Paul Fisher – författare

Advances in Cancer Research provides invaluable information on the exciting and fast-moving field of cancer research. Here, once again, outstanding and original reviews are presented on a variety of topics.

Advances in Cancer Research provides invaluable information on the exciting and fast-moving field of cancer research. Here, once again, outstanding and original reviews are presented on a variety of topics.

Immunotherapy of Cancer provides information on cancer research related to inflammation and immunity, containing outstanding reviews by experts in the field. It is suitable for researchers and students who have an interest in cancer immunobiology.

A Wall Street Journal and Times Literary Supplement Book of the Year | Long-listed for the Plutarch AwardA bold new biography of the legendary painter John Singer Sargent, stressing the unruly emotions and furtive desires that drove his innovative work and defined the transatlantic, fin de siècle culture he inhabited. A great American artist, John Singer Sargent is also an abiding enigma. While dressing like a businessman and crafting a highly respectable persona, he scandalized viewers on both sides of the Atlantic with the frankness and sensuality of his work. He charmed the nouveaux riches as well as the old money, but he reserved his greatest sympathies for Bedouins, Spanish dancers, and the gondoliers of Venice. At the height of his renown in Britain and America, he quit his lucrative portrait-painting career to concentrate on allegorical murals with religious themes—and on nude drawings of male models that he kept to himself.In The Grand Affair, the historian Paul Fisher offers a vivid life of the buttoned-up artist and his unbuttoned work. Sargent’s nervy, edgy portraits exposed illicit or dark feelings in himself and his sitters—feelings that high society on both sides of the Atlantic found fascinating and off-putting. Fisher traces Singer’s life from his wandering trans-European childhood to the salons of Paris, and the scandals and enthusiasms he caused, and on to London. There he mixed with eccentrics and aristocrats, and the likes of Henry James and Oscar Wilde, while at the same time forming a close relationship with a lightweight boxer who became his model, valet, and traveling partner. In later years, Sargent met up with his friend and patron Isabella Stewart Gardner around the world and devoted himself to a new model, the African American elevator operator and part-time contortionist Thomas McKeller, who would become the subject of some of Sargent’s most daring and powerful work.Illuminating Sargent’s restless itinerary, Fisher explores the enigmas of fin de siècle sexuality and art, fashioning a biography that grants the man and his paintings new and intense life.

This study investigates the paradoxical dynamics of American high culture in the late nineteenth and early twentieth centuries by examining the strategies of Americans who wrote about European art in order to promote and legitimize literary careers. Contrary to the myths they themselves disseminated, American writers in Europe did not escape American culture but rather created and participated in US. Cultural institutions like journals, museums, and universities. Transatlantic careers articulated a cult of Europe in a privileged American space, served social and aesthetic hierarchies, and constructed formidable versions of professional authority of American writers.The book focuses on four art careers Americans practiced in Europe: travel writing, art reviewing, connoisseurship, and salon hosting. It illuminates the careers of William Dean Howells, Henry James, Bernard and Mary Berenson, Celia Thaxter, and Gertrude Stein as itineraries of high-cultural formation and self-definition. In four chapters, the study examines these paradigmatic careers as both literary and cultural history, relating them to a diverse American society as well as Bostonian high culture.Americans created and deployed expatriate art careers, the author argues, in a landscape of gender, ethnic, and class relations. The use of Europe was both figural and practical: writers created a fantasized Europe that both enacted social repression and enabled social liberation. Ultimately, as the example of James Weld Johnson demonstrates, elitist and Europhile high culture reflected a much larger America as well as the narrower cultural institutions that historically fostered it.

This study investigates the paradoxical dynamics of American high culture in the late nineteenth and early twentieth centuries by examining the strategies of Americans who wrote about European art in order to promote and legitimize literary careers. Contrary to the myths they themselves disseminated, American writers in Europe did not escape American culture but rather created and participated in US. Cultural institutions like journals, museums, and universities. Transatlantic careers articulated a cult of Europe in a privileged American space, served social and aesthetic hierarchies, and constructed formidable versions of professional authority of American writers.The book focuses on four art careers Americans practiced in Europe: travel writing, art reviewing, connoisseurship, and salon hosting. It illuminates the careers of William Dean Howells, Henry James, Bernard and Mary Berenson, Celia Thaxter, and Gertrude Stein as itineraries of high-cultural formation and self-definition. In four chapters, the study examines these paradigmatic careers as both literary and cultural history, relating them to a diverse American society as well as Bostonian high culture.Americans created and deployed expatriate art careers, the author argues, in a landscape of gender, ethnic, and class relations. The use of Europe was both figural and practical: writers created a fantasized Europe that both enacted social repression and enabled social liberation. Ultimately, as the example of James Weld Johnson demonstrates, elitist and Europhile high culture reflected a much larger America as well as the narrower cultural institutions that historically fostered it.

Persistence is an important set of techniques and technologies for accessing and transacting data, and ensuring that data is mobile regardless of specific applications and contexts. In Java development, persistence is a key factor in enterprise, e-commerce, and other transaction-oriented applications.

Today, the Spring framework is the leading out-of-the-box solution for enterprise Java developers; in it, you can find a number of Java Persistence solutions.

This book gets you rolling with fundamental Spring Framework 3 concepts and integrating persistence functionality into enterprise Java applications using Hibernate, the Java™ Persistence API (JPA) 2, and the Grails Object Relational Mapping tool, GORM.

Learn how to use the core Hibernate APIs and tools as part of the Spring Framework. This book illustrates how these two frameworks can be best utilized. Other persistence solutions available in Spring are also shown including the Java Persistence API (JPA).

Spring Persistence with Hibernate, Second Edition has been updated to cover Spring Framework version 4 and Hibernate version 5. After reading and using this book, you''ll have the fundamentals to apply these persistence solutions into your own mission-critical enterprise Java applications that you build using Spring.

Persistence is an important set of techniques and technologies for accessing and using data, and ensuring that data is mobile regardless of specific applications and contexts. In Java development, persistence is a key factor in enterprise, e-commerce, and other transaction-oriented applications. Today, the agile and open source Spring Framework is the leading out-of-the-box, open source solutionfor enterprise Java developers; in it, you can find a number of Java persistence solutions.

What You''ll Learn