Peter Bosch – författare

This book presents a collection of papers on the issue of focus in its broadest sense. While commonly being considered as related to phenomena such as presupposition and anaphora, focusing is much more widely spread, and it is this pervasiveness that this collection addresses. The volume explicitly aims to bring together theoretical, psychological, and descriptive approaches to focus, at the same time maintaining the overall interest in how these notions apply to the larger problem of evolving some formal representation of the semantic aspects of linguistic content. The contributed papers to this volume have been reworked from a selection of original work presented at a conference held in 1994 in Schloss Wolfsbrunnen in Germany.

This book presents a collection of papers on the issue of focus in its broadest sense. While commonly being considered as related to phenomena such as presupposition and anaphora, focusing is much more widely spread, and it is this pervasiveness that this collection addresses. The volume explicitly aims to bring together theoretical, psychological, and descriptive approaches to focus, at the same time maintaining the overall interest in how these notions apply to the larger problem of evolving some formal representation of the semantic aspects of linguistic content. The contributed papers to this volume have been reworked from a selection of original work presented at a conference held in 1994 in Schloss Wolfsbrunnen in Germany.

In AMERICAN MOVIE COMIC BOOKS (1930s-1970s), author PETER BOSCH continues his remarkable history of Hollywood’s ongoing love affair with comic books. The sequel to AMERICAN TV COMIC BOOKS, this new book looks at hundreds of Tinseltown’s motion pictures that made the jump from the silver screen to the comics page, starting from the days of Charlie Chaplin and continuing through to the wonders of Steven Spielberg. Along with comics story pages from the industry’s greatest talents—including JACK KIRBY, RUSS MANNING, AL WILLIAMSON, FRANK FRAZETTA, ALEX TOTH, DAN SPIEGLE, WALLACE WOOD, STEVE DITKO, JOHN BUSCEMA, GEORGE PÉREZ, and WALTER SIMONSON (to name just a few!)—you will discover full-color photo covers, posters, original art, and much more! It’s the ultimate reference for films from the Thirties to the Seventies that were adapted to comics, including The Wizard of Oz, Ben-Hur, Around the World in 80 Days, Disney’s cinema classics and animated movies, Yellow Submarine, 2001: A Space Odyssey, Star Wars, Alien, The Planet of the Apes series, and many others. Don’t miss this blockbuster, perfect for anyone who enjoys movies and comics alike!

Edited in collaboration with FoLLI, the Association of Logic, Language and Information, this book constitutes the refereed proceedings of the 7th International Tbilisi Symposium on Logic, Language, and Computation, TbiLLC 2007, held in Tbilisi, Georgia, in October 2007.The 22 revised full papers included in the book were carefully reviewed and selected from numerous presentations given at the symposium. The focus of the papers is on the following topics: conceptual modeling of spatial relations, pragmatics and game theory, atypical valency phenomena, lexical typology, formal semantics and experimental evidence, exceptional quantifier scope, Georgian focussing particles, polarity and pragmatics, dynamics of belief, learning theory, inquisitive semantics, modal logic, coalgebras, computational linguistics of Georgian, type-logical grammar and cross-serial dependencies, non-monotonic logic, Japanese quantifiers, intuitionistic logic, semantics of negated nominals, word sense disambiguation, semantics of question-embedding predicates, and reciprocals and computational complexity.