Paul van der Grijp – författare

Drawing on the exciting developments that have occurred in the anthropology of art over the last twenty years, this study uses ethnographic methods to explore shifts in the art market and global contemporary art. Recognizing that the huge diversity of global phenomena requires research on the ground, An Anthropology of Contemporary Art examines the local art markets, biennials, networks of collectors, curators, artists, patrons, auction houses, and museums that constitute the global art world.Divided into four parts – Picture and Medium; World Art Studies and Global Art; Art Markets, Maecenas and Collectors; Participatory Art and Collaboration – chapters go beyond the standard emphasis on Europe and North America to present first-hand fieldwork from a wide range of areas, including Brazil, Turkey, and Asia and the Pacific.With contributions from distinguished anthropologists such as Philippe Descola and Roger Sansi Roca, this book provides a fresh approach to key topics in the discipline. A model for demonstrating how contemporary art can be studied ethnographically, this is a vital read for students in anthropology of art, visual anthropology, visual culture, and related fields.

Drawing on the exciting developments that have occurred in the anthropology of art over the last twenty years, this study uses ethnographic methods to explore shifts in the art market and global contemporary art. Recognizing that the huge diversity of global phenomena requires research on the ground, An Anthropology of Contemporary Art examines the local art markets, biennials, networks of collectors, curators, artists, patrons, auction houses, and museums that constitute the global art world.Divided into four parts – Picture and Medium; World Art Studies and Global Art; Art Markets, Maecenas and Collectors; Participatory Art and Collaboration – chapters go beyond the standard emphasis on Europe and North America to present first-hand fieldwork from a wide range of areas, including Brazil, Turkey, and Asia and the Pacific.With contributions from distinguished anthropologists such as Philippe Descola and Roger Sansi Roca, this book provides a fresh approach to key topics in the discipline. A model for demonstrating how contemporary art can be studied ethnographically, this is a vital read for students in anthropology of art, visual anthropology, visual culture, and related fields.

Art Collecting and Gifts to Museums questions why private collectors donate their collection, or parts of it, to museums and examines what the implications of this gifting process might be.Presenting case studies from Europe, North America, East Asia, and the South Pacific, this book is concerned with both elite and popular collections and examines the act of donating art from the collector’s point of view. Demonstrating that art museums depend on donations from private collectors, Paul van der Grijp emphasizes that it is crucial to understand the psychological, sociological, economic, and educational motivations for gifting works of art to institutions. Taken together, the chapters argue that collectors donate to museums because the latter represent an imagined community, to whom those collectors would like to bestow a sacred gift. Private collectors are, Van der Grijp maintains, motivated to ensure the immortality of their collections and, ultimately, to preserve some memory of their own lives in the process.Art Collecting and Gifts to Museums will be of interest to researchers and students engaged in the study of museums, culture, art, anthropology, history, and sociology.

Art Collecting and Gifts to Museums questions why private collectors donate their collection, or parts of it, to museums and examines what the implications of this gifting process might be.Presenting case studies from Europe, North America, East Asia, and the South Pacific, this book is concerned with both elite and popular collections and examines the act of donating art from the collector’s point of view. Demonstrating that art museums depend on donations from private collectors, Paul van der Grijp emphasizes that it is crucial to understand the psychological, sociological, economic, and educational motivations for gifting works of art to institutions. Taken together, the chapters argue that collectors donate to museums because the latter represent an imagined community, to whom those collectors would like to bestow a sacred gift. Private collectors are, Van der Grijp maintains, motivated to ensure the immortality of their collections and, ultimately, to preserve some memory of their own lives in the process.Art Collecting and Gifts to Museums will be of interest to researchers and students engaged in the study of museums, culture, art, anthropology, history, and sociology.

Art Collecting and Gifts to Museums questions why private collectors donate their collection, or parts of it, to museums and examines what the implications of this gifting process might be.Presenting case studies from Europe, North America, East Asia, and the South Pacific, this book is concerned with both elite and popular collections and examines the act of donating art from the collector's point of view. Demonstrating that art museums depend on donations from private collectors, Paul van der Grijp emphasizes that it is crucial to understand the psychological, sociological, economic, and educational motivations for gifting works of art to institutions. Taken together, the chapters argue that collectors donate to museums because the latter represent an imagined community, to whom those collectors would like to bestow a sacred gift. Private collectors are, Van der Grijp maintains, motivated to ensure the immortality of their collections and, ultimately, to preserve some memory of their own lives in the process.Art Collecting and Gifts to Museums will be of interest to researchers and students engaged in the study of museums, culture, art, anthropology, history, and sociology.

Art Collecting and Gifts to Museums questions why private collectors donate their collection, or parts of it, to museums and examines what the implications of this gifting process might be.Presenting case studies from Europe, North America, East Asia, and the South Pacific, this book is concerned with both elite and popular collections and examines the act of donating art from the collector's point of view. Demonstrating that art museums depend on donations from private collectors, Paul van der Grijp emphasizes that it is crucial to understand the psychological, sociological, economic, and educational motivations for gifting works of art to institutions. Taken together, the chapters argue that collectors donate to museums because the latter represent an imagined community, to whom those collectors would like to bestow a sacred gift. Private collectors are, Van der Grijp maintains, motivated to ensure the immortality of their collections and, ultimately, to preserve some memory of their own lives in the process.Art Collecting and Gifts to Museums will be of interest to researchers and students engaged in the study of museums, culture, art, anthropology, history, and sociology.

Drawing on the exciting developments that have occurred in the anthropology of art over the last twenty years, this study uses ethnographic methods to explore shifts in the art market and global contemporary art. Recognizing that the huge diversity of global phenomena requires research on the ground, An Anthropology of Contemporary Art examines the local art markets, biennials, networks of collectors, curators, artists, patrons, auction houses, and museums that constitute the global art world.Divided into four parts – Picture and Medium; World Art Studies and Global Art; Art Markets, Maecenas and Collectors; Participatory Art and Collaboration – chapters go beyond the standard emphasis on Europe and North America to present first-hand fieldwork from a wide range of areas, including Brazil, Turkey, and Asia and the Pacific.With contributions from distinguished anthropologists such as Philippe Descola and Roger Sansi Roca, this book provides a fresh approach to key topics in the discipline. A model for demonstrating how contemporary art can be studied ethnographically, this is a vital read for students in anthropology of art, visual anthropology, visual culture, and related fields.

Drawing on the exciting developments that have occurred in the anthropology of art over the last twenty years, this study uses ethnographic methods to explore shifts in the art market and global contemporary art. Recognizing that the huge diversity of global phenomena requires research on the ground, An Anthropology of Contemporary Art examines the local art markets, biennials, networks of collectors, curators, artists, patrons, auction houses, and museums that constitute the global art world.Divided into four parts – Picture and Medium; World Art Studies and Global Art; Art Markets, Maecenas and Collectors; Participatory Art and Collaboration – chapters go beyond the standard emphasis on Europe and North America to present first-hand fieldwork from a wide range of areas, including Brazil, Turkey, and Asia and the Pacific.With contributions from distinguished anthropologists such as Philippe Descola and Roger Sansi Roca, this book provides a fresh approach to key topics in the discipline. A model for demonstrating how contemporary art can be studied ethnographically, this is a vital read for students in anthropology of art, visual anthropology, visual culture, and related fields.

Identity and Development presents a remarkable record of Tonga s increasing participation in the modern global economy, and provides anthropologists, economists, and historians with a detailed case study that bears heavily on major issues of the day, both practically and theoretically. The book focuses on issues of identity, entrepreneurship, and the intricacies of development and addresses the question: How (in the current state of the economy) can a Tongan become a successful grower? This question is set against the background of a boom in cash cropping, sparked by a burgeoning export trade with Japan.

Islanders of the South is an ethnography of the kingdom of Tonga in the South Pacific. This is the first book to examine the interplay of Polynesian and Western ideas within contemporary social and economic practices, not from the point of view of Tongan aristocracy, but from that of the common people.The first describes contemporary Tongan society and the main means of subsistence: agriculture, fishing, and manufacturing. An analysis of the kinship system, with its economic, political, and ideological dimensions, is intertwined with a discussion of Tongan attitudes on life and death, marriage and divorce, social rights and obligations, migration and remittances. Later chapters deal with the crucial questions of land ownership and the circulation of gifts. A large number of genealogies, biographies, and case studies help convey how Tongans live together and how they experience their relationship to nature.Effects on Tonga of global developments-predominantly capitalist in nature-are expressed in the commercialization of the means of subsistence, bringing about changes often regarded as progress. The author raises doubts about this ideology of progress by referring to aspects of nature and culture in Tonga which are disappearing. Up to now Tongans have largely been able to preserve the circulation of gifts and economic self-sufficiency.