Paul R. Raabe – författare

This study identifies and describes the basic building blocks of a biblical psalm: the levels of colon, verse, strophe and stanza. In this study eleven psalms have been chosen with stanzas that are clearly demarcated by the presence of refrains. Seven of these are analysed thoroughly (Psalms 42-43, 46, 49, 56, 57, 59) and another four more briefly (Psalms 39, 67, 80, 99). This is a timely and closely argued statement of the importance of integrating structure and content in one's interpretation of a psalm.

This study identifies and describes the basic building blocks of a biblical psalm: the levels of colon, verse, strophe and stanza. In this study eleven psalms have been chosen with stanzas that are clearly demarcated by the presence of refrains. Seven of these are analysed thoroughly (Psalms 42-43, 46, 49, 56, 57, 59) and another four more briefly (Psalms 39, 67, 80, 99). This is a timely and closely argued statement of the importance of integrating structure and content in one''s interpretation of a psalm.

The breadth and depth of these essays are a fitting testimony to the personal and professional interests of James W. Voelz. They span a spectrum from Greek language and lexicography to hermeneutics and translation theory to interpretation and theology of both biblical testaments to contemporary issues in church and world. Leading scholars with a diversity of interests and in diverse contexts offer a buffet of both general and focused issues from detailed translation theory and method to the World Series as a template for theological reflection, from creeds and confessions to cultural and social hermeneutics. Readers will find much that will strengthen and challenge their study of theology and the biblical text.

Why is the Song of Songs part of the Bible? This question has been answered in various ways throughout the ages, resulting in a greater diversity of interpretations than for perhaps any other biblical book.Interpreting the Song of Songs provides soundings from different eras and key interpreters: early Judaism, Origen, Augustine, the medieval era, Martin Luther, and modern and postmodern approaches. The interpretive history of the Song is a captivating study in itself. By listening to the past, we can discern how the Song sings today.