Pepita Haezrahi – författare

Originally published in 1961, this book defines the specific traits and describes the concrete qualities of moral action. It denotes the boundaries and discusses the conflicts which arise between the aims of moral goodness and those of pure religiosity, personal and historic grandeur and creative excellence. The theories of theologians like Barth and Brunner among others, and the maximalist theories of Nietzsche and his disciples and certain existentialists are contrasted with Kant’s essay on pure ethics.

Originally published in 1961, this book defines the specific traits and describes the concrete qualities of moral action. It denotes the boundaries and discusses the conflicts which arise between the aims of moral goodness and those of pure religiosity, personal and historic grandeur and creative excellence. The theories of theologians like Barth and Brunner among others, and the maximalist theories of Nietzsche and his disciples and certain existentialists are contrasted with Kant’s essay on pure ethics.

First published in 1954, The Contemplative Activity analyses our knowledge of aesthetic experience, making the basic assumption that the existence of such experience is a hard core of fact which can only be described. Haezrahi’s approach to the problem of aesthetic judgment is analytical, concerned with clarifying its preconditions, determining its categories and tracing its implications. Her analysis reveals it consists a particular mode of perception and a particular attitude adopted towards what is so perceived. The various philosophies of art and beauty, though they represent attitudes different from the purely aesthetic one, are carefully examined too since the contemplative spectator is indebted to them for the achievement of adequate aesthetic responses to specific works of art. Haezrahi also discusses methods of objective evaluation of the aesthetic experience as well as possible means to reduce the margin of error involved in the particular responses of critics and theorists. This book will be particularly important for students of philosophy and of art.

First published in 1954, The Contemplative Activity analyses our knowledge of aesthetic experience, making the basic assumption that the existence of such experience is a hard core of fact which can only be described. Haezrahi’s approach to the problem of aesthetic judgment is analytical, concerned with clarifying its preconditions, determining its categories and tracing its implications. Her analysis reveals it consists a particular mode of perception and a particular attitude adopted towards what is so perceived. The various philosophies of art and beauty, though they represent attitudes different from the purely aesthetic one, are carefully examined too since the contemplative spectator is indebted to them for the achievement of adequate aesthetic responses to specific works of art. Haezrahi also discusses methods of objective evaluation of the aesthetic experience as well as possible means to reduce the margin of error involved in the particular responses of critics and theorists. This book will be particularly important for students of philosophy and of art.