Pedro Calderón de la Barca – författare

Considered one of the outstanding Spanish dramas of all time, this 17th-century allegory explores the mysteries of human destiny, the illusory nature of existence, and the struggle between predestination and free will.

In recent years, the English-language theatre has rediscovered Calderon and a number of highly successful productions have been staged. These translations by Gwynne Edwards capture the ferocious spirit of his work in sharp and speakable translation The three plays included here represent Calderon's most celebrated work, in which he explores the extent of man's freedom in a hierarchical society often bound by anachronistic codes of conduct. The plays are The Surgeon of Honour, described by Michael Billington as 'one of the most disquieting plays in all world drama ...a dark masterpiece', Life is a Dream, Calderon's most famous play, and Three Judgements in One, less well-known but one of his finest works."Calderon excels all modern dramatists with the exception of Shakespeare, whom he resembles in the depth of thought and subtlety of his writings" (Shelley)

The oldest roots of the European concepts of witchcraft and magic lie in the Hebrew and other cultures of the ancient Near East and in the Celtic, Nordic and Germanic Societies of the North and West. The authors of this volume survey three crucial aspects of this earliest phase of development. These are the role of magical incantations and rituals against witchcraft in Mesopotamia in the last three millennia BC, the attitudes to witchcraft and magic in the Old Testament and in later Jewish tradition, and the beliefs and legends associated with trolldomor (witchcraft) in pre-Christian Scandanavia.

Exploring the conflict between free will and predestination, Calderon's most famous play tells of Segismundo, a Polish prince, imprisoned at birth by his father, the King, to thwart the predictions of astrologers. The dual-language edition features an excellent new literal translation on pages facing the original Spanish text. Introduction, Notes.

Calderón, the great dramatist of Spain's Golden Age, was a skilled writer of comedy. His serious dramas have long been highly regarded in the English-speaking world, but his many sparkling comedies are an untapped reservoir for the contemporary theater. The four plays in this volume, three of which appear in English for the first time, have been translated by Kenneth Muir, the noted British scholar and director.These are comedies of intrigue. They turn on mysterious, quarrels, and jealousies, and they abound in complication and misunderstandings, yet in the end all is explained, to the delight of the audience. Muir's long experience with acting and directing and his keen ear for the nuances of the English language, together with his perceptive critical scholarship, have enabled him to produce a text that actors can speak naturally, and that modern audiences can enjoy as did the audiences of seventeenth-century Spain. The graceful, poetical dialogue and the masterly stagecraft of Calderón are undiminished in these deft translations.The plays featured are From Bad to Worse, The Secret Spoken Aloud, The Worst is Not Always Certain, and The Advantages and Disadvantages of a Name. Ann L. Mackenzie has provided an introduction to each play and notes on the text that will be useful to the actors and directors who seek to present these comedies as they were intended -- on the stage.

This volume is a sequel to Four Comedies of Calderón (1980), which was hailed by reviewers as superb, faithful, and actable. The three comedies in the present volume are generally counted among Calderón's masterpieces: Casa con dos puertas mala es de guardar (A House with Two Doors Is Difficult to Guard); No hay burlas con el amor (No Trifling with Love); Mañanas de abril y mayo (Mornings of April and May). For the first time theaters will have the opportunity of staging these three masterpieces of the Golden Age drama of Spain in accurate and charming English versions. The verse used is flexible and musical, preserving the atmosphere and much of the poetic quality of the originals. An introduction deals with the characteristics of the plays and with the problems they pose for the translator. Concise explanatory notes clarify Golden Age dramatic practices.

Caldern, the great dramatist of Spain's Golden Age, was a skilled writer of comedy. His serious dramas have long been highly regarded in the English-speaking world, but his many sparkling comedies are an untapped reservoir for the contemporary theater. The four plays in this volume, three of which appear in English for the first time, have been translated by Kenneth Muir, the noted British scholar and director.These are comedies of intrigue. They turn on mysterious, quarrels, and jealousies, and they abound in complication and misunderstandings, yet in the end all is explained, to the delight of the audience. Muir's long experience with acting and directing and his keen ear for the nuances of the English language, together with his perceptive critical scholarship, have enabled him to produce a text that actors can speak naturally, and that modern audiences can enjoy as did the audiences of seventeenth-century Spain. The graceful, poetical dialogue and the masterly stagecraft of Caldern are undiminished in these deft translations.The plays featured are From Bad to Worse, The Secret Spoken Aloud, The Worst is Not Always Certain, and The Advantages and Disadvantages of a Name. Ann L. Mackenzie has provided an introduction to each play and notes on the text that will be useful to the actors and directors who seek to present these comedies as they were intendedon the stage.

This volume is a sequel to Four Comedies of Caldern (1980), which was hailed by reviewers as superb, faithful, and actable. The three comedies in the present volume are generally counted among Caldern's masterpieces: Casa con dos puertas mala es de guardar (A House with Two Doors Is Difficult to Guard); No hay burlas con el amor (No Trifling with Love); Maanas de abril y mayo (Mornings of April and May). For the first time theaters will have the opportunity of staging these three masterpieces of the Golden Age drama of Spain in accurate and charming English versions. The verse used is flexible and musical, preserving the atmosphere and much of the poetic quality of the originals. An introduction deals with the characteristics of the plays and with the problems they pose for the translator. Concise explanatory notes clarify Golden Age dramatic practices.

"The Mayor of Zalamea, Life's a Dream, The Great Theatre of the World In The Mayor of Zalamea, commissioned by the Royal National Theatre, peasants' honour clashes with military discipline. Life's a Dream is Calderon's most famous philosophical play. The Great Theatre of the World is an allegorical work that would originally have been performed in the street to the accompaniment of music and dancing."