Paul Joseph Gulino – författare

The great challenge in writing a feature-length screenplay is sustaining audience involvement from the opening sequence to the closing credits. Screenwriting: The Sequence Approach expounds on an often-overlooked tools can be key in solving this problem. A screenplay can be understood as being built of sequences of about fifteen pages each, and by focusing on solving the dramatic aspects of each of these sequences in detail, a writer can more easily conquer the challenges posed by the script as a whole. The sequence approach has its foundation in early Hollywood cinema (until the 1950s, most screenplays were formatted with sequences explicitly identified), and has been rediscovered and used effectively at such film schools as the University of Southern California, Columbia University and Chapman University. This book explains the concept and then provides a sequence analysis of eleven significant feature films made between 1940 and 2000: The Shop Around the Corner, Double Indemnity, Nights of Cabiria, North by Northwest, Lawrence of Arabia, The Graduate, One Flew Over the Cuckoo's Nest, Toy Story, Air Force One, Being John Malkovich and The Fellowship of the Ring.

In a world awash in screenwriting books, The Science of Screenwriting provides an alternative approach that will help the aspiring screenwriter navigate this mass of often contradictory advice: exploring the science behind storytelling strategies. Paul Gulino, author of the best-selling Screenwriting: The Sequence Approach, and Connie Shears, a noted cognitive psychologist, build, chapter-by-chapter, an understanding of the human perceptual/cognitive processes, from the functions of our eyes and ears bringing real world information into our brains, to the intricate networks within our brains connecting our decisions and emotions. They draw on a variety of examples from film and television -- The Social Network, Silver Linings Playbook and Breaking Bad -- to show how the human perceptual process is reflected in the storytelling strategies of these filmmakers. They conclude with a detailed analysis of one of the most successful and influential films of all time, Star Wars, to discover just how it had the effect that it had.

In a world awash in screenwriting books, The Science of Screenwriting provides an alternative approach that will help the aspiring screenwriter navigate this mass of often contradictory advice: exploring the science behind storytelling strategies. Paul Gulino, author of the best-selling Screenwriting: The Sequence Approach, and Connie Shears, a noted cognitive psychologist, build, chapter-by-chapter, an understanding of the human perceptual/cognitive processes, from the functions of our eyes and ears bringing real world information into our brains, to the intricate networks within our brains connecting our decisions and emotions. They draw on a variety of examples from film and television -- The Social Network, Silver Linings Playbook and Breaking Bad -- to show how the human perceptual process is reflected in the storytelling strategies of these filmmakers. They conclude with a detailed analysis of one of the most successful and influential films of all time, Star Wars, to discover just how it had the effect that it had.

A substantial update of the previous edition, Screenwriting: The Sequence Approach deconstructs recent feature films and offers a new section analysing popular television series.A proven screenwriting method in emotionally engaging an audience, the sequence approach emphasises the underlying motives of each story plot to better convey its relation to the work as a whole. In this expanded second edition, Paul Gulino includes analyses of recent noteworthy films and serial dramas, such as Parasite, Barry and Breaking Bad, with an eye to how they manage audience attention, convey vital information and deliver their emotional payloads. The aim of the book is to help writers move readily from the feature film to the serial form, mastering both. It is perfect for both beginning writers and those with experience in the feature screenplay form.