry VIII to the ‘Ends’ of South London; from Africa to the Caribbean to the UK and back; from subterranean shebeens and church halls to royal command performances and sold-out stadiums; and from outsider influence to domestic chart domination. It is a story that grapples with the slave trade, the prejudice of unwelcoming institutions and the bias of ignorance while ultimately celebrating the creativity and perseverance of the pioneers and today’s digital age innovators. Published alongside the major British Library exhibition, Beyond the Bassline is a landmark volume of essays, features and interviews which traces a new timeline underpinned by the Black artists and musicians who, over centuries, have shaped Britain’s unique and globally significant musical culture. Illustrating this vibrant history which traverses musical genres from classical, gospel and jazz through to reggae, jungle and Afrobeats are more than three hundred images including contemporary and classic photographs, paintings, posters and record sleeves. Introduced by the exhibition’s curators, Dr. Aleema Gray and Mykaell Riley, and edited by Paul Bradshaw, music journalist and publisher of Straight No Chaser magazine, Beyond the Bassline tells its essential story through specially commissioned pieces from musicians, composers, DJs, writers and photographers, as well as important voices in politics and history. Authors/Contributors include: Tej Adeleye • Christian Adofo • Ishmahil Blagrove, Jr. • Stephen Bourne • Garth Cartwright • Monique Charles • Dalia Al-Dujaili • Tracy Durrant • Juliet Fletcher • Vivien Goldman • Julian Grant • Linton Kwesi Johnson • Anthony Joseph • Julian Joseph • Cassie Kinoshi • Kevin Le Gendre • Charis McGowan • Rasheda Ashanti Malcolm • Tony Montague • Malik Al Nasir • Sharon O’Brien • Michael I. Ohajuru • Lisa Amanda Palmer • Amar Patel • Ade Egun Crispin Robinson • Angus Taylor • Chardine Taylor-Stone • Andy Thomas • Julia Toppin • Ayanna van der Maten McCalman • Derek Walcott • Richard Williams • Val Wilmer • Anthony Wright • Benjamin Zephaniah

Media publishers produce news for a full range of smart devices – including smartphones, tablets and watches. Combining theory and practice, Mobile-First Journalism examines how audiences view, share and engage with journalism on internet-connected devices and through social media platforms.The book examines the interlinked relationship between mobile technology, social media and apps, covering the entire news production process – from generating ideas for visual multimedia news content, to skills in verification and newsgathering, and outputting interactive content on websites, apps and social media platforms. These skills are underpinned with a consideration of ethical and legal concerns involving fake news, online trolling and the economics of mobile journalism. Topics include: understanding how mobile devices, social media platforms and apps are interlinked; making journalistic content more engaging and interactive; advice on how successful news publishers have developed mobile and social media strategies; adopting an approach that is entrepreneurial and user-centered; expert interviews with journalists, academics and software developers; learning key skills to launch and develop news websites, apps and social media outputs. Mobile-First Journalism is essential reading for journalism students and media professionals and of interest to those studying on courses in social and new media.

Media publishers produce news for a full range of smart devices – including smartphones, tablets and watches. Combining theory and practice, Mobile-First Journalism examines how audiences view, share and engage with journalism on internet-connected devices and through social media platforms.The book examines the interlinked relationship between mobile technology, social media and apps, covering the entire news production process – from generating ideas for visual multimedia news content, to skills in verification and newsgathering, and outputting interactive content on websites, apps and social media platforms. These skills are underpinned with a consideration of ethical and legal concerns involving fake news, online trolling and the economics of mobile journalism. Topics include: understanding how mobile devices, social media platforms and apps are interlinked; making journalistic content more engaging and interactive; advice on how successful news publishers have developed mobile and social media strategies; adopting an approach that is entrepreneurial and user-centered; expert interviews with journalists, academics and software developers; learning key skills to launch and develop news websites, apps and social media outputs. Mobile-First Journalism is essential reading for journalism students and media professionals and of interest to those studying on courses in social and new media.

Grasping the Heel of Heaven honours the immense legacy to the church of Michael Perham. A skilled and imaginative liturgist, a passionate advocate of women’s ministry, an inspirational dean and bishop, a wise and patient administrator, he was above all a faithful priest who loved the Church as the body of Christ. In all his ministry he sought to nourish that body by encouraging its worship and prayer and shaping its governance in the light of gospel ideals.In this volume, friends and colleagues bring their own expertise to reflect on some of the topics and themes that were most important to him, including: •Being transported and transformed by liturgy•The making of Common Worship•The full inclusion of the ministry of women•How structures and decision-making express an understanding of God•Unity despite differences in and through God •The gospel as good news for allTogether, the contributors reflect the numerous ways that Michael Perham saw heaven touching earth and earth glimpsing heaven.

In The Art of Tentmaking an illustrious line up of international contributors from Anglican, Roman Catholic, Methodist and Lutheran traditions, share their insights on essential aspects of liturgy and liturgical renewal including: · Paul Bradshaw on the history of Christian worship· Rosalind Brown on participation and the priesthood of all believers · Stephen Cottrell on sacramental spirituality· Steven Croft on simplicity in the liturgy· Carol Doran on the renewal of church music· Martyn Percy on openness and inclusivity · and many more.This book will appeal to all who practice presidency in Christian worship, and have responsibilities for shaping Christian assembly: architects, artists, musicians, as well as clergy and all with focal roles.

The story of Black British music is a five-hundred-year journey from the court of King Henry VIII to the ‘Ends’ of South London; from Africa to the Caribbean to the UK and back; from subterranean shebeens and church halls to royal command performances and sold-out stadiums; and from outsider influence to domestic chart domination. It is a story that grapples with the slave trade, the prejudice of unwelcoming institutions and the bias of ignorance while ultimately celebrating the creativity and perseverance of the pioneers and today’s digital age innovators. Published alongside the major British Library exhibition, Beyond the Bassline is a landmark volume of essays, features and interviews which traces a new timeline underpinned by the Black artists and musicians who, over centuries, have shaped Britain’s unique and globally significant musical culture. Illustrating this vibrant history which traverses musical genres from classical, gospel and jazz through to reggae, jungle and Afrobeats are more than three hundred images including contemporary and classic photographs, paintings, posters and record sleeves. Introduced by the exhibition’s curators, Dr. Aleema Gray and Mykaell Riley, and edited by Paul Bradshaw, music journalist and publisher of Straight No Chaser magazine, Beyond the Bassline tells its essential story through specially commissioned pieces from musicians, composers, DJs, writers and photographers, as well as important voices in politics and history. Authors/Contributors include: Tej Adeleye • Christian Adofo • Ishmahil Blagrove, Jr. • Stephen Bourne • Garth Cartwright • Monique Charles • Dalia Al-Dujaili • Tracy Durrant • Juliet Fletcher • Vivien Goldman • Julian Grant • Linton Kwesi Johnson • Anthony Joseph • Julian Joseph • Cassie Kinoshi • Kevin Le Gendre • Charis McGowan • Rasheda Ashanti Malcolm • Tony Montague • Malik Al Nasir • Sharon O’Brien • Michael I. Ohajuru • Lisa Amanda Palmer • Amar Patel • Ade Egun Crispin Robinson • Angus Taylor • Chardine Taylor-Stone • Andy Thomas • Julia Toppin • Ayanna van der Maten McCalman • Derek Walcott • Richard Williams • Val Wilmer • Anthony Wright • Benjamin Zephaniah