Peter Ackroyd – författare

London Under is an atmospheric, imaginative introduction to everything that goes on under London, from original springs and streams and Roman amphitheatres to Victorian sewers, gang hideouts and modern Underground stations. This book tunnels down through the geological layers, meeting the creatures, both real and fictional, that dwell in the darkness - rats and eels, monsters and ghosts. From the Anglo-Saxon graves under St Paul's, to the hydraulic device in Kensal Green cemetery which lowered bodies into the catacombs below, to the fossils uncovered when the Victoria Line was built and the gold bars within the Bank of England's vaults, London Under takes you into a hidden world, beneath our feet.

Peter Ackroyd's marvellous biography is a living attempt to reach into the heart of Shakespeare.He creates an intimate and immediate connection with his subject, so that the book reads like the work of a contemporary - meeting Shakespeare afresh on his own ground.Written with intuition and imagination unique to Peter Ackroyd, this is a book by a writer about a writer, and a fascinating and detailed depiction of the world Shakespeare inhabited.

Now available in paperback, The English Soul portrays the spirit and nature of English Christianity as it has developed over the last 1,400 years. As the predominant faith of the people, Christianity has been the reflection, perhaps the embodiment, of the English soul. This fascinating new history argues that Christianity has been the anchoring and defining doctrine of England, while accepting respectfully that other powerful and significant faiths have also influenced the religious sensibility of this nation.Peter Ackroyd surveys the lives and faith of the most important figures of English Christianity, from the Venerable Bede to C. S. Lewis, exploring the mysticism of Julian of Norwich and William Blake, the tumultuous years of the Reformation, the emergence of the English Bible, the evangelical tradition, including John Wesley, and the contemporary contest between tradition, revival and atheism. This is an essential, comprehensive and accessible survey of English Christianity.

Having written enthralling biographies of London and of its great river, the Thames, Peter Ackroyd now turns to England itself. This first volume of six takes us from the time that England was first settled, more than 15,000 years ago, to the death in 1509 of the first Tudor monarch, Henry VII. In Foundation, Ackroyd takes us from Neolithic England, which we can only see in the most tantalizing glimpses - a stirrup found in a grave, some seeds at the bottom of a bowl - to the long period of Roman rule; from the Dark Ages when England was invaded by a ceaseless tide of Angles, Saxons and Jutes, to the twin glories of medieval England - its great churches and monasteries and its common law. With his extraordinary skill for evoking time and place, he tells the familiar story of king succeeding king in rich prose, with profound insight and some surprising details. The food we ate, the clothes we wore, the punishments we endured, even the jokes we told are all found here, too.

Following on from Foundation, Tudors is the second volume in Peter Ackroyd's astonishing series, The History of England.Rich in detail and atmosphere and told in vivid prose, Tudors recounts the transformation of England from a settled Catholic country to a Protestant superpower. It is the story of Henry VIII's cataclysmic break with Rome, and his relentless pursuit of both the perfect wife and the perfect heir; of how the brief reign of the teenage king, Edward VI, gave way to the violent reimposition of Catholicism and the stench of bonfires under 'Bloody Mary'. It tells, too, of the long reign of Elizabeth I, which, though marked by civil strife, plots against the queen and even an invasion force, finally brought stability.Above all, however, it is the story of the English Reformation and the making of the Anglican Church. At the beginning of the sixteenth century, England was still largely feudal and looked to Rome for direction; at its end, it was a country where good governance was the duty of the state, not the church, and where men and women began to look to themselves for answers rather than to those who ruled them.

Making a major part of England's literary heritage accessible to a new audience, Peter Ackroyd's The Canterbury Tales: A Retelling renders Geoffrey Chaucer's timeless tales in lucid, compelling modern English prose, with illustrations by Nick Bantock in Penguin Classics.On a pilgrimage to Canterbury, a group of travellers agree to a storytelling competition. As they make their way on the road, they drink, laugh, flirt, argue and try to outdo each other with their tales. From the exuberant Wife of Bath's Arthurian legend to the Miller's worldly, ribald farce, these tales can be taken as a mirror of fourteenth-century London. Incorporating every style of medieval narrative - bawdy anecdote, allegorical fable and courtly romance - the tales encompass a blend of universal human themes, retold here for our times by bestselling author Peter Ackroyd.The edition also includes an introduction by Ackroyd, detailing some of the historical background to Chaucer and the Tales, and why he has been inspired to translate them for a new generation of readers.Geoffrey Chaucer (c.1343-1400) was an English author, poet, philosopher, courtier and diplomat, best known as the author of The Canterbury Tales. Chaucer is credited as being the first author to demonstrate the artistic legitimacy of the vernacular English language. The first poet to have been buried in the Poet's Corner of Westminster Abbey, his other works include The House of Fame, Troilus and Criseyde and The Book of the Duchess.Peter Ackroyd (b. 1949) is an award-winning writer and historian. Formerly literary editor of The Spectator and chief book reviewer for the The Times, he is the author of novels such as Hawksmoor (1985) and The House of Doctor Dee (1993), as well as non-fiction including Dickens: Public Life and Private Passion (2002), London: The Biography (2000), and Thames: Sacred River (2007). 'Ackroyd's retelling is compulsive, bold and rare ... as fresh as new paint'Observer'The only version to read'Time Out

Isaac Newton (1642-1727), the English genius, made his greatest contributions to original thought before the age of twenty-five, while at home in Lincolnshire escaping the great plague of 1665, a period of which he wrote: 'I was in the prime of age for invention.' Professor of Mathematics at Cambridge, an MP, Master of the Mind and President of the Royal Society, Newton, the author of Principia, one of the most important books in the history of science, was fascinated by calculus, the planets and the 'laws of motion', and, in keeping with his age, blurred the borders between natural philosophy and speculation: he was as passionate about astrology as astronomy and dabbled in alchemy, while his religious faith was never undermined by his scientific reasoning.Peter Ackroyd brings this somewhat puritanical man to life and demonstrates the unique brilliance of his perceptions, which changed our world forever.

Short and oddly built, with a head too big for his body, extremely short-sighted, unable to stay still, dressed in colourful clothes, Wilkie Collins looked distinctly strange. But he was none the less a charmer, befriended by the great, loved by children, irresistibly attractive to women – and avidly read by generations of readers. Peter Ackroyd follows his hero, ‘the sweetest-tempered of all the Victorian novelists’, from his childhood as the son of a well-known artist to his struggling beginnings as a writer, his years of fame and his life-long friendship with the other great London chronicler, Charles Dickens. As well as his enduring masterpieces, The Moonstone – often called the first true detective novel – and the sensational The Woman in White, he produced an intriguing array of lesser-known works. Told with Ackroyd’s inimitable verve, this is a ravishingly entertaining life of a great storyteller, full of surprises, rich in humour and sympathetic understanding.

Geoffrey Chaucer has some claim to being the greatest poet in the English language. Yet he has also been considered to be an invisible poet, self-depreciating and ironic, leaving only the breath of his comedy behind. In truth a great deal is known of him. He was a royal servant, who was indicted for rape. He was captured in battle and held for ransom. He knew at first hand the most powerful people in the country and, as the king's servant; he was concerned with the most pressing events of the realm. Yet even in this crowded life he found time and opportunity to write some of the finest poems in the language. Troilus and Criseyde is the first modern work of English literature. His genius was prolific and diverse and, while he was a true London artist, he was also part of the European renaissance of learning. The Canterbury Tales is an epic of Englishness itself, presided over by the genial and generous figure of Geoffrey Chaucer.

He was the very first icon of the silver screen, and is one of the most recognisable faces in Hollywood, even a hundred years on from his first film. But what of the man behind the moustache? The director holding the camera as well as acting in front of it?Peter Ackroyd's new biography turns the spotlight on Chaplin's life as well as his work, from his humble theatrical beginnings in music halls to winning an honorary Academy Award. Everything is here, from the glamour of his golden age to the murky scandals of the 1940s and eventual exile to Switzerland. This masterful brief life offers fresh revelations about one of the most familiar faces of the last century and brings the Little Tramp into vivid colour.

The English see more ghosts than any other nation. From medieval times to the present day, stories have been told about ghosts who avenge injustice, souls who long for peace and spooks who just want to have fun. The English Ghost is a treasure trove of such sightings; comical and scary, like all the best ghost stories, these accounts, packed with eerie detail, range from the moaning child that terrified Wordworth's nephew at Cambridge to modern day hitchhikers on Blue Bell Hill.

Alfred Hitchcock was a strange child. Fat, lonely, burning with fear and ambition, his childhood was an isolated one, scented with fish from his father's shop. Afraid to leave his bedroom, he would plan great voyages, using railway timetables to plot an exact imaginary route across Europe. So how did this fearful figure become the one of the most respected film directors of the twentieth century?As an adult, Hitch rigorously controlled the press's portrait of himself, drawing certain carefully selected childhood anecdotes into full focus and blurring all others out. In this quick-witted portrait, Ackroyd reveals something more: a lugubriously jolly man fond of practical jokes, who smashes a once-used tea cup every morning to remind himself of the frailty of life. Iconic film stars make cameo appearances, just as Hitch did in his own films. Grace Kelly, Carey Grant and James Stewart despair of his detached directing style, and, perhaps most famously of all, Tippi Hedren endures cuts and bruises from a real-life fearsome flock of birds.Alfred Hitchcock wrests the director's chair back from the master of control and discovers what lurks just out of sight, in the corner of the shot.

Just as Peter Ackroyd's bestselling London is the biography of the city, Thames: Sacred River is the biography of the river, from sea to source. Exploring its history from prehistoric times to the present day, the reader is drawn into an extraordinary world, learning about the fishes that swim in the river and the boats that ply its surface; about floods and tides; hauntings and suicides; miasmas and malaria; locks, weirs and embankments; bridges, docks and palaces.Peter Ackroyd has a genius for digging out the most surprising and entertaining details, and for writing about them in the most magisterial prose; the result is a wonderfully readable and captivating guide to this extraordinary river and the towns and villages which line it.

In this magnificent vision of Venice, Peter Ackroyd turns his unparalleled skill at evoking place from London and the River Thames, to Italy and the city of myth, mystery and beauty. He leads us through the history of the city, from the first refugees arriving in the mists of the lagoon in the fourth century to the rise of a great mercantile state and a trading empire, the wars against Napoleon and the tourist invasions of today. There are wars and sieges, scandals and seductions, fountains playing in deserted squares and crowds thronging the markets. And there is a dark undertone too, of shadowy corners and dead ends, prisons and punishment. We could have no better guide to this most exceptional of cities - reading Ackroyd's Venice is, in itself, a glorious journey and the perfect holiday.

Much of Peter Ackroyd's work has been concerned with the life and past of London but here, as a culmination, is his definitive account of the city. For him it is a living organism, with its own laws of growth and change, so London is a biography rather than a history. It differs from other histories, too, in the range and diversity of its contents. Ackroyd portrays London from the time of the Druids to the beginning of the twenty-first century, noting magnificence in both epochs, but this is not a simple chronological record. There are chapters on the history of silence and the history of light, the history of childhood and the history of suicide, the history of Cockney speech and the history of drink.London is perhaps the most important study of the city ever written, and confirms Ackroyd's status as what one critic has called 'our age's greatest London imagination.'

Dickens was a landmark biography when first published in 1990. This specially edited shorter edition takes the reader into the life of one of the world's greatest writers.Here, Ackroyd attempts to peel away the mask of a man whose life was outwardly a picture of Victorian rectitude, but whose love life was as complicated (and unconventional) as any modern writer's. Dickens had everything - fame, success and riches - but he died harbouring a deep sadness he had experienced all his life. He was a man of mercurial character, had enormous vitality and humour, but he also had a sense of loss and longing that would constantly appear in his work. Like many eminent Victorians, he led a double life: although he insisted that nothing in the newspapers he edited should upset his middle-class readers, he regularly indulged in dubious night-time escapades with fellow author Wilkie Collins, and, for the last 13 years of his life, kept a secret mistress.

Highly original and magnificent in scope, Albion: The Origins of the English Imagination discovers the roots of English cultural history in the Anglo-Saxon period, and traces it through the centuries. What does it mean to be English? This dazzling book demonstrates that a quintessentially English quality can be discovered in all forms of English culture, not only in literature but also in painting, music, architecture, philosophy and science. Just as London: The Biography guided the reader through the capital city with a mixture of narrative and theme, so Albion, employing the same techniques, engages the reader with stories and surprises - From Beowulf to King Arthur and the Knights of the Round Table, via Chaucer and Shakespeare, to the Bronte sisters, Alice through the Looking Glass and Lord of the RingsWitty, provocative and anecdotal, this is Peter Ackroyd at his most brilliant and exuberant.

An abridged edition of Peter Ackroyd's magisterial biography of the city of London.Prize-winning historian, novelist and broadcaster, Peter Ackroyd takes us on a journey - historical, geographical and imaginative - through the city of London. Moving back and forth through time, Ackroyd is an effortless, exuberant guide to times of plague and pestilence, fire and floods, crime and punishment, and sex and theatre. He brings the ever changing streets alive for the reader and shows us what lies beneath our feet and above our heads. His biography is as rich in detail and fizzing with vitality as the city itself.

‘Droll, provocative and crammed to busting with startling facts’ Simon Callow, GuardianIn this powerful Sunday Times bestseller Peter Ackroyd looks at London in a whole new way – through the history and experiences of its gay population.In Roman Londinium the city was dotted with lupanaria (‘wolf dens’ or public pleasure houses), fornices (brothels) and thermiae (hot baths). Then came the Emperor Constantine, with his bishops, monks and missionaries. And so began an endless loop of alternating permissiveness and censure.Ackroyd takes us right into the hidden history of the city; from the notorious Normans to the frenzy of executions for sodomy in the early nineteenth century. He journeys through the coffee bars of sixties Soho to Gay Liberation, disco music and the horror of AIDS.Today, we live in an era of openness and tolerance and Queer London has become part of the new norm. Ackroyd tells us the hidden story of how it got there, celebrating its diversity, thrills and energy on the one hand; but reminding us of its very real terrors, dangers and risks on the other.

A gripping retelling of the timeless epic of romance, enchantment and adventure, Peter Ackroyd's The Death of King Arthur recasts Sir Thomas Malory's Le Morte d'Arthur in clear, compelling modern English prose, published in Penguin Classics.'In the old wild days of the world there was a King of England known as Uther Pendragon; he was a dragon in wrath as well as in power ...'Born with the help of Merlin's magic, blessed with the sword of Excalibur, Arthur becomes King of a troubled England, beginning a golden age of chivalry at the court of Camelot. But his reign is soon to be torn apart by violence, revenge and tragedy ...Sir Thomas Malory's Le Morte d'Arthur made the legend of King Arthur immortal. Now Peter Ackroyd's retelling brings his timeless story of love, heroism and betrayal to new life for our times.Sir Thomas Malory (c.1405-1471) was a knight and estate owner in the mid 15th century, who spent many years in prison for political crimes as well as robbery. He wrote Le Morte d'Arthur, the first great English prose epic, while imprisoned in Newgate. Peter Ackroyd (b. 1949) is an award-winning writer and historian. Formerly literary editor of The Spectator and chief book reviewer for the The Times, he is the author of novels such as Hawksmoor (1985) and The House of Doctor Dee (1993), as well as non-fiction including Dickens: Public Life and Private Passion (2002), London: The Biography (2000), and Thames: Sacred River (2007). If you enjoyed The Death of King Arthur, you might like Ackroyd's The Canterbury Tales, also available in Penguin Modern Classics.'I admire this version enormously ... This story has to move with both swiftness and dignity, and yoking those two qualities together is not an easy task; but Ackroyd does it with ease'Philip Pullman, author of His Dark Materials trilogy 'Ackroyd's lightly trimmed and streamlined Le Morte d'Arthur makes it eminently readable' Sunday Times

'There is no Light without Darknesse and no Substance without Shaddowe'So proclaims Nicholas Dyer, assistant to Sir Christopher Wren and the man with a commission to build seven London churches to stand as beacons of the enlightenment. But Dyer plans to conceal a dark secret at the heart of each church - to create a forbidding architecture that will survive for eternity. Two hundred and fifty years later, London detective Nicholas Hawksmoor is investigating a series of gruesome murders on the sites of certain eighteenth-century churches - crimes that make no sense to the modern mind . . . 'Chillingly brilliant . . . sinister and stunningly well executed' Independent on SundayPeter Ackroyd was born in London in 1949. A novelist, biographer and historian, he has been the literary editor of The Spectator and chief book reviewer for the The Times, as well as writing several highly acclaimed books including a biography of Dickens and London: The Biography. He lives in London.

The Fall of the House of Usher and Other Writings is a collection that displays the full force of Edgar Allan Poe's mastery of both Gothic horror and the short story form. This Penguin Classics edition is edited with an introduction and notes by David Galloway.This selection of Poe's critical writings, short fiction and poetry demonstrates his intense interest in aesthetic issues, and the astonishing power and imagination with which he probed the darkest corners of the human mind. 'The Fall of the House of Usher' is a slow-burning Gothic horror, describing the final hours of a family tormented by tragedy and the legacy of the past. In 'The Tell-Tale Heart', a murderer's insane delusions threaten to betray him, while stories such as 'The Pit and the Pendulum', 'The Raven' and 'The Cask of Amontillado' explore extreme states of decadence, fear and hate.In his introduction, David Galloway re-examines the myths surrounding Poe's life and reputation. This edition includes a new chronology and suggestions for further reading.As well as his remarkable literary output, Boston-born Edgar Allan Poe (1809-49) had a variety of occupations - he served in the US army and was a magazine editor. Towards the end of his life, he was plagued by mental instability. If you enjoyed The Fall of the House of Usher, you might like Horace Walpole's The Castle of Otranto, also available in Penguin Classics.'The most original genius that America has produced'Alfred, Lord Tennyson'Poe has entered our popular consciousness as no other American writer'The New York Times Book Review

An immortal story of chivalry, treachery and death told anew for our timesThe legend of King Arthur has retained its appeal and popularity through the ages: Mordred's treason, the knightly exploits of Tristan, Lancelot's fatally divided loyalties and his love for Guenevere, the quest for the Holy Grail. Now retold by Peter Ackroyd with his signature clarity, charm and relish for a good story, the result is not only one of the most readable accounts of the knights of the Round Table but also one of the most moving.

The Fall of the House of Usher and Other Writings is a collection that displays the full force of Edgar Allen Poe's mastery of both Gothic horror and the short story form. This Penguin Classics edition is edited with an introduction and notes by David Galloway.This selection of Poe's critical writings, short fiction and poetry demonstrates his intense interest in aesthetic issues, and the astonishing power and imagination with which he probed the darkest corners of the human mind. 'The Fall of the House of Usher' is a slow-burning Gothic horror, describing the final hours of a family tormented by tragedy and the legacy of the past. In 'The Tell-Tale Heart', a murderer's insane delusions threaten to betray him, while stories such as 'The Pit and the Pendulum', 'The Raven' and 'The Cask of Amontillado' explore extreme states of decadence, fear and hate. In his introduction David Galloway re-examines the myths surrounding Poe's life and reputation. This edition includes a new chronology and suggestions for further reading.Although dissipated in his youth and plagued by mental instability towards the end of his life, Boston-born Edgar Allan Poe (1809-49) had a variety of occupations, including service in the US army and magazine editor, as well as his remarkable literary output.If you enjoyed The Fall of the House of Usher, you might like Horace Walpole's The Castle of Otranto, also available in Penguin Classics.'The most original genius that America has produced'Alfred, Lord Tennyson'Poe has entered our popular consciousness as no other American writer'The New York Times Book Review

Following on from Foundation, Tudors is the second volume in Peter Ackroyd's astonishing series, The History of England.Rich in detail and atmosphere and told in vivid prose, Tudors recounts the transformation of England from a settled Catholic country to a Protestant superpower. It is the story of Henry VIII's cataclysmic break with Rome, and his relentless pursuit of both the perfect wife and the perfect heir; of how the brief reign of the teenage king, Edward VI, gave way to the violent reimposition of Catholicism and the stench of bonfires under 'Bloody Mary'. It tells, too, of the long reign of Elizabeth I, which, though marked by civil strife, plots against the queen and even an invasion force, finally brought stability.Above all, however, it is the story of the English Reformation and the making of the Anglican Church. At the beginning of the sixteenth century, England was still largely feudal and looked to Rome for direction; at its end, it was a country where good governance was the duty of the state, not the church, and where men and women began to look to themselves for answers rather than to those who ruled them.

With his characteristic enthusiasm and erudition, Peter Ackroyd follows his acclaimed London: A Biography with an inspired look into the heart and the history of the English imagination. To tell the story of its evolution, Ackroyd ranges across literature and painting, philosophy and science, architecture and music, from Anglo-Saxon times to the twentieth-century. Considering what is most English about artists as diverse as Chaucer, William Hogarth, Benjamin Britten and Viriginia Woolf, Ackroyd identifies a host of sometimes contradictory elements: pragmatism and whimsy, blood and gore, a passion for the past, a delight in eccentricity, and much more. A brilliant, engaging and often surprising narrative, Albion reveals the manifold nature of English genius.From the Trade Paperback edition.

From the imagination of one of the most brilliant writers of our time and bestselling author of The Life of Thomas More, a novel that playfully imagines how the "modern" era might appear to a thinker seventeen centuries hence.At the turn of the 38th century, London''s greatest orator, Plato, is known for his lectures on the long, tumultuous history of his now tranquil city. Plato focuses on the obscure and confusing era that began in A.D. 1500, the Age of Mouldwarp. His subjects include Sigmund Freud''s comic masterpiece "Jokes and Their Relation to the Subconscious," and Charles D.''s greatest novel, "The Origin of Species." He explores the rituals of Mouldwarp, and the later cult of webs and nets that enslaved the population. By the end of his lecture series, however, Plato has been drawn closer to the subject of his fascination than he could ever have anticipated. At once funny and erudite, The Plato Papers is a smart and entertaining look at how the future is imagined, the present absorbed, and the past misrepresented.From the Trade Paperback edition.