Pegge Vissicaro – författare

STUDYING DANCE CULTURES AROUND THE WORLD offers the first and most comprehensive framework for studying dance cultures in diverse geographic areas and historical time periods. It is designed exclusively for college courses pertaining to multicultural dance education, and includes discussion questions, ideas for creative projects, as well as an extensive list of additional readings.The focus is largely interdisciplinary, weaving together aspects of the social and natural sciences within the theme of dynamism. It is an easy-to-read text with clear, concise explanations of fundamental theories and methods for dance cultural study. An important component of the text is discussion about the comparative process, central for investigating dance or any other human cultural phenomena. The author also examines complex and controversial concepts, such as, culture, race, and ethnicity within a 21st Century context to promote holistic, critical analyses of dance. Vivid descriptions of specific dance cultures, unique photograhs, and maps compliment the text.Wide variety of descriptions representing dance cultures originating from all continents and different types of environments.Discussion questions located at the end of each chapter.Discussion questions, which extend major concepts introduced, are student-centered.Suggestions for different types of creative projects are provided at the end of each chapter.

In her landmark study Utopia in Performance: Finding Hope at the Theatre, Jill Dolan departed from historical writings on utopia, which suggest that social reorganization and the redistribution of wealth are utopian efforts, to argue instead that utopia occurs in fragmentary "utopian moments," often found embedded within performance. While Dolan focused on the utopian performative within a theatrical context, this volume, edited by Rachel Bowditch and Pegge Vissicaro, expands her theories to encompass performance in public life from diasporic hip-hop battles, Chilean military parades, commemorative processions, Blackfoot powwows, and post-Katrina Mardi Gras to the Philadelphia Mummers Parade, Festas Juninas in Brazil, the Renaissance Fairs in Arizona, and neoburlesque competitions. How do these performances rehearse and enact visions of a utopic world? What can the lens of utopia and dystopia illuminate about the potential of performing bodies to transform communities, identities, values, and beliefs across time?Performing Utopia not only answers these questions, but offers a diverse collection of case studies focusing on utopias, dystopias, and heterotopias enacted through the performing body.