Paul Cronin – författare

An invaluable analysis of the director's art and craft, from one of the most revered of all film school directors. Alexander 'Sandy' Mackendrick directed classic Ealing comedies plus a Hollywood masterpiece, Sweet Smell of Success. But after retiring from film-making in 1969, he then spent nearly 25 years teaching his craft at the California Institute of the Arts in Los Angeles. Mackendrick produced hundreds of pages of masterly handouts and sketches, designed to guide his students to a finer understanding of how to write a story, and then use those devices peculiar to cinema in order to tell that story as effectively as possible. Gathered and edited in this collection, Mackendrick's teachings reveal that he had the talent not only to make great films, but also to articulate the process with a clarity and insight that will still inspire any aspirant film-maker.

'One of the best things published about cinema.' Sight & SoundHerzog was once hailed by Francois Truffaut as the most important director alive. Famous for his frequent collaborations with mercurial actor Klaus Kinski - including the epics Aguirre, the Wrath of God and Fitzcarraldo, and the terrifying Nosferatu - and more recently with documentaries such as Grizzly Man, Cave of Forgotten Dreams and Into the Abyss, Herzog has built a body of work that is one of the most vital in post-war German cinema. Here, he reflects on his legendary and inspiring career.

For seven days in April 1968, students occupied five buildings on the campus of Columbia University to protest a planned gymnasium in a nearby Harlem park, links between the university and the Vietnam War, and what they saw as the university's unresponsive attitude toward students and faculty. Exhilarating to some and troubling to others, the student protests paralyzed the university, grabbed the world's attention, and inspired other uprisings. Fifty years after the events, A Time to Stir captures the reflections of those who participated in and witnessed the Columbia rebellion. With more than sixty essays from members of the Columbia chapter of Students for a Democratic Society, the Students' Afro-American Society, faculty, undergraduates who opposed the protests, "outside agitators," and members of the New York Police Department, A Time to Stir sheds light on the politics, passions, and ideals of the 1960s.Moving beyond accounts from the student movement's white leadership, this book presents the perspectives of black students, who were dealing with their uneasy integration into a supposedly liberal campus, as well as the views of women, who increasingly questioned their second-class status within the protest movement and society at large. A Time to Stir also speaks to the complicated legacy of the uprising. For many, the events at Columbia inspired a lifelong dedication to social causes while for others they signaled the beginning of the chaos that would soon engulf Students for a Democratic Society. Taken together, these reflections present a nuanced and moving portrait that reflects the sense of possibility and excess that characterized the 1960s.

For seven days in April 1968, students occupied five buildings on the campus of Columbia University to protest a planned gymnasium in a nearby Harlem park, links between the university and the Vietnam War, and what they saw as the university’s unresponsive attitude toward their concerns. Exhilarating to some and deeply troubling to others, the student protests paralyzed the university, grabbed the world’s attention, and inspired other uprisings. Fifty years after the events, A Time to Stir captures the reflections of those who participated in and witnessed the Columbia rebellion.With more than sixty essays from members of the Columbia chapter of Students for a Democratic Society, the Students’ Afro-American Society, faculty, undergraduates who opposed the protests, “outside agitators,” and members of the New York Police Department, A Time to Stir sheds light on the politics, passions, and ideals of the 1960s. Moving beyond accounts from the student movement’s white leadership, this book presents the perspectives of black students, who were grappling with their uneasy integration into a supposedly liberal campus, as well as the views of women, who began to question their second-class status within the protest movement and society at large. A Time to Stir also speaks to the complicated legacy of the uprising. For many, the events at Columbia inspired a lifelong dedication to social causes, while for others they signaled the beginning of the chaos that would soon engulf the left. Taken together, these reflections present a nuanced and moving portrait that reflects the sense of possibility and excess that characterized the 1960s.

This edition of Herzog on Herzog presents a completely new set of interviews in which Werner Herzog discusses his career from its very beginnings to his most recent productions.Herzog was once hailed by Francois Truffaut as the most important director alive. Famous for his frequentcollaborations with mercurial actor Klaus Kinski - including the epics, Aguirre, the Wrath of God and Fitzcarraldo, and the terrifying Nosferatu - and more recently with documentaries such as Grizzly Man, Cave of Forgotten Dreams and Into the Abyss, Herzog has built a body of work that is one of the most vital in post-war German cinema.

At first glance, George Stevens (1904Ð1975) appears to be the quintessential Hollywood director. A closer look at his achievements shows him to be more than just the creator of some of the smartest melodramas and comedies of the 1930s and 1940s, including Annie Oakley, Swing Time, and Gunga Din. Several of his films--Giant, The Diary of Anne Frank, Shane, The Greatest Story Ever Told, and A Place in the Sun--are regarded as some of the most important and enduring dramas of postwar American cinema. As a leading producer and director of his era, Stevens repeatedly pushed against the Hollywood grain and clashed with censors. George Stevens: Interviews showcases the deep moral vision of a director who is as meticulous, discerning, and contemplative in his conversations as he is as a filmmaker. Although not regarded as an auteur during his career, Stevens can now be understood as one of America's most personal and distinguished directors. Throughout this collection, his increasing concern over the control of his films is evident, and, like Alfred Hitchcock and Howard Hawks, he became a producer/director who claimed absolute control over his work. His interviews show a man committed to his chosen art and fully aware of the responsibilities that come with that choice. Paul Cronin is a writer and filmmaker.

Roman Polanski (b. 1933) arrived on the international scene in 1962 with his first feature film, Knife in the Water, and his face would be on the cover of Time magazine by the end of that year. His vibrant, disturbing, and often violent films--including the psychological thriller Rosemary's Baby, the film noir classic Chinatown, and the somber Holocaust drama The Pianist--have entertained and sometimes infuriated audiences. Stylistically unsettling and thematically varied, Polanski's films have established him as one of the most talented and controversial European filmmakers of his generation. Polanski's life has been troubled. He survived the Krakow ghetto and the Holocaust, but his mother died at Auschwitz. His wife Sharon Tate was brutally murdered in 1968 by members of Charles Manson's cult. After years of success in the United States, he fled the country in 1978 when he was convicted for having sex with a minor. He hasn't returned to America since that time. In Roman Polanski: Interviews, the acclaimed director talks openly about how incidents in his life have and have not influenced his artistic vision. This collection of interviews spans nearly forty years and comprises translations from French, German, and Spanish newspapers and magazines and transcripts of British and American television and radio appearances.

Beginning in 1957 with the release of his directorial debut The Left Handed Gun, Arthur Penn (b. 1922) quickly became an iconoclastic and influential American film director. Moving deftly between comedy and tragedy, realism and absurdity, his films Mickey One, Bonnie and Clyde, Alice's Restaurant, Little Big Man, and Night Moves speak to the troubled times--the 1960s and 1970s--in which they were made while remaining timeless in their unsettling portrayal of characters on the margins of society. Arthur Penn: Interviews is the first collection to explore every stage of the director's career. These conversations span forty-five years, from his first in-depth discussion with Cahiers du cinéma in 1963 to a new interview from 2007, and reveal Penn's ever-changing ideas on the nature of film and filmmaking. This volume also presents newly translated interviews from European film periodicals, published in English for the first time.

Sydney Pollack was a true actor's director—a filmmaker who came up through the ranks, starting as a bit-part TV performer before turning to directing. From his debut feature The Slender Thread (1965) to his final film, The Interpreter (2005), Pollack built a reputation for intelligent, emotionally resonant storytelling. He forged creative partnerships with stars like Robert Redford, Meryl Streep, Al Pacino, Barbra Streisand, and Tom Cruise, guiding iconic performances in American films for four decades. An Academy Award winner for Out of Africa (1985) and a nominee for They Shoot Horses, Don't They? (1969) and Tootsie (1982), Pollack left behind a legacy of popular and personal films marked by their superior craftsmanship.Sydney Pollack: Collected Interviews brings together twenty-four in-depth conversations with the acclaimed director, spanning from 1967 to 2007. Sourced from a range of international publications, these interviews offer candid tales and intimate glimpses of Pollack's big-name collaborations. More than just a portrait of one man's career, the book is a wide-angle view of post-1960s Tinseltown itself: the wheeling and dealing, the creative clashes, and the evolution of the American cinema. This collection sheds light on the nuts and bolts of moviemaking, using Pollack's own voice to inform, entertain, and revive the spark of an immense talent who epitomized the best of Hollywood.

Sydney Pollack was a true actor's director—a filmmaker who came up through the ranks, starting as a bit-part TV performer before turning to directing. From his debut feature The Slender Thread (1965) to his final film, The Interpreter (2005), Pollack built a reputation for intelligent, emotionally resonant storytelling. He forged creative partnerships with stars like Robert Redford, Meryl Streep, Al Pacino, Barbra Streisand, and Tom Cruise, guiding iconic performances in American films for four decades. An Academy Award winner for Out of Africa (1985) and a nominee for They Shoot Horses, Don't They? (1969) and Tootsie (1982), Pollack left behind a legacy of popular and personal films marked by their superior craftsmanship.Sydney Pollack: Collected Interviews brings together twenty-four in-depth conversations with the acclaimed director, spanning from 1967 to 2007. Sourced from a range of international publications, these interviews offer candid tales and intimate glimpses of Pollack's big-name collaborations. More than just a portrait of one man's career, the book is a wide-angle view of post-1960s Tinseltown itself: the wheeling and dealing, the creative clashes, and the evolution of the American cinema. This collection sheds light on the nuts and bolts of moviemaking, using Pollack's own voice to inform, entertain, and revive the spark of an immense talent who epitomized the best of Hollywood.

Distinguished by its unique focus on evidence-based emergency imaging in adults, children, and special populations, this book is a unique resource for radiologists, emergency medicine physicians, and physicians in other specialties who need to be informed about the most appropriate uses of diagnostic imaging in the emergency care setting.

Distinguished by its unique focus on evidence-based emergency imaging in adults, children, and special populations, this book is a unique resource for radiologists, emergency medicine physicians, and physicians in other specialties who need to be informed about the most appropriate uses of diagnostic imaging in the emergency care setting.