Paul Schlicke – författare

First published in 1985. Dickens was a vigorous champion of the right of all men and women to carefree amusements and dedicated himself to the creation of imaginative pleasure. This book represents the first extended study of this vital aspect of Dickens’ life and work, exploring how he channelled his love of entertainment into his artistry. This study offers a challenging reassessment of Nicholas Nickleby, The Old Curiosity Shop and Hard Times. It shows the importance of entertainment to Dickens’ journalism and presents an illuminating perspective on the public readings which dominated the last twelve years of his life. This book will be of interest to students of literature.

First published in 1985. Dickens was a vigorous champion of the right of all men and women to carefree amusements and dedicated himself to the creation of imaginative pleasure. This book represents the first extended study of this vital aspect of Dickens’ life and work, exploring how he channelled his love of entertainment into his artistry. This study offers a challenging reassessment of Nicholas Nickleby, The Old Curiosity Shop and Hard Times. It shows the importance of entertainment to Dickens’ journalism and presents an illuminating perspective on the public readings which dominated the last twelve years of his life. This book will be of interest to students of literature.

“This is one of the best short introductions to Dickens''s life and work that I know. Paul Schlicke integrates the life of this extraordinary man with his fiction, journalism, and public readings in a very engaging and lively narrative. I wouldn''t hesitate to recommend this to the widest range of readers.”—Malcolm Andrews, Emeritus Professor Victorian & Visual Arts, University of Kent, Editor of The Dickensian

Oliver Twist. A Christmas Carol. David Copperfield. Bleak House. A Tale of Two Cities. Great Expectations. The novels of Charles Dickens (1812–1870) read like a “Who’s Who” of canonical works. Yet, less well known is the fact that Dickens himself was something of a created character, a larger-than-life figure who lived through his art and pursued his many passions with a theatrical zeal that could have belonged to one of his famous protagonists. 

Largely self-taught, with little formal education, Dickens was catapulted to fame at the age of 24 with the publication of The Pickwick Papers in 1836. For the next 30 years, he wrote a prodigious number of novels, short stories, essays, and other works, while simultaneously campaigning for a variety of social reforms. As Simply Dickens colorfully describes, in life and in art, Dickens threw himself into everything he undertook—from taking on the personalities of his characters as he wrote, to pursuing such causes as children’s rights and universal education. 

While some authors have depicted Dickens as a tormented soul or cruel misogynist who compromised his work by pandering to a wide audience, Simply Dickens convincingly shows him as a purposeful, supremely talented, and versatile personality, whose popular appeal was central to his achievement.