Peter Cooke – författare

Before Modernism, narrative painting was one of the most acclaimed and challenging modes of picture-making in Western art, yet by the early twentieth century storytelling had all but disappeared from ambitious art. France was a key player in both the dramatic rise and the controversial demise of narrative art. This is the first book to analyse French painting in relation to narrative, from Poussin in the early seventeenth to Gauguin in the late nineteenth century. Thirteen original essays shed light on key moments and aspects of narrative and French painting through the study of artists such as Nicolas Poussin, Charles Le Brun, Jacques-Louis David, Paul Delaroche, Gustave Moreau, and Paul Gauguin. Using a range of theoretical perspectives, the authors study key issues such as temporality, theatricality, word-and-image relations, the narrative function of inanimate objects, the role played by viewers, and the ways in which visual narrative has been bound up with history painting. The book offers a fresh look at familiar material, as well as studying some little-known works of art, and reveals the centrality and complexity of narrative in French painting over the course of three centuries.

This engaging volume explores the management of fire in one of the world’s most flammable landscapes: Australia’s tropical savannas, where on average 18% of the landscape is burned annually. Impacts have been particularly severe in the Arnhem Land Plateau, a centre of plant and animal diversity on Indigenous land. Culture, Ecology and Economy of Fire Management in North Australian Savannas documents a remarkable collaboration between Arnhem Land’s traditional landowners and the scientific community to arrest a potentially catastrophic fire-driven decline in the natural and cultural assets of the region – not by excluding fire, but by using it better through restoration of Indigenous control over burning. This multi-disciplinary treatment encompasses the history of fire use in the savannas, the post-settlement changes that altered fire patterns, the personal histories of a small number of people who lived most of their lives on the plateau and, critically, their deep knowledge of fire and how to apply it to care for country. Uniquely, it shows how such knowledge and commitment can be deployed in conjunction with rigorous formal scientific analysis, advanced technology, new cross-cultural institutions and the emerging carbon economy to build partnerships for controlling fire at scales that were, until this demonstration, thought beyond effective intervention.

This engaging volume explores the management of fire in one of the world’s most flammable landscapes: Australia’s tropical savannas, where on average 18% of the landscape is burned annually. Impacts have been particularly severe in the Arnhem Land Plateau, a centre of plant and animal diversity on Indigenous land.

Culture, Ecology and Economy of Fire Management in North Australian Savannas documents a remarkable collaboration between Arnhem Land’s traditional landowners and the scientific community to arrest a potentially catastrophic fire-driven decline in the natural and cultural assets of the region – not by excluding fire, but by using it better through restoration of Indigenous control over burning.

This multi-disciplinary treatment encompasses the history of fire use in the savannas, the post-settlement changes that altered fire patterns, the personal histories of a small number of people who lived most of their lives on the plateau and, critically, their deep knowledge of fire and how to apply it to care for country. Uniquely, it shows how such knowledge and commitment can be deployed in conjunction with rigorous formal scientific analysis, advanced technology, new cross-cultural institutions and the emerging carbon economy to build partnerships for controlling fire at scales that were, until this demonstration, thought beyond effective intervention.

Before Modernism, narrative painting was one of the most acclaimed and challenging modes of picture-making in Western art, yet by the early twentieth century storytelling had all but disappeared from ambitious art. France was a key player in both the dramatic rise and the controversial demise of narrative art. This is the first book to analyse French painting in relation to narrative, from Poussin in the early seventeenth to Gauguin in the late nineteenth century. Thirteen original essays shed light on key moments and aspects of narrative and French painting through the study of artists such as Nicolas Poussin, Charles Le Brun, Jacques-Louis David, Paul Delaroche, Gustave Moreau, and Paul Gauguin. Using a range of theoretical perspectives, the authors study key issues such as temporality, theatricality, word-and-image relations, the narrative function of inanimate objects, the role played by viewers, and the ways in which visual narrative has been bound up with history painting. The book offers a fresh look at familiar material, as well as studying some little-known works of art, and reveals the centrality and complexity of narrative in French painting over the course of three centuries.