Paul Durcan – författare

In The Art of Life Paul Durcan takes us around County Mayo in his "filthy, two-door, bottle-green Opel Astra", stopping off at Westport and Achill Island, where he declares himself to be "globally sad", but "locally glad". Next he travels east to Dublin to hold in his arms his newborn granddaughter and thence to Tuscany, Poland and Japan. Along the way he reflects upon parental pride, the aches and pains of old age, the trim bottoms of snooker players, the wisdom of ex-wives and dogs on Sandymount Strand, while introducing us to a host of colourful characters, including a bishop, a roofer, a milkman, a priest and an unmarried mother. Is there an art of living or is life a work of art? This magnificent collection - originally published on Paul Durcan's sixtieth birthday - reveals one of Ireland's most successful and popular poets at the height of his powers and continuing to challenge, amuse and delight.

Famous for his electrifying poetry readings, Paul Durcan marks four decades of composing silently and reciting aloud with this magnificent collection, which brings together for the first time the critically acclaimed poet's own choice of his work from his first book, Endsville (1967), to The Laughter of Mothers (2007). Life is a Dream represents the whole range of Durcan's writing - funny and subversive verse narratives and self-mocking poems of underachievement; poems celebrating love and sex or the lives of famous writers and artists; as well as tender, poignant verses commemorating the dead. Throughout his long career, Durcan has continued to make passionate and moving poetry out of his own and his country's misfortunes. He is by turns a surrealist, a mystic, an Irish comedian with perfect comic timing and an angry champion of the oppressed. Life is a Dream reaffirms the constant vision and artistic integrity of one of the most powerful, humane and original voices in modern poetry.

'Thank you, O golden mother, / For giving me a life,' says Paul Durcan in this brilliant new collection, a poignant tribute to 'the first woman I ever knew'. Sheila MacBride came from a political family – her uncle John MacBride was executed in 1916 for his part in the Easter Uprising – but when Sheila married into the 'black, red-roaring, fighting Durcans of Mayo' she was obliged to give up a promising legal career. These poems commemorate his mother as Paul Durcan remembers her playing golf, reading Tolstoy, and initiating him in the magic of the cinema. He recalls her compassion and loyalty when he was committed to a mental hospital in adolescence and how she endured the ordeal of her old age.Durcan also muses upon the beauty of Greek women and questions our need for newspapers and the new religion of golf. He is beguiled by a beggar woman, enraged by a young man picking his nose on the Dublin–Sligo commuter train, and gets into difficulty at the security gate of Dublin airport.

Since the publication of his first book in 1967, Paul Durcan has made satirical, celebratory and extraordinarily moving poetry out of his country's fortunes and misfortunes. His readings are legendary and each new collection, from his collaboration with Brain Lynch, Endsville (1967) to Daddy, Daddy (winner of the 1990 Whitbread Poetry Award), Crazy about Women (1991) and Greetings to Our Friends in Brazil (1999) has borne out the truth of Ezra Pound's dictum that "literature is news that stays news". This book contains Durcan's own selection from his work. It is a literary milestone that has set the seal on his reputation as a poet of international standing.

For most of us Christmas is the season of huge helpings of good food, good drink, and with luck, good cheer, as the rituals of cracker-pulling, present-giving and happy or sulphurous family reunions fizzle and bang through the long afternoon. For anyone who has ever had too much of it, or felt out of it, or wanted to be out of it, or even succeeded in being out of it then been unexpectedly rescued by a good friend, this book-length poem contains a lifeline of humour and sanity in a world run seasonally mad. It is a funny, subversive, melancholy, self-mocking conversation between two men - Paul and Frank - in the top storey flat of a Dublin apartment block; a Stations of Christmas under the influence of "woman-hunger". Once read, Christmas Day itself will never be the same again.The volume also contains a second new work, "A Goose in the Frost", a tribute to Seamus Heaney on winning the Nobel Prize for Literature.

Cries of an Irish Caveman is Paul Durcan's most inspired and surprising collection of poems. Through four distinct sections, he brings his tender lyricism to bear on the themes of love, loss, life and death.The first section describes an experience in Australia which provides a starting point for reassessing his past relationships and loves. The second returns to Ireland, its people and places, the celebrated and the unknown. The third section is a meditation on his daughter's marriage, placing within an historical and sacramental context a very personal event. And finally, in some of his most daring and original writing, Durcan describes his own twentieth-century romance, replete with ecstasies and inevitable agonies, beauty and hope, but also brutality and self-abasement.

Paul Durcan has been at the heart of Irish cultural life for 30 years and his poetry has acquired a huge international following. Greetings to Our Friends in Brazil is his most challenging and engaging collection yet, one that addresses itself through Ireland and the Irish diaspora to the whole world beyond.

O Westport in the Light of Asia Minor was first published in a tiny edition in Dublin in 1975. It was Paul Durcan's first fully-fledged collection, and already displays an astonishingly mature, visionary power, shot through with the surrealism and heart-breaking comedy that have since become his hallmark. It won him the Patrick Kavanagh Award. Now Durcan's readers can discover what they have been missing. The poems are printed in the order he originally intended, and the volume concluded with six poems from his very first collaborative collection, Endsville (1967), with Brian Lynch.

This was the collection with which Durcan broke through to the huge and appreciative audience he enjoys today. In the first part are poems of great satirical comedy and also of great passion and indignation, and in the second part, poems about the break-up of a marriage so intense they would hurt if they weren't also possessed of the healing gifts of truthfulness and humour. In The Berlin Wall Café Durcan has located that space between the walls and barriers societies and individuals erect - a no-man's-land of the free imagination where we meet as the vulnerable and comical human beings we are. It contains some of his very best work.

Paul Durcan's twenty-second collection finds Monsieur le Poète on the road in Paris, New York City, Chicago, Brisbane, and Achill Island, meditating upon the sanctuary of home and what it means to feel truly at home. Regarded by many as the great poet of contemporary Ireland, Durcan is on top form here as he contemplates the fall of the Celtic Tiger, while railing against bankers and 'bonus boys'. There are poems of love lost and won, and poems in memory of friends and relatives who have passed on, but there is also joy to be found in the birth of a grandson, and there is praise, too, for the modest heroism of truckers, air traffic controllers and nurses, those 'slim, sturdy, buxom nourishers' of fallen mankind. If for Sartre 'hell is other people', for Durcan 'heaven is other people, especially women'.

WINNER OF THE LIFETIME ACHIEVEMENT IRISH BOOK AWARD 2014Paul Durcan never imagined he would be clasped by a woman again, but life is full of surprises! After all, would it surprise you to learn that at the US Ambassador’s Residence in Dublin his libido almost destroyed the Peace Process? There is a new Pope, too, a ‘man of constant surprise’, although in St Peter’s Square Durcan encounters a monk wholly lacking in the Holy Spirit. Elsewhere he muses upon the ‘pre-crucifixion scenario’ of being prepared for surgery, the gift of a malacca cane, the joy of retail therapy, the horror that is wheel-clamping, the ‘starry mystique’ of the weather forecaster Jean Byrne, suicide, bird-watching, stammering, art, Mayo, New York City, New Zealand, murder in Syria and the commemoration of 1916. Perhaps the greatest surprise is the voice of the late Seamus Heaney coming down his chimney: ‘Are you all right down there, Poet Durcan?’ The Days of Surprise is proof that the great poet of contemporary Ireland is in fine fettle.

An Irish Times Bestseller: a new selection of Paul Durcan's finest poems.'He has written immortal poems. I revere him' Michael LongleyFor fifty years the poet Paul Durcan has explored and questioned a world both real and imagined.Steeped in the goings-on of Ireland and preoccupied with its concerns, he has delighted, enriched and unsettled his readers. His prodigious output of more than twenty collections bursts with poems that are courageously personal and passionately spiritual – a body of work that contains multitudes.‘The great enemy of art is the ego’ says Durcan. ‘It keeps getting in the way. One needs the ego to disappear so that I become you; I become the people walking up and down the street.’First published in 1967, Durcan remains the most of companionable of poets. His vivacity and ability to surprise has never been clearer than in this new selection of eighty of his finest poems, published in celebration of his 80th birthday.EDITED BY NIALL MACMONAGLEWITH AN INTRODUCTION BY COLM TOIBIN

An Irish Times Bestseller: a new selection of Paul Durcan's finest poems.'He has written immortal poems. I revere him' Michael LongleyFor fifty years the poet Paul Durcan has explored and questioned a world both real and imagined.Steeped in the goings-on of Ireland and preoccupied with its concerns, he has delighted, enriched and unsettled his readers. His prodigious output of more than twenty collections bursts with poems that are courageously personal and passionately spiritual – a body of work that contains multitudes.‘The great enemy of art is the ego’ says Durcan. ‘It keeps getting in the way. One needs the ego to disappear so that I become you; I become the people walking up and down the street.’First published in 1967, Durcan remains the most of companionable of poets. His vivacity and ability to surprise has never been clearer than in this new selection of eighty of his finest poems, published in celebration of his 80th birthday.EDITED BY NIALL MACMONAGLEWITH AN INTRODUCTION BY COLM TOIBIN

WINNER OF THE 2014 IRISH BOOK LIFETIME ACHIEVEMENT AWARDO Westport in the Light of Asia Minor was first published in a tiny edition in Dublin in 1975. It was Paul Durcan's first fully-fledged collection, and already displays an astonishingly mature, visionary power, shot through with the surrealism and heart-breaking comedy that have since become his hallmark. It won him the Patrick Kavanagh Award. Now Durcan's readers can discover what they have been missing. The poems are printed in the order he originally intended, and the volume concluded with six poems from his very first collaborative collection, Endsville (1967), with Brian Lynch.

WINNER OF THE 2014 IRISH BOOK LIFETIME ACHIEVEMENT AWARDPaul Durcan has been at the heart of Irish cultural life for 30 years and his poetry has acquired a huge international following. Greetings to Our Friends in Brazil is his most challenging and engaging collection yet, one that addresses itself through Ireland and the Irish diaspora to the whole world beyond.

Three European Poets is part of UCD Press's The Poet's Chair series, publishing the public lectures of the Ireland Professors of Poetry. The Ireland Chair of Poetry was established in 1998 following the award of the Nobel Prize of Literature to Seamus Heaney and is supported by Queen's University Belfast, Trinity College Dublin, University College Dublin, the Arts Council of Northern Ireland and the Arts Counci 1/An Chomhairle Ealaion. Other poets in the series include John Montague, Nuala Ni Dhomhnaill, Michael Longley, Harry Clifton and Paula Meehan. In his volume of The Poet's Chair Paul Durcan examines the work and impact of Irish poets Anthony Cronin, Michael Hartnett and Harry Clifton and places them in a European context. He focuses on Cronin's The End of the Modern World, Hartnett's Sibelius in Silence and Clifton's Vaucluse in this insightful volume.

Paul Durcan's twenty-second collection finds Monsieur le Poète on the road in Paris, New York City, Chicago, Brisbane, and Achill Island, meditating upon the sanctuary of home and what it means to feel truly at home. Regarded by many as the great poet of contemporary Ireland, Durcan is on top form here as he contemplates the fall of the Celtic Tiger, while railing against bankers and 'bonus boys'. There are poems of love lost and won, and poems in memory of friends and relatives who have passed on, but there is also joy to be found in the birth of a grandson, and there is praise, too, for the modest heroism of truckers, air traffic controllers and nurses, those 'slim, sturdy, buxom nourishers' of fallen mankind. If for Sartre 'hell is other people', for Durcan 'heaven is other people, especially women'.

In The Art of Life Paul Durcan takes us around County Mayo in his "filthy, two-door, bottle-green Opel Astra", stopping off at Westport and Achill Island, where he declares himself to be "globally sad", but "locally glad". Next he travels east to Dublin to hold in his arms his newborn granddaughter and thence to Tuscany, Poland and Japan. Along the way he reflects upon parental pride, the aches and pains of old age, the trim bottoms of snooker players, the wisdom of ex-wives and dogs on Sandymount Strand, while introducing us to a host of colourful characters, including a bishop, a roofer, a milkman, a priest and an unmarried mother. Is there an art of living or is life a work of art? This magnificent collection - originally published on Paul Durcan's sixtieth birthday - reveals one of Ireland's most successful and popular poets at the height of his powers and continuing to challenge, amuse and delight.

For most of us Christmas is the season of huge helpings of good food, good drink, and with luck, good cheer, as the rituals of cracker-pulling, present-giving and happy or sulphurous family reunions fizzle and bang through the long afternoon. For anyone who has ever had too much of it, or felt out of it, or wanted to be out of it, or even succeeded in being out of it then been unexpectedly rescued by a good friend, this book-length poem contains a lifeline of humour and sanity in a world run seasonally mad. It is a funny, subversive, melancholy, self-mocking conversation between two men - Paul and Frank - in the top storey flat of a Dublin apartment block; a Stations of Christmas under the influence of "woman-hunger". Once read, Christmas Day itself will never be the same again.The volume also contains a second new work, "A Goose in the Frost", a tribute to Seamus Heaney on winning the Nobel Prize for Literature.