Paul Matthews – författare

This title was first published in 2001. "The Revelation of Nature" embraces pragmatism, aesthetics and metaphysics in an effort to narrate a fundamental relationship between the contemporary world and the natural source and site for any world of meaning. Beginning with an exploration of Heidegger's seminal insight into the way we exist - that human existence must be understood in its everydayness - Matthews links these ideas to Heidegger's interpretation of the development of Western history in terms of its grounding metaphysical determinations to do with truth, reality and the nature of things. Matthews concludes that our everyday lives are informed and shaped by intellectual precepts and normative modes of behaviour that promote the combination and enslavement of both nature and ourselves within a mass technological grid. This book breaks new ground in theology, without underpinning the analysis with a particular religious viewpoint.

This title was first published in 2001. "The Revelation of Nature" embraces pragmatism, aesthetics and metaphysics in an effort to narrate a fundamental relationship between the contemporary world and the natural source and site for any world of meaning. Beginning with an exploration of Heidegger's seminal insight into the way we exist - that human existence must be understood in its everydayness - Matthews links these ideas to Heidegger's interpretation of the development of Western history in terms of its grounding metaphysical determinations to do with truth, reality and the nature of things. Matthews concludes that our everyday lives are informed and shaped by intellectual precepts and normative modes of behaviour that promote the combination and enslavement of both nature and ourselves within a mass technological grid. This book breaks new ground in theology, without underpinning the analysis with a particular religious viewpoint.

The book has five movements:Conflagrations: The tongue is a fire, both for love and destruction. Habitations: How can we feel at home if our things don’t speak to us or we fail to inhabit our moments?Adorations: The women portrayed by Botticelli, Blake, Rembrandt and Vermeer step from their gilded frames and their light plays freely. Dedications: A handshake is a holy place. Words are made new in our attention to each other.Distillations: Dew gleams on oak leaves and the flanks of horses as the ‘I’ grows quiet. To speak the essential name of a thing is our peculiar pain and privilege. ….The book ends with a quotation from William Carlos Williams: The government of words is our responsibility since it is of all governments the archetype. This is my urgent concern. Words can be hurtful and destructive, but in giving our loving attention to whoever we talk to we can heal our language and thereby enrich our communities and relationships. In ‘Adorations’ and ‘Dedications’ the poetry springs to life out of such a practice. Another concern is to do with how we perceive the things around us. Look up ‘thing’ in the dictionary, and you will find it means not just an object but an ‘assembly’. I like that. Each thing is a gathering place for memories, feelings and stories. Things and flowers speak to us through their gestures and colours. As for the animals, their appearance in the final pages of this book culminates in a letter to the poet William Blake regarding our responsibilities for their well-being.