Paulo G. Pinto - Böcker

This comparative approach to the various uses of the ethnographic method in research about Islam in anthropology and other social sciences is particularly relevant in the current climate. Political discourses and stereotypical media portrayals of Islam as a monolithic civilisation have prevented the emergence of cultural pluralism and individual freedom. Such discourses are countered by the contributors who show the diversity and plurality of Muslim societies and promote a reflection on how the ethnographic method allows the description, representation and analysis of the social and cultural complexity of Muslim societies in the discourse of anthropology.

This comparative approach to the various uses of the ethnographic method in research about Islam in anthropology and other social sciences is particularly relevant in the current climate. Political discourses and stereotypical media portrayals of Islam as a monolithic civilisation have prevented the emergence of cultural pluralism and individual freedom. Such discourses are countered by the contributors who show the diversity and plurality of Muslim societies and promote a reflection on how the ethnographic method allows the description, representation and analysis of the social and cultural complexity of Muslim societies in the discourse of anthropology.

Muslims have been shaping the Americas and the Caribbean for more than five hundred years, yet this interplay is frequently overlooked or misconstrued. Brimming with revelations that synthesize area and ethnic studies, Crescent over Another Horizon presents a portrait of Islam’s unity as it evolved through plural formulations of identity, power, and belonging. Offering a Latino American perspective on a wider Islamic world, the editors overturn the conventional perception of Muslim communities in the New World, arguing that their characterization as “minorities” obscures the interplay of ethnicity and religion that continues to foster transnational ties.Bringing together studies of Iberian colonists, enslaved Africans, indentured South Asians, migrant Arabs, and Latino and Latin American converts, the volume captures the power-laden processes at work in religious conversion or resistance. Throughout each analysis-spanning times of inquisition, conquest, repressive nationalism, and anti-terror security protocols-the authors offer innovative frameworks to probe the ways in which racialized Islam has facilitated the building of new national identities while fostering a double-edged marginalization. The subjects of the essays transition from imperialism (with studies of morisco converts to Christianity, West African slave uprisings, and Muslim and Hindu South Asian indentured laborers in Dutch Suriname) to the contemporary Muslim presence in Argentina, Brazil, Mexico, and Trinidad, completed by a timely examination of the United States, including Muslim communities in “Hispanicized” South Florida and the agency of Latina conversion. The result is a fresh perspective that opens new horizons for a vibrant range of fields.

Saintly Spheres and Islamic Landscapes explores the creation, expansion, and perpetuation of the material and imaginary spheres of spiritual domination and sanctity that surrounded Sufi saints and became central to religious authority, Islamic piety, and the belief in the miraculous.The cultural and social constructs of Islamic sainthood and the spatial inscription of saintly figures have fascinated and ignited scholars across a range of disciplines. By bringing together a broad scope of perspectives and case studies, this book offers the reader the first comprehensive, albeit variegated, exposition of the evolution of saintly spheres and the emplacements of spiritual power in the Muslim world across time and place.Contributors: Angela Andersen, Irit Back, Devin DeWeese, Daphna Ephrat, Jo-Ann Gross, Nathan Hofer, Ayfer Karakaya-Stump, Sara Kuehn, Bulle Tuil Leonetti, Silvia Montenegro, Alexandre Papas, Paulo G. Pinto, Fatima Quraishi, Eric Ross, Itzchak Weismann, Pnina Werber, and Ethel Sara Wolper.