Peter Bondanella - Böcker

Edited and translated by Peter Bondanella and Mark Musa, "The Portable Machiavelli" not only gives the casual reader a chance to read different personal and professional works of Machiavelli, but also strives to do away with many of the myths that have plagued the man's posthumous fame. For example, the famous "the ends justifies the means" quote is actually a gross exaggeration of what Machiavelli originally wrote, which was "in the actions of all men...when there is no impartial arbiter, one must consider the final result." The biggest counterargument Bondanella and Musa can supply is the simple fact that they include a less famous piece Machiavelli did called "The Discourses." This piece is often not mentioned or even casually footnoted because it presents the true Machiavelli - a man who was supportive of a Republic government run by the citizens. Any one who believes Machiavelli is a supporter of despots will be surprised to read him speaking in support for fair and public trials and a balance of power between rulers and their people.

The Cassell Dictionary of Italian Literature includes some 400 entries on major and minor Italian writers from the twelfth century to the present day; on Italian metrics and poetic forms or genres; and on literary or critical schools, periods, problems and movements. In addition there are specific entries on Italian Literature, Film and art, as well as feminism, post-modernism and other topics of contemporary interest.

This revised and expanded edition of the only English-language dictionary of Italian literature provides some 400 alphabetically arranged entries on Italian writers, periods, literary movements, and versification, and on critical problems related to literary history. The volume covers Italian literature from the Middle Ages to the present and includes a number of new entries for contemporary writers. The entries, written by expert contributors, include current bibliographical information and have often been updated to reflect new scholarship. Unlike most Italian dictionaries, this book is aimed specifically at the English-language market and provides copious information on English translations as well as a guide to Italian literature in comparative contexts.Entries are arranged alphabetically and include extensive cross-references. Each entry provides a basic identification of the term, followed by a more extensive discussion of the term's background and significance. A bibliography concludes each entry, and citations reflect the most current general works on the topic. Unlike most Italian dictionaries, this volume is aimed specifically at the user whose primary language is English. All Italian titles have been translated, and the entries provide copious information on English translations of Italian works. Appendices trace the chronological development of Italian literature and place it within the larger context of world literature, history, and culture.

Umberto Eco is Italy's most famous living intellectual, known among academics for his literary and cultural theories, and to an enormous international audience through his novels, The Name of the Rose, Foucault's Pendulum and The Island of the Day Before. Umberto Eco and the Open Text is the first comprehensive study in English of Eco's work. In clear and accessible language, Peter Bondanella considers not only Eco's most famous texts, but also many occasional essays not yet translated into English. Tracing Eco's intellectual development from early studies in medieval aesthetics to seminal works on popular culture, postmodern fiction, and semiotic theory, he shows how Eco's own fiction grows out of his literary and cultural theories. Bondanella cites all texts in English, and provides a full bibliography of works by and about Eco.

The Films of Roberto Rossellini traces the career of one of the most influential Italian filmmakers through close analysis of the seven films that mark important turning points in his evolution: The Man with a Cross (1943), Open City (1945), Paisan (1946), The Machine to Kill Bad People (1948-52), Voyage in Italy (1953), General della Rovere (1959) and The Rise to Power of Louis XIV (1966). Beginning with Rossellini's work within the fascist cinema, it discusses his invention of neorealism, a new cinematic style that resulted in several classics during the immediate postwar period. Almost immediately, however, Rossellini's continually evolving style moved beyond mere social realism to reveal other aspects of the camera's gaze, as is apparent in the films he made with Ingrid Bergman during the 1950s; though unpopular, these works had a tremendous impact on the French New Wave critics and directors. Rossellini's late career marks a return to his nonrealist period, now critically reexamined, in such works as the commercially successful General della Rovere, and his eventual turn to the creation of didactic films for television.

The Films of Roberto Rossellini traces the career of one of the most influential Italian filmmakers through close analysis of the seven films that mark important turning points in his evolution: The Man with a Cross (1943), Open City (1945), Paisan (1946), The Machine to Kill Bad People (1948-52), Voyage in Italy (1953), General della Rovere (1959) and The Rise to Power of Louis XIV (1966). Beginning with Rossellini's work within the fascist cinema, it discusses his invention of neorealism, a new cinematic style that resulted in several classics during the immediate postwar period. Almost immediately, however, Rossellini's continually evolving style moved beyond mere social realism to reveal other aspects of the camera's gaze, as is apparent in the films he made with Ingrid Bergman during the 1950s; though unpopular, these works had a tremendous impact on the French New Wave critics and directors. Rossellini's late career marks a return to his nonrealist period, now critically reexamined, in such works as the commercially successful General della Rovere, and his eventual turn to the creation of didactic films for television.

Umberto Eco is Italy's most famous living intellectual, known among academics for his literary and cultural theories, and to an enormous international audience through his novels, The Name of the Rose, Foucault's Pendulum and The Island of the Day Before. Umberto Eco and the Open Text is the first comprehensive study in English of Eco's work. In clear and accessible language, Peter Bondanella considers not only Eco's most famous texts, but also many occasional essays not yet translated into English. Tracing Eco's intellectual development from early studies in medieval aesthetics to seminal works on popular culture, postmodern fiction, and semiotic theory, he shows how Eco's own fiction grows out of his literary and cultural theories. Bondanella cites all texts in English, and provides a full bibliography of works by and about Eco.

The Films of Federico Fellini examines the career of one of Italy's most renowned filmmakers through close analysis of five masterpieces that span his career: La Strada, La Dolce Vita, 8 1/2, Amarcord and Interview. Providing an overview of Fellini's early career as a cartoonist and scriptwriter for neorealist directors such as Roberto Rossellini, this study traces the development of Fellini's unique and personal cinematic vision as it transcends Italian neorealism. Rejecting an overtly ideological approach to Fellini's cinema, Bondanella emphasizes the director's interest in fantasy, the irrational and individualism.

There is a wealth of critical commentary on Umberto Eco in scholarly books and articles; this collection provides thought-provoking insights into topics that have attracted a great deal of attention in the past without repeating many of the arguments found in earlier publications on Eco. Representing the most active scholars writing on Eco from a variety of disciplinary perspectives, the international panel of authors provides sophisticated engagement with Eco's contributions to a wide range of academic disciplines (semiotics, popular culture, linguistics, aesthetics, philosophy, medieval studies) as well as his literary production of five important novels. From the impact of the detective genre on Eco's literary work to his place as a major medievalist, New Essays on Umberto Eco covers a variety of subjects of interest not only to a wide audience interested in Eco's fiction, but also to the serious student delving into Eco's more esoteric writings.

The Cambridge Companion to the Italian Novel provides a broad ranging introduction to the major trends in the development of the Italian novel from its early modern origin to the contemporary era. Contributions cover a wide range of topics including the theory of the novel in Italy, the historical novel, realism, modernism, postmodernism, neorealism, and film and the novel. The contributors are distinguished scholars from the United Kingdom, the United States, Italy, and Australia. Novelists examined include some of the most influential and important of the twentieth century inside and outside Italy: Luigi Pirandello, Primo Levi, Umberto Eco and Italo Calvino. This is a unique examination of the Italian Novel, and will prove invaluable to students and specialists alike. Readers will gain a keen sense of the vitality of the Italian novel throughout its history and a clear picture of the debates and criticism that have surrounded its development.

The Cambridge Companion to the Italian Novel provides a broad ranging introduction to the major trends in the development of the Italian novel from its early modern origin to the contemporary era. Contributions cover a wide range of topics including the theory of the novel in Italy, the historical novel, realism, modernism, postmodernism, neorealism, and film and the novel. The contributors are distinguished scholars from the United Kingdom, the United States, Italy, and Australia. Novelists examined include some of the most influential and important of the twentieth century inside and outside Italy: Luigi Pirandello, Primo Levi, Umberto Eco and Italo Calvino. This is a unique examination of the Italian Novel, and will prove invaluable to students and specialists alike. Readers will gain a keen sense of the vitality of the Italian novel throughout its history and a clear picture of the debates and criticism that have surrounded its development.

There is a wealth of critical commentary on Umberto Eco in scholarly books and articles; this collection provides thought-provoking insights into topics that have attracted a great deal of attention in the past without repeating many of the arguments found in earlier publications on Eco. Representing the most active scholars writing on Eco from a variety of disciplinary perspectives, the international panel of authors provides sophisticated engagement with Eco's contributions to a wide range of academic disciplines (semiotics, popular culture, linguistics, aesthetics, philosophy, medieval studies) as well as his literary production of five important novels. From the impact of the detective genre on Eco's literary work to his place as a major medievalist, New Essays on Umberto Eco covers a variety of subjects of interest not only to a wide audience interested in Eco's fiction, but also to the serious student delving into Eco's more esoteric writings.

This major artistic biography of Federico Fellini shows how his exuberant imagination has been shaped by popular culture, literature, and his encounter with the ideas of C. G. Jung, especially Jungian dream interpretation. Covering Fellini's entire career, the book links his mature accomplishments to his first employment as a cartoonist, gagman, and sketch-artist during the Fascist era and his development as a leading neo-realist scriptwriter. Peter Bondanella thoroughly explores key Fellinian themes to reveal the director's growth not only as an artistic master of the visual image but also as an astute interpreter of culture and politics. Throughout the book Bondanella draws on a new archive of several dozen manuscripts, obtained from Fellini and his scriptwriters. These previously unexamined documents allow a comprehensive treatment of Fellini's important part in the rise of Italian neorealism and the even more decisive role that he played in the evolution of Italian cinema beyond neorealism in the 1950s.By probing Fellini's recurring themes, Bondanella reinterprets the visual qualities of the director's body of work--and also discloses in the films a critical and intellectual vitality often hidden by Fellini's reputation as a storyteller and entertainer. After two chapters on Fellini's precinematic career, the book covers all the films to date in analytical chapters arranged by topic: Fellini and his growth beyond his neorealist apprenticeship, dreams and metacinema, literature and cinema, Fellini and politics, Fellini and the image of women, and La voce della luna and the cinema of poetry.

A major new interpretation of the impact of ancient Rome on our culture, this study charts the effects of two diametrically opposed views of Roman antiquity: the virtuous republic of self-less citizen soldiers and the corrupt empire of power-hungry tyrants. The power of these images is second only to those derived from Christianity in constructing our modern culture. Few modern readers are aware of how indebted we are to the Roman model of our political philosophy, art, music, cinema, opera, and drama. Originally published in 1987. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

A History of Italian Cinema, 2nd edition is the much anticipated update from the author of the bestselling Italian Cinema - which has been published in four landmark editions and will celebrate its 35th anniversary in 2018. Building upon decades of research, Peter Bondanella and Federico Pacchioni reorganize the current History in order to keep the book fresh and responsive not only to the actual films being created in Italy in the twenty-first century but also to the rapidly changing priorities of Italian film studies and film scholars.The new edition brings the definitive history of the subject, from the birth of cinema to the present day, up to date with a revised filmography as well as more focused attention on the melodrama, the crime film, and the historical drama. The book is expanded to include a new generation of directors as well as to highlight themes such as gender issues, immigration, and media politics. Accessible, comprehensive, and heavily illustrated throughout, this is an essential purchase for any fan of Italian film.