Paulina Pobocha - Böcker

A richly illustrated account tracing the full arc of contemporary painter Suzanne Jackson’s life and multifaceted artistic visionFirst and foremost a painter, Suzanne Jackson has worked for six decades in a dizzying array of genres, including drawing, printmaking, poetry, dance, and theater design. Suzanne Jackson: What Is Love reveals Jackson’s achievements as a leading and influential artist who has been in dialogue with her contemporaries, from Betye Saar and Emory Douglas to Senga Nengudi and Mary Lovelace O’Neal.This wide-ranging book illuminates Jackson’s work and its connections to nature, environmentalism, performance, feminism, and Black and Native traditions. It explores the way her innovative hanging acrylic works break the canvas; the role of dance and set design in Jackson’s practice; and her trailblazing Los Angeles art space Gallery 32, which she ran from 1968 to 1970, and which became a focus for a circle of fellow emerging artists. The book also features artist dialogues between Jackson and Nengudi, Saar, Fred Eversley, and Richard Mayhew, as well as a conversation between Jackson and SFMOMA painting conservator Jennifer Hickey.Exhibition ScheduleSFMOMA, San FranciscoSeptember 27, 2025–March 1, 2026Walker Art Center, MinneapolisMay 14, 2026–August 23, 2026Museum of Fine Arts, BostonSeptember 26, 2026–February 7, 2027

Animated by its inimitable residents and cacophonous disorder, Los Angeles is brought to life through interventions by 28 emerging and under-recognized local artistsPublished with Hammer Museum.The Made in L.A. biennial highlights the practices of artists working throughout the greater Los Angeles area, with an emphasis on emerging and under-recognized artists. The catalog for the seventh iteration, Made in L.A. 2025, includes curatorial essays and commissioned texts focusing on each of the 28 featured participants, spanning generations and working across a wide range of mediums. Neither myth nor monolith, Los Angeles is many things to many people, and its dissonance is perhaps its most distinguishing feature. Attitude draws them together: Each engages with this city in ways alternately literal, formal, material, and metaphoric. Conceived or made in Los Angeles, they are of this city and nowhere else. In the spirit of the exhibition, the book embraces writers’ voices from a broad range of disciplines. Among the contributions are interviews, critical essays and experimental writing exercises, all centered on and influenced by Los Angeles.