Peter Brown – författare

This classic biography was first published forty-five years ago and has since established itself as the standard account of Saint Augustine's life and teaching.

Terence (?184-159 BC) was the outstanding comic playwright of his generation at Rome and one of the founding fathers of European comic drama. His plays have been imitated by authors as diverse as the nun Hrothswitha in the tenth century and P. G. Wodehouse in the twentieth. They deal with the love-life of adolescent boys and with associated tensions in their relations with their fathers. They show love triumphing over obstacles of various kinds, and they also portray the problems that arise from ignorance, misunderstanding, and prejudice. They are true to universal elements of human experience, and audiences today can readily engage with the issues they raise. This new translation with introduction and explanatory notes aims to convey the liveliness of the plays as pieces written for the theatre.

Reading Dreams contains seven new essays, based on new research, on the representation and interpretation of medieval and Renaissance dreams. The textual focus is both literary and non-literary. Chaucer and Shakespeare are important reference-points, while Langland, the Pearl-poet and Milton receive significant coverage. Diaries, philosophical texts, polemical writings, works on dream theory and medical treatises are also extensively used. The methodology is a mixture of close reading, detailed comparison and contextualising. Theoretical approaches are drawn from Freud, anthropology, social history and gender studies as well as from literary criticism. This is the first time that English-speaking scholars have collaborated to produce a book about medieval and Renaissance dreams. Their essays are designed to develop innovative and novel approaches of a variety and range possible only in a specially commissioned collection of essays. At the same time, there are recurrent preoccupations, such as the relationship of theory to text, and the status of dreams as historical evidence. The authors open up new areas of enquiry, and suggest and exemplify possible approaches. In so doing, and by including three scholars who have written acclaimed works on medieval dreams (A. C. Spearing, Kathryn Lynch and Steven Kruger), Reading Dreams will provide an authoritative advance on previous studies. It also represents a new departure by extending the debate across the medieval and Renaissance periods.

Opera was invented at the end of the sixteenth century in imitation of the supposed style of delivery of ancient Greek tragedy, and, since then, operas based on Greek drama have been among the most important in the repertoire. This collection of essays by leading authorities in the fields of Classics, Musicology, Dance Studies, English Literature, Modern Languages, and Theatre Studies provides an exceptionally wide-ranging and detailed overview of the relationship between the two genres. Since tragedies have played a much larger part than comedies in this branch of operatic history, the volume mostly concentrates on the tragic repertoire, but a chapter on musical versions of Aristophanes' Lysistrata is included, as well as discussions of incidental music, a very important part of the musical reception of ancient drama, from Andrea Gabrieli in 1585 to Harrison Birtwistle and Judith Weir in the late twentieth and early twenty-first centuries.

Opera was invented at the end of the sixteenth century in imitation of the supposed style of delivery of ancient Greek tragedy, and, since then, operas based on Greek drama have been among the most important in the repertoire. This collection of essays by leading authorities in the fields of Classics, Musicology, Dance Studies, English Literature, Modern Languages, and Theatre Studies provides an exceptionally wide-ranging and detailed overview of the relationship between the two genres. Since tragedies have played a much larger part than comedies in this branch of operatic history, the volume mostly concentrates on the tragic repertoire, but a chapter on musical versions of Aristophanes' Lysistrata is included, as well as discussions of incidental music, a very important part of the musical reception of ancient drama, from Andrea Gabrieli in 1585 to Harrison Birtwistle and Judith Weir in the late twentieth and early twenty-first centuries.

In this groundbreaking work, Peter Brown explores how the worship of saints and their corporeal remains became central to religious life in Western Europe after the fall of the Roman Empire. During this period, earthly remnants served as a heavenly connection, and their veneration is a fascinating window into the cultural mood of a region in transition. Brown challenges the long-held "two-tier" idea of religion that separated the religious practices of the sophisticated elites from those of the superstitious masses, instead arguing that the cult of the saints crossed boundaries and played a dynamic part in both the Christian faith and the larger world of late antiquity. He shows how men and women living in harsh and sometimes barbaric times relied upon the holy dead to obtain justice, forgiveness, and power, and how a single sainted hair could inspire great thinkers and great artists. An essential text by one of the foremost scholars of European history, this expanded edition includes a new preface from Brown that presents new ideas based on subsequent scholarship.

First published in 1988, Peter Brown's The Body and Society was a groundbreaking study of the marriage and sexual practices of early Christians in the ancient Mediterranean and Near East. Brown focuses on the practice of permanent sexual renunciation-continence, celibacy, and lifelong virginity-in Christian circles from the first to the fifth centuries A.D. and traces early Christians' preoccupations with sexuality and the body in the work of the period's great writers. The Body and Society questions how theological views on sexuality and the human body both mirrored and shaped relationships between men and women, Roman aristocracy and slaves, and the married and the celibate. Brown discusses Tertullian, Valentinus, Clement of Alexandria, Origen, Constantine, the Desert Fathers, Jerome, Ambrose, and Augustine, among others, and considers asceticism and society in the Eastern Empire, martyrdom and prophecy, gnostic spiritual guidance, promiscuity among the men and women of the church, monks and marriage in Egypt, the ascetic life of women in fourth-century Jerusalem, and the body and society in the early Middle Ages.In his new introduction, Brown reflects on his work's reception in the scholarly community.

First published in 1988, Peter Brown's The Body and Society was a groundbreaking study of the marriage and sexual practices of early Christians in the ancient Mediterranean and Near East. Brown focuses on the practice of permanent sexual renunciation-continence, celibacy, and lifelong virginity-in Christian circles from the first to the fifth centuries A.D. and traces early Christians' preoccupations with sexuality and the body in the work of the period's great writers. The Body and Society questions how theological views on sexuality and the human body both mirrored and shaped relationships between men and women, Roman aristocracy and slaves, and the married and the celibate. Brown discusses Tertullian, Valentinus, Clement of Alexandria, Origen, Constantine, the Desert Fathers, Jerome, Ambrose, and Augustine, among others, and considers asceticism and society in the Eastern Empire, martyrdom and prophecy, gnostic spiritual guidance, promiscuity among the men and women of the church, monks and marriage in Egypt, the ascetic life of women in fourth-century Jerusalem, and the body and society in the early Middle Ages.In his new introduction, Brown reflects on his work's reception in the scholarly community.

Peter Brown, a known authority on Mediterranean civilisation in late antiquity, traces the growing power of early Christian bishops as they wrested influence from the philosophers who had traditionally advised the rulers of Graeco-Roman society. In the new ""Christian empire"", the ancient bonds of citizen to citizen and of each city to its benefactors were replaced by a common loyalty to a distant, Christian autocrat. This transformation of the Roman Empire from an ancient to a medieval society, Brown argues, is among the most far-reaching consequences of the rise of Christianity. In the last centuries of the Roman Empire, the power of the emperors depended on collaboration with the local elites. The shared ideals of Graeco-Roman culture (""paideia""), which were inculcated among the elite by their education, acted as unwritten constitution. The philosophers, as representives of this cultural tradition and as critics and advisors of the powerful, upheld the ideals of just rule and prevented the abuses of power. Between the conversion of Emperor Constantine to Christianity in 312 and the reign of Theodosius (379-395), however, both Christian bishops and uneducated monks emerged as competitors to the traditional educated elites. Claiming as Christians to be the ""true philosophers"", they asserted their own role in swaying the emperors to mercy and just rule. Brown shows how charity to the urban poor gave bishops such as Saint Ambrose a novel power base - the restless lower classes of the empire. The lines of power that led from local society to the imperial court increasingly fell into the hands of the church, as clerics exercised their power to ensure the peace in cities, secure amnesties, and convey to the emperor the wishes of his subjects. Brown also points out how churchmen expressed their new local power through violence against rivals: Jewish synagogues and Roman Temples were destroyed, and Hypatia, one of the few women with a public role as a philosopher, was lynched in Alexandria. Brown demonstrates how Christian teaching provided a model for a more autocratic, hierarchial empire: the ancient ideals of democracy and citizenship gave way to the image of a glorious ruler showing mercy to his lowly and grateful subjects. Drawing upon a wealth of material - newly discovered letters and sermons of Saint Augustine, archaeological evidence, manuscripts in Coptic and Syriac - he provides a portrait of a turbulent and fascinating era.

Hypnosis has recently experienced a surge of popularity in the scientific community and the general public and is currently being used to deal with a wide range of disorders. IN this elegantly written book, Dr. Peter Brown draws on the latest developments in cognitive psychology, anthropology, ethnology, and neuroscience to offer a new explanation for how hypnosis works and how it can be applied.  Brown argues that the ability to hypnotized and be hypnotized is closely related to brain functions that are uniquely human—especially to our ability to communicate with others. He begins by looking at the way communication has evolved, especially our use of facial expression and the tonal aspects of speech to synchronize interactions. These features were particularly important for the transmission of culture in oral societies before the advent of writing. He next considers the changes the brain undergoes during hypnosis, proposing that hypnotherapy can be understood as the interaction between two fundamental brain functions: the rhythmic alteration in level of consciousness that the brain undergoes throughout the course of the day, and the capacity to use metaphor, imagery, and analogy to understand ourselves and the world. Brown discusses some of the clinical uses of hypnotherapy, in particular the exploration of multiple personality disorder (which can be characterized as spontaneous self-hypnosis as a means of coping with trauma) and the role of hypnosis in treating medical illness. In his final chapter he deals with how language may be used in hypnotherapy, with examples from the work of eth late Milton Erickson, one of the most influential clinicians and teacher sin contemporary hypnosis.

This gorgeously illustrated picture book opens to a detailed spread of a gray city. If you look closely, you can spot the tiny figure of a red-headed boy, Liam, walking down the street. THE CURIOUS GARDEN tells the story of how this young boy discovers a door that leads up to abandoned railroad tracks where he finds a forgotten garden. He cares for the plants and helps them flourish, and they gradually spread throughout the city, transforming it, bit by bit, into a lush, green world.With spare text and breathtaking illustrations, and a classic feel reminiscent of THE LITTLE HOUSE and MIKE MULLIGAN AND HIS STEAM SHOVEL, this is a magical picture book about the power that one small person can have to transform the world.

In this fresh and funny picture book, Lucy, a young bear, discovers a lost boy in the woods and she thinks she's found the most adorable, cutest pet ever. She brings him home, and begs her mom to keep him, even though her mom tells her that 'children make terrible pets.' She names him Squeaker and the two go through a humorous sequence of events: playing, napping, litterbox training (okay, maybe that's not fun!) and all other sorts of shenanigans. But then Squeaker suddenly goes missing. Lucy is heartbroken and looks for him everywhere. Finally, she finds him back with his own family and she makes the tough decision to let him stay where he belongs. Bestselling author Peter Brown is back with a side-splitting and endlessly adorable story, illustrated in a striking and fun art style.

Today is the day the exuberant Lucy is going to make a new friend! But she finds it's harder than she had thought--she accidentally ruins the giraffe's breakfast and is much too big for the frogs' pond. Just when she's about to give up, an unexpected friend finds her, and loves her just the way she is.This heartwarming story offers a unique and humor-filled spin on the all-important themes of persistence and friendship.

Mr. Tiger lived a perfectly proper life in a perfectly proper city. And everything was perfectly fine...until the day he had a wonderfully wild idea! Why choose to stay in the stuffy city when there is a whole wide world of wilderness and wildness to explore? So Mr. Tiger bounds off on an adventure to discover where he really belongs. From beloved author Peter Brown and using a brand-new art style, Mr. Tiger Goes Wild shows us that there's a time and place for everything. Even going wild.

A stimulating look at the rise of the cult of the saints, weaving it within its social and cultural context. A beautifully written book' (Catholic Herald). `This book, besides being scholarly, is immensely readable and profoundly rewarding for anyone interested in Christianity's brave attempt to "join heaven and earth" in a whole that is both familiar and holy' (Church Times). `Its style is that of the orator, full of grace and glory, carrying an audience along into a rich and many-coloured world where a seventeenth-century lyric of profane love provides a chapter heading to a discussion of early Christian tombs, and present-day dealings with a fqih in Morocco proves a parallel for appeals to the saints in the late antique world' (New Blackfriars).

These centuries, as the author demonstrates, were the era in which the most deeply rooted of ancient institutions disappeared for all time. By 476 the Roman empire had vanished from western Europe; by 655 the Persian empire had vanished from the Near East. Mr. Brown, Professor of History at Princeton University, examines these changes and men's reactions to them, but his account shows that the period was also one of outstanding new beginnings and defines the far-reaching impact both of Christianity on Europe and of Islam on the Near East. The result is a lucid answer to a crucial question in world history; how the exceptionally homogeneous Mediterranean world of c. 200 A.D. became divided into the three mutually estranged societies of the Middle Ages: Catholic Western Europe, Byzantium, and Islam. We still live with the results of these contrasts.